schavemaker eddy (24 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. dust jacket is mylar wrapped.

First edition. Hardcover. 433 pages. Features text by Eddy Schavemaker. Includes illustrations by and information about: Hans Bol, Gustave Caillebotte, Paul Cezanne, Edgar Degas, Paul Gauguin, Frans Hals, Henri Matisse, Camille Pisarro, and numerous others. A clean and tight very near fine copy in a near fine dust jacket with some minor wear. This is a heavy book and will require extra shipping.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Very Good. Hardback--dust cover shows slight wear otherwise excellent condition.

Condición: Good. Good condition. Owner's name on inside. (Johannes Vermeer, Dutch Genre Painting, Art History) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft cover. Condición: Very Good. 1st Edition. A clean unmarked lightly worn copy in very good condition. 304 pages.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Fine. 1st Edition. National Gallery of Ireland, Dublin / Yale University Press softcover, 2017, unused/unmarked, corner slightly bumped else as New. We will bubble-wrap the book and ship it in a BOX with delivery confirmation/tracking.

hardcover. Condición: New. Brand New. Crisp, clean, fresh, bright. Still sealed in original publisher's shrinkwrap.

Soft cover. Condición: Fine. Qto., 320 pages, colour illustrated. Looks unused, a FDine copy.

Hardcover. Condición: New. Estado de la sobrecubierta: Fine.

Leinen Leinen. Condición: Sehr gut. Mit zahlreichen Abbildungen, 271 Seiten, Zust: Gutes Exemplar. Mit original Schutzumschlag. Nachsatzblatt mit einem Knick, sonst sehr guter Zustand. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Englisch Gewicht in Gramm: 1950.

Noortman Master Paintings, 2007. Gebonden met stofomslag. Hardcover. 30 x 24 cm. Met illustraties in kleur. 433 pag. - ALS NIEUW [Art Art / International general [Algemene Internationale Kunst] ].

gebunden, mit SU. 434 Seiten 3300 gr. außen etwas berieben, eine Doppelseite innen wellig, sonst sehr gut bis neuwertig.

Hardcover. Condición: Fair. Estado de la sobrecubierta: Fair. First Edition. 296 pages with 260 illustrations, 110 in color. Text in English. Published in conjuction with an exhibition of the same name in Rotterdam and Frankfurt in 2004-2005. Above-average but not excessive wear. Some library markings. A worthy copy of this beautiful and informative work.

Gebundene Ausgabe. 433 S. Schutzumschlag etwas berieben und bestoßen; Ecken der Buchklappen leicht angestaucht; sonstiger Zustand sauber und gepflegt. - Dust jacket with some shelf wear; cover's corners slightly compressed, otherwise a well kept and clean copy. 9789080014039 Sprache: Englisch Gewicht in Gramm: 3100.

Bound, green dust hardcover with goldprint, original editor's jacket in colour, 24x30.4 cm., 271 pp., illustrations in colours and in b/w. The catalogue is divided into two parts. The first comprises old master pictures, arranged according subject matter. The 70 pictures making up the old master's section offer a survey of painting in Flanders and the Northern Netherlands during the seventeenth century. The second section contains some thirty pictures form the nineteenth and early twentieth centure. 2230 g.

Zwolle, Waanders, 2016. 277 pp. ills. in kleur en z/w. 4to, hardback. Nieuw.

Bound, cloth, illustrated dustjacket in colour, 576 pp. text, 49 color plates, 230 illustrations in the catalogue and 163 additional illustrations in the Chapters. ISBN 9070288184. Eglon van der Neer (1635/1636 - 1703) was highly successful in his own lifetime. The acclaim endured throughout the eighteenth century, but in the nineteenth century he fell from favour. Nowadays one mainly finds him listed as a 'minor master'. This is the first attempt to give a full account of his life and work, and to restore him to his rightful place in the pantheon of Dutch art. This book contains numerous new insights and much previously unpublished information. There are ten brief chapters. One is a new biography, and in two others Van der Neer's inspirational sources are identified and his influence on his one and only pupil, Adriaen van der Werff, is analysed. His achievements in the genres that he practised are each dealt with in a separate chapter. The final chapter surveys three centuries of critical appraisal of his work. The chapters are complemented with appendices containing archival documents and early printed sources. The book concludes with a catalogue raisonne listing 150 works accepted by the author, and sections with rejected paintings and paintings which are only known from written sources. Van der Neer was the son of the landscape painter Aert van der Neer. He studied with Jacob van Loo in Amsterdam. Between 1654 and 1658 he worked in Orange, in the south of France, for the governor Count Dohna. He returned to Amsterdam in 1658, where he married the daughter of a wealthy notary the following year. Van der Neer had settled in Rotterdam by 1663, and in 1680 he moved to Brussels, where he married the miniature painter Maria Du Chastel. On 18 July 1687 he was appointed court painter to the Spanish king, Carlos II, thanks to the efforts of Gastanaga, the governor of the Spanish Netherlands, his real patron. From 1695 onwards he was patronised by Johann Wilhelm, Elector Palatine. During his visits to Dusseldorf, the elector's residence, Van der Neer met his third wife, the painter Adriana Spilberg. He married her in December 1697, by which time he had settled in Dusseldorf. In 1698 Van der Neer became Johann Wilhelm's official court painter. He died five years later in Dusseldorf. Van der Neer's surviving oeuvre consists of paintings only, most of which are small and executed in a highly detailed style. He painted history pieces, genre scenes, portraits and landscapes, but no still lifes. The majority are genre paintings that were heavily influenced by Gerard ter Borch and Frans van Mieris. Even in his excellent landscapes, painted during the last two decades of his life, the artist deployed a range of different styles. Van der Neer had a penchant for costly, shiny objects, colourful fabrics and oriental rugs, and was unsurpassed in his mastery of rendering textiles, in particular satin draperies. Book is new. 3280 g.

