shahar bram (23 resultados)

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Paperback. Condición: Brand New. bilingual edition. 120 pages. 8.00x6.00x0.25 inches. In Stock.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text clean and unmarked. Binding tight. Boards have light wear. Edges of pages have light wear. "Please return to" and name written on front free end paper. Mylar-covered dust jacket has very light wear.

Condición: As New. Unread book in perfect condition.

Condición: New. Num Pages: 64 pages, colour illus. BIC Classification: 1KBB; DCQ. Category: (G) General (US: Trade). Dimension: 234 x 164 x 10. Weight in Grams: 314. . 2013. Hardcover. . . . .

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Num Pages: 64 pages, colour illus. BIC Classification: 1KBB; DCQ. Category: (G) General (US: Trade). Dimension: 234 x 164 x 10. Weight in Grams: 314. . 2013. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condición: Very Good. 1st Edition. Translated by Batya Stein. Poems co-translated by Lisa Katz and Shahar Bram. Hardcover, x + 197 pages, NOT ex-library. Interior is clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Boards show regular shelfwear, short creases, handling scratches. Issued without a dust jacket. -- An interdisciplinary exploration of the relationship between visual art and literature. The book examines how the traumatic experiences of the Holocaust influence the works of Tuvia Rübner, a Hebrew poet, drawing parallels with classical and modern Western art. Bram delves into ekphrasis, the poetic description of a visual work, and the dialogue between painting and poetry, offering a fresh perspective on art and literature's intertwined history?.

Condición: New. &Uumlber den AutorShahar Bram is a writer, poet, and scholar. His publications include: The Stones [Two Cities Press] The Ambassadors of Death: The Sister Arts, Western Canon and the Silent Lines of a Hebrew Survivor [SAP] Charles Ols.

Taschenbuch. Condición: Neu. Neuware - A collaboration between a poet and an artist, Colorful Was Their Voice pays tribute to American poetry in word and colour portraiture. It is the outcome of a dialogue in which ideas and thoughts continuously shift between the visual and the verbal.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Contributes to the interdisciplinary theory of 'word and image', and the history of the relationships between 'sister arts'. This title offers a fresh perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities. Num Pages: 197 pages, colour illus. BIC Classification: 2CSJ; DSBH; DSC; JFSR1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 158 x 18. Weight in Grams: 428. . 2011. Hardcover. . . . .

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rubner's poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God 'hid his face' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Rubner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of "word and image", and the history of the relationships between "sister arts". The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is "the expression of one soul [one artistic form] talking to another". The result is a profound understanding of the central principles of word and image art forms. Konrad-Adenauer Prize for Literature 2012.

Condición: New. Contributes to the interdisciplinary theory of 'word and image', and the history of the relationships between 'sister arts'. This title offers a fresh perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities. Num Pages: 197 pages, colour illus. BIC Classification: 2CSJ; DSBH; DSC; JFSR1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 158 x 18. Weight in Grams: 428. . 2011. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Neuware - Tuvia Rübner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rübner's poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God 'hid his face' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Rübner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of 'word and image', and the history of the relationships between 'sister arts'. The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is 'the expression of one soul [one artistic form] talking to another'. The result is a profound understanding of the central principles of word and image art forms. Konrad-Adenauer Prize for Literature 2012.

Hardback. Condición: New. Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rubner's poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God 'hid his face' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Rubner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of "word and image", and the history of the relationships between "sister arts". The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is "the expression of one soul [one artistic form] talking to another". The result is a profound understanding of the central principles of word and image art forms. Konrad-Adenauer Prize for Literature 2012.

First Edition. First Printing. Octavo (24cm); black paper-covered boards, with titles stamped in gilt on spine; dustjacket; [6],7-164,[4]pp. Two faint scuffs to rear cover, else Fine in a very Near Fine dustjacket, showing only a the most trivial surface wear. "Through a detailed and thoughtful study of the impact of Alfred North Whitehead's philosophy on Olson's aesthetic theory, this book points out the conceptual unity underlying what seems to be a sprawl of fragments in Olson's major work, The Maximus Poems" (from front flap). 81569.