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Añadir al carritoPaperback or Softback. Condición: New. Page and Stage: Intersections of Text and Performance in Ancient Greek Drama. Book.
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Añadir al carritoPaperback. Condición: new. Paperback. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles Antigone; the significance of the use of deictic pronouns in Sophocles Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus Eumenides and Diktoulkoi. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished collection of internat Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Magus Books Seattle, Seattle, WA, Estados Unidos de America
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Añadir al carritoHardcover. Condición: VG-. No Jacket. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.
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Añadir al carritoHardcover. Condición: New. New. Clean, unmarked pages. Fine binding and cover. Hardcover.
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Publicado por De Gruyter, De Gruyter Jan 2024, 2024
ISBN 10: 3112215370 ISBN 13: 9783112215371
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Publicado por Vandenhoeck & Ruprecht, 2017
ISBN 10: 3946317111 ISBN 13: 9783946317111
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
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Añadir al carritoHardback. Condición: New. 1st. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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EUR 122,96
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Publicado por Vandenhoeck & Ruprecht, 2017
ISBN 10: 3946317111 ISBN 13: 9783946317111
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Añadir al carritoHardcover. Condición: Brand New. 250 pages. 9.21x6.30x0.87 inches. In Stock.
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Vandenhoeck & Ruprecht Dez 2014, 2014
ISBN 10: 3938032812 ISBN 13: 9783938032817
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 89,00
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Añadir al carritoBuch. Condición: Neu. Neuware - Die Reihe Fragmenta Comica wird die vollständige Kommentierung der Fragmente der griechischen Komödie bieten. Ziel der Kommentare ist es, einerseits die in der Regel schwierig zu verstehenden Texte unter allen möglichen Gesichtspunkten zu erschließen, andererseits, wo dies möglich ist, eine Rekonstruktion der Stücke zu versuchen und eine literaturgeschichtliche Einordnung der Autoren vorzunehmen. Die Fragmente und Testimonien werden übersetzt.
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Publicado por Vandenhoeck & Ruprecht, 2014
ISBN 10: 3938032812 ISBN 13: 9783938032817
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Añadir al carritoBuch. Condición: Neu. FrC 8.3 Eupolis frr. 326-497 | Fragmenta incertarum fabularum, Engl/griech, Fragmenta Comica 8 Heft 3 | Stuart Douglas Olson | Buch | 288 S. | Englisch | 2014 | Vandenhoeck & Ruprecht | EAN 9783938032817 | Verantwortliche Person für die EU: Vandenhoeck & Ruprecht, Theaterstr. 13, 37073 Göttingen, ute[dot]schnueckel[at]brill[dot]com | Anbieter: preigu.
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Añadir al carritoHardback. Condición: New. The Prolegomena provide an introduction to the Basler Iliad commentary. The volume includes essays on the history of Iliad commentaries and the text, formulaic language and the oral tradition, grammar, meter, characters, plot and chronological structure, narrative technique, and developments in Homeric criticism, as well as an Index of Mycenaean words with brief explanations.
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Añadir al carritoHardback. Condición: New. The renowned Basler Homer-Kommentar of the Iliad, edited by Anton Bierl and Joachim Latacz and originally published in German, presents the latest developments in Homeric scholarship. Through the English translation of this ground-breaking reference work, edited by S. Douglas Olson, its valuable findings are now made accessible to students and scholars worldwide.
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Añadir al carritoCondición: New. S. Douglas Olson, Department of Classical and Near Eastern Relligions and Cultures, University of Minnesota, Minneapolis, USA Oliver Taplin, Magdalen College, University of Oxford, Oxford, UK Piero Totaro.
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
Original o primera edición
EUR 144,20
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Añadir al carritoHardback. Condición: New. 1st. Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles' Antigone; the significance of the use of deictic pronouns in Sophocles' Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus' Eumenides and Diktoulkoi.
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Añadir al carritoCondición: Sehr gut. Zustand: Sehr gut | Seiten: 193 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.