Couverture rigide. Condición: As New. Estado de la sobrecubierta: As New. Edition originale. larger image Aetas Aurea, XXII EGLON VAN DER NEER (1635/36 - 1703). His Life and His Work Eddy Schavemaker Translated from the Dutch by Michael Hoyle 2010. 1 vol. in 4to. 576 pp. text, 49 color plates, 230 illustrations in the catalogue and 163 additional illustrations in the Chapters ISBN 90-70288-18-4 Eglon van der Neer (1635/1636 ¿ 1703) was highly successful in his own lifetime. The acclaim endured throughout the eighteenth century, but in the nineteenth century he fell from favour. Nowadays one mainly finds him listed as a "minor master". This is the first attempt to give a full account of his life and work, and to restore him to his rightful place in the pantheon of Dutch art. This book contains numerous new insights and much previously unpublished information. There are ten brief chapters. One is a new biography, and in two others Van der Neer¿s inspirational sources are identified and his influence on his one and only pupil, Adriaen van der Werff, is analysed. His achievements in the genres that he practised are each dealt with in a separate chapter. The final chapter surveys three centuries of critical appraisal of his work. The chapters are complemented with appendices containing archival documents and early printed sources. The book concludes with a catalogue raisonné listing 150 works accepted by the author, and sections with rejected paintings and paintings which are only known from written sources. Van der Neer was the son of the landscape painter Aert van der Neer. He studied with Jacob van Loo in Amsterdam. Between 1654 and 1658 he worked in Orange, in the south of France, for the governor Count Dohna. He returned to Amsterdam in 1658, where he married the daughter of a wealthy notary the following year. Van der Neer had settled in Rotterdam by 1663, and in 1680 he moved to Brussels, where he married the miniature painter Maria Du Chastel. On 18 July 1687 he was appointed court painter to the Spanish king, Carlos II, thanks to the efforts of Gastañaga, the governor of the Spanish Netherlands, his real patron. From 1695 onwards he was patronised by Johann Wilhelm, Elector Palatine. During his visits to Düsseldorf, the elector¿s residence, Van der Neer met his third wife, the painter Adriana Spilberg. He married her in December 1697, by which time he had settled in Düsseldorf. In 1698 Van der Neer became Johann Wilhelm¿s official court painter. He died five years later in Düsseldorf. Van der Neer¿s surviving oeuvre consists of paintings only, most of which are small and executed in a highly detailed style. He painted history pieces, genre scenes, portraits and landscapes, but no still lifes. The majority are genre paintings that were heavily influenced by Gerard ter Borch and Frans van Mieris. Even in his excellent landscapes, painted during the last two decades of his life, the artist deployed a range of different styles. Van der Neer had a penchant for costly, shiny objects, colourful fabrics and oriental rugs, and was unsurpassed in his mastery of rendering textiles, in particular satin draperies. euro 325.00 -------------------------------------------------------------------------------- Item Number: 109542 Title: EGLON VAN DER NEER (1635/36 - 1703) : His Life and His Work Author: Schavemaker, Eddy Price: Euro 325.00.- ISBN: 9789070288184 Description: Translated from the Dutch by Michael Hoyle. Doornspijk: Davaco, 2010. 31cm., hardcover, 576pp. text, 49 color plates, 230 b&w illus. Summary: Eglon van der Neer (1635/1636 ¿ 1703) was highly successful in his own lifetime. The acclaim endured throughout the eighteenth century, but in the nineteenth century he fell from favour. Nowadays one mainly finds him listed as a "minor master". This is the first attempt to give a full account of his life and work, and to restore him to his rightful place in the pantheon of Dutch art. This book contains numerous new insights and much previously unpublished information. There are ten brief chapters. One is a new biography, a.

Doornspijk, Davaco Publishers, 2010. 576 pp. 49 col. plts & 393 b./w. ills. Hardcover, d./j. (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XXII). - New copy !!Eglon van der Neer (1635/1636 - 1703) was highly successful in his own lifetime. The acclaim endured throughout the eighteenth century, but in the nineteenth century he fell from favour. Nowadays one mainly finds him listed as a "minor master". This is the first attempt to give a full account of his life and work, and to restore him to his rightful place in the pantheon of Dutch art. This book contains numerous new insights and much previously unpublished information. There are ten brief chapters. One is a new biography, and in two others Van der Neer's inspirational sources are identified and his influence on his one and only pupil, Adriaen van der Werff, is analysed. His achievements in the genres that he practised are each dealt with in a separate chapter. The final chapter surveys three centuries of critical appraisal of his work. The chapters are complemented with appendices containing archival documents and early printed sources. The book concludes with a catalogue raisonné listing 150 works accepted by the author, and sections with rejected paintings and paintings which are only known from written sources.

Condición: UsatoBuono. Ril. in tela con sovr., cm 31x23, pp 574, 50 tavv a colori e 180 ill. b/n. Translated from the Dutch by Michael Hoyle.