taubin amy (53 resultados)

Condición: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: New. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle - pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.

Paperback. Condición: new. Paperback. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Fine.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Very Good in Wrappers. No Jacket. London. 2000. British Film Institute. Reprinted Paperback Edition. Very Good in Wrappers. 0851703933. BFI Film Classics. 96 pages. paperback. keywords: Film. DESCRIPTION - Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive American films of the 1970s. De Niro is mesmerising as Travis Bickle - pent up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. inventory #48059.

Condición: new.

Condición: New. 2012. Second Edition, Revised. Paperback. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Series: BFI Film Classics. Num Pages: 88 pages, 24 colour illustrations, 26 black & white halftones. BIC Classification: APFG. Category: (G) General (US: Trade). Dimension: 189 x 137 x 7. Weight in Grams: 178. Series: BFI Film Classics. 88 pages, 24 colour illustrations, 26 black & white halftones. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Cateogry: (G) General (US: Trade). BIC Classification: APFG. Dimension: 189 x 137 x 7. Weight: 176. . . . . .

Paperback. Condición: Brand New. 2nd revised edition. 88 pages. 7.50x5.50x0.50 inches. In Stock.

Condición: New. 2012. Second Edition, Revised. Paperback. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Series: BFI Film Classics. Num Pages: 88 pages, 24 colour illustrations, 26 black & white halftones. BIC Classification: APFG. Category: (G) General (US: Trade). Dimension: 189 x 137 x 7. Weight in Grams: 178. Series: BFI Film Classics. 88 pages, 24 colour illustrations, 26 black & white halftones. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Cateogry: (G) General (US: Trade). BIC Classification: APFG. Dimension: 189 x 137 x 7. Weight: 176. . . . . . Books ship from the US and Ireland.

Magazine. Condición: Very Good. Very Good white paperback magazine about 9x11¾ inches with minor edgewear. 72 pages, unmarked. Contributors: Jeanette Winterson, Tony Rayns, Amy Taubin, Janet Abrams, Adam Barker, John Powers, J. Hoberman, Peter Biskind, Michael Rose, Alex Potemkin, et al. ; OVRC1; 4to 11" - 13" tall; 72 pages.

Heft; Condición: Gut. 27 Seiten; Neben dem oben aufgeführten Artikel befinden sich auch weitere Beiträge auch anderer Autoren in dem gut erhaltenen Heft. Sprache: Deutsch Gewicht in Gramm: 200.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

paperback. Condición: Very Good in Wrappers. No Jacket. First Edition. London. 2000. British Film Institute. 1st American Edition. Very Good in Wrappers. 0851703933. BFI Film Classics. 96 pages. paperback. keywords: Film. DESCRIPTION - Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive American films of the 1970s. De Niro is mesmerising as Travis Bickle - pent up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing - finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. inventory #34872.

Paperback. Condición: Very Good. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. Robert de Niro plays Travis Bickle, Vietnam veteran and cab driver, who finally goes over the edge. This text is part of the "BFI Film Classics" series. Each volume in the series presents a personal commentary on the film, together with a brief production history and a detailed filmography, notes and bibliography. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. pp. 88 Acknowledgements.

Paperback. Condición: New.

Small Paper. Condición: Fine. First Printing. The first edition of study on the great Scorsese urban thriller. Illustrated with many stills and photos including many in color. Fine. Book.

Magazine. Condición: Very Good. [ART]. Ed. Tim Griffin. Contributors: Amy Taubin, Tauba Auerbach, Christine Mehring, Douglas Crimp, Nick Mauss, et al. "Artforum International, XLVII, No. 2, October 2008." New York: Artforum, 2008. First edition. English language. Magazine with spine and pictorial wrappers. Nonfiction art criticism with ads and full-color photos. 10 1/2 x 10 1/2 inches. 50 oz. 408 pp. Creasing on spine. Small tear at bottom of front cover. Some waviness at top of page block. Price in pencil on first page. Intact. Text clean. Very Good. No ISBN. ASIN: B004BW0RT2. "Artforum is the international art world's magazine of record. For over fifty years, Artforum has reported on the world of ideas with insight and authority. Ten times a year, our roster of distinguished critics, artists, curators, and historians surveys the latest developments in contemporary art. In addition to the visual arts, Artforum covers fashion, photography, architecture, film, and music.".

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Soft cover. Condición: As New. Softcover, 31 pages. 12 x 8 inches. Exhibition book published on the occasion of Arthur Jafa's film exhibition, *****, at Gladstone Gallery, New York. Jafa's 73-minute film presents the sequence of the brothel massacre that concludes Martin Scorsese's 1976 film Taxi Driver in a repeated loop, with a twist: everyone Travis murders is now Black, not white.

Softcover/Paperback. Condición: Fine. First Edition. Pre-uber and post the Vietnam War on the streets of New York City; one of the publisher's series of Film Classics Pictorial wrappers. Fine. book.

Paperback. Condición: new. Paperback. Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture.In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. Taxi Driver is one of the major films of the 1970s, which established Martin Scorcese's reputation as a prominent American director. This new edition of Taubin's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by Amy Taubin, and a stunning new jacket design by Marc Atkins. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Softcover. First Edition; First Printing. Very Good+ in wraps. Owner personalization inked on FEP.; BFI Film Classics; 79 pages.