rothchild judith (22 resultados)

Softcover. Condición: Fine. First Edition. 23 pages. 12 full page color plates. With an essay by Stephen Westfall. Published in conjunction with the exhibition, March 7 - April 26, 2008. Tight, clean and crisp. The book appears unread and looks New. Collectible.; 4to - over 9 3/4" - 12" tall.

Soft cover. Condición: Very Good. Soft cover catalogue illustrated with 12 color plates. Light rubbing/scuffing on cover. Bookseller since 1995 (LL-Art-3-TS-R) rