Thomson john hunter (6 resultados)
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Idioma: Inglés
Editorial: Department of Conservation and Land Management, Australia, 1991
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Librería: PsychoBabel & Skoob Books, Didcot, Reino UnidoPsychoBabel & Skoob Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 25,07
Envío por EUR 14,57Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Very Good. Staplebound paperback in very good condition, 104pp. Minor edgewear to covers, sticker remnant to front, page edges lightly tanned. Illustrated throughout, pages clean and unmarked. AD. Used.
Editorial: Department of Conservation and Land Management, 1996
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Librería: Harry Righton, evesham, Reino UnidoHarry Righton
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 12,01
Envío por EUR 23,31Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Soft Cover. Condición: Very Good. Size: 16mo - over 5¾" - 6¾" tall.
THOMSON: National Gallery of Canada: 7 Jun - 8 Sept 2002; Vancouver Art Gallery: 5 Oct 2002 - 5 Jan 2003; Musee Du Quebec: 6 Feb - 3 Apr 2003; Art Gallery of Ontario: 30 May - 7 Sept 2003; Winnipeg Art Gallery: 29 Sept - 7 Dec 2003
Thomson, Tom; Edited By Denis Reid; Essays By Charles C. Hill, Andrew Hunter, Denis Reid, Robert Stacey and John Wadland; Technical Studies By Sandra Webster-Cook and Anne Ruggles
Idioma: Inglés
Editorial: Art Gallery of Ontario - National Gallery of Canada - Douglas McIntyre, 2002
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Librería: Montreal Books, Westmount, QC, CanadaMontreal Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 71,86
Envío por EUR 4,32Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Fine (Book Condition). Estado de la sobrecubierta: Fine (Jacket Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ].
Editorial: 191 Euston Road London. 11 October, 1882
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- Manuscript / Paper Collectible
Librería: Richard M. Ford Ltd, London, Reino UnidoRichard M. Ford Ltd
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 67,24
Envío por EUR 5,25Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carrito3pp., 12mo. Bifolium. In stamped and postmarked envelope, addressed in the same hand to 'J. Y. [sic] Baron Esq. | 48, Griffin Street, | Tritton | Blackburn'. In good condition, on lightly-aged paper, in slightly discoloured envelope. It is not known who acted as Marston's amanuensis after the death of his sister Cicely in 1878:…the present letter is written in a neat and somewhat childish hand. It dates from what had been an extremely trying year for Marston, with Rossetti dying the previous April, and the dying James Thomson being carried from Marston's rooms two months later. Baron was a shameless autograph hunter, and in response to one of his stock requests Marston begins: 'Dear Sir, | I am sorry to have misunderstood your inquiry, as I see I have done. My two books are published by Chatto & Windus of Piccadilly, where I have no doubt they can be procured'. He would be glad to send Baron a photograph, but he has none. 'I was last taken six years ago, & had only a few copies made', an engraving from one of them appearing in 'Harper's Magazine' in May of the same year, in an article entitled 'some London Poets', 'but in case you should come across it I may say that it does not please my friends'. He concludes with thanks for Baron's 'warm wishes'.
THOMSON: National Gallery of Canada: 7 Jun - 8 Sept 2002; Vancouver Art Gallery: 5 Oct 2002 - 5 Jan 2003; Musee Du Quebec: 6 Feb - 3 Apr 2003; Art Gallery of Ontario: 30 May - 7 Sept 2003; Winnipeg Art Gallery: 29 Sept - 7 Dec 2003
Thomson, Tom; Edited By Denis Reid; Essays By Charles C. Hill, Andrew Hunter, Denis Reid, Robert Stacey and John Wadland; Technical Studies By Sandra Webster-Cook and Anne Ruggles
Editorial: Art Gallery of Ontario - National Gallery of Canada - Douglas McIntyre, 2002
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Librería: RPBooks, Champlain, NY, Estados Unidos de AmericaRPBooks
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado
EUR 71,86
Envío por EUR 6,06Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Fine (Book Condition). Fine (Jacket Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: square 4to, 386pp. Book.
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Where the Buffalo Roam (Original screening invitation illustrated by Ralph Steadman for the 1980 film)
Hunter S. Thomson (books); Ralph Steadman (illustrator); Art Linson (director); John Kaye (screenwriter); Bill Murray, Peter Boyle, Bruno Kirby, Rene Auberjonois (starring)
Editorial: Universal Pictures, Universal City, 1980
- Manuscript / Paper Collectible
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de AmericaRoyal Books, Inc., ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 112,28
Envío por EUR 8,72Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoVintage screening invitation for the 1980 film, illustrated by Ralph Steadman on the recto, with film credits on the verso. More than a little loosely based on Hunter S. Thompson's obituary for his closest associate, Oscar Zeta Acosta, a.k.a. Dr. Gonzo, "The Banshee Screams for Buffalo Meat," which appeared in October 1977 issue… of "Rolling Stone." A film that, despite being an unholy mess, represents in retrospect an intersection of ideas and talent, as well as the first of many messy attempts to commit to celluloid the basically un-filmable life and work of Hunter S. Thompson. Bill Murray, at this time little more than a droll comedic sensation, arguably made the first step toward becoming the four-dimensional icon he is today, though not necessarily by intention. Both Murray and Thompson had serious concerns about the quality of Kaye's script, and at the beginning of filming both Thompson and Ralph Steadman came onto the set as "executive consultants." Though the author says he did little other than "wander around and fire machine guns," his influence on Murray was profound. The actor became obsessed with his idol, and by all accounts became one with him. During production, Murray and Thompson engaged in a series of dangerous one-upmanship contests, including a Houdini-inspired stunt where Thompson tied Murray to a chair and threw him into a swimming pool. Murray nearly drowned before Thompson pulled him out. The pair's obsession with the film's poor script and continuity led to a hasty final addition of a voice-over narration and two explanatory scenes at the film's end. Three days prior to release, a press screening was canceled because the film was still being edited. When Murray returned to the Saturday Night Live set in the fall of 1980, he was still immersed in character, complete with long black cigarette holder, dark glasses, and nasty habits. One of the show's writers said that Murray .".was not Bill Murray, he was Hunter Thompson. You couldn't talk to him without talking to Hunter Thompson." (Doug Hill and Jeff Weingrad, "Saturday Night Live: A Backstage History," William Morrow, 1989) 3.75 x 9 inches, with a satin finish recto and matte verso. Fine.
