solien t l (8 resultados)

Condición: Good. - Small oblong quarto [8 inches high by 9 inches wide], softcover bound in printed wrappers with a black & white design on the front cover. The binding is lightly bumped with the edges of the front wrap faded. There are some small, light creases to the wraps with a few score marks to the front wrap. [12] pages. 2 reproductions of works by each artist, 1 of them in color and 1 in black & white. The contents are very good. Good. Catalog for an exhibition shown at the Minneapolis Institute of Arts from April 2 to May 23, 1982.

Wrappers. Condición: Fine Condition. 126 pages. Color Illustrations. Introduction by Colleen J. Sheehy. List of Plates. Exhibition Checklist. Artist Chronology. Artist's Research Bibliography. Book.

First edition. Small softcover. [8 pages.] Exhibition catalog for a show that ran May 17 through August 17, 2008. Features acknowledgements by Stephen Fleischman and an essay by Jane Simon. Includes 10 color illustrations. A near fine copy in stapled wrappers. Uncommon.

SOFTCOVER. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Extra Large Quarto size (4to). in stiff card covers, 64pp, colour plates, etc. The complete Dust Jacket is an original woodcut, printed on rough-cut tan paper, by Donald Bosman . [CONDITION: An extremely well preserved AS NEW unmarked copy in a very slightly sunned but otherwise AS NEW complete Dust JackeT. An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

64, (6)pp. Tipped-in frontis. by T.L. Solien. 4to. Dec. pictorial paper over boards, 1/4 morocco. One of 85 copies on Saunders paper, signed and numbered in pen by the collaborators, from the edition of 118 in all. Cover design by T.L. Solien. Very good.

Hardcover. Condición: Fine. No Jacket. [Partial Colophon]: "[-] Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien [this copy is one of the 85] [-] Bindings are by Claudia cohen; Michael Bixler has set the text in Dante [-] This is copy 50. [signed]: T L Solien John Hawkes". 8 1/2 inches x 11 1/4 in., frontispiece is a mounted reproduction of a black and white drawing; title-page printed in red and black. [1]-64 pp. + signed colophon page. Black morocco leather spine and sides, and corner tips, with title gilt-lettered vertically on the spine; T. L. Solien artwork, printed in colors on the front and back covers, with a photo-illustration collage on the front cover. Weight: 1 1/2 lbs. Signed by Author(s).

In Wrappers. Condición: Fine. T.L. Solien Ilustrador. Grenfell Press,1985. 4to, plain wrappers. Letter 'N' of 18 lettered copies reserved for the author and artist, out of a total edition of118 copies, each signed by Hawkes and Solien on the colophon. In plain wrappers with printed paper label, and including the frontispiece by T.L. Solien. An original printed invitation to the book's opening reception is included. The pages and the wrapper are in FINE condition. Letter 'N' of 18 copies reserved or author and artist.

Full Morocco. Condición: Near Fine. T. L. Solien Ilustrador. Limited Edition. From the colophon: "118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien ." Copy XIII of the Roman numeral edition. T. L. Solien's work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world. Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art; Minneapolis Institute of Art; Tate Gallery, London; National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher's plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case's integrity.