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paperbound, 4to 127 pp., ca. 100 ills tentoonstellingscatalogus; werken uit de bloeiperiode van de pre-renaissance tot het einde van de 17e eeuw; en vanaf de 18e eeuw Spaanse tapijten uit de Real Fabrica de Tapices in Madrid; zeer goede conditie.

cloth, dustjacket, 4to 127 pp., ca. 50 ills. exhibition catalogue of tapestries; very good condition.

123 (4) p. Paperback (Mooi exemplaar.).

Soft cover. Condición: Very Good. 30,5 x 23 cm - 123+(4) pgs - originele omslag (soft cover) - meeste afbeeldingen in kleur - goed ex.

Hardcover. Condición: Gut bis sehr gut. Ausstellungskatalog, Paperback, 4° 122 S., rückw. Deckel mit kl. Knickspur, sonst nur gering lagerspurig, Buchblock u. Blattseiten tadellos.

Condición: New.

hardcover. Condición: New. 1st.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 290 pages. 10.75x7.50x1.00 inches. In Stock.

Condición: New.

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. Book Series Corpus Rubenianum Ludwig Burchard, vol. 27.2 About this series Add to Wishlist Works in Collaboration Frans Snijders and Other Masters Anne T. Woollett, Nils Büttner, Elizabeth McGrath, Alexandra N. Bauer Pages: 290 p. Size:175 x 260 mm Illustrations:65 b/w, 42 col. Language(s):English Publication Year:2025 Buy print version ? 180,00 EXCL. VAT RETAIL PRICE ISBN: 978-1-915487-58-2 Hardback Available The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Subject(s) Baroque & Rococo painting BIO Anne T. Woollett is Curator of Paintings, J. Paul Getty Museum, Los Angeles, CA, USA; Nils Büttner is Professor of Art History at the State Academy of Art and Design in Stuttgart; Elizabeth McGrath is Professor Emerita of Art History and Honorary Fellow of the Warburg Institute, University of London; Alexandra Nina Engel is Curator of German, Dutch and Flemish Paintings, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg (SPSG), Potsdam, Germany. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp.

Hardcover. Condición: new. Hardcover. Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

209 pages, illustrated. Hardback 26 x 17cms. ISBN: 9781915487582. The present volume is devoted to Rubens's partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Text in English. Catalogue raisonné.

Condición: New. 2025. hardcover. . . . . .

Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

4° 125 S. Zustand: Gut (+), hauchzart gebräunte Seitenränder. ,brosch.

Paperback. Condición: Very Good. 123 p. ill. papier Philip II [King of Spain] Charles V [Holy Roman emperor] Patriomonio Nacional [Madrid] Art Applied arts. Arts and crafts Spanje, koninklijke verzameling Spain Flanders tapestries. gold (metal) Gobelin tapestry. Gold. Text Dutch Tentoonstelling: Bayerisches Nationalmuseum, München, maart en april 1993 Koninklijke Manufactuur van Wandtapijten Gaspard De Wit, Mechelen, mei en juni 1993 Stichting De Nieuwe Kerk in samenwerking met het Rijksmuseum, Amsterdam, juli en augustus 1993.

Hardcover. Condición: new. Hardcover. Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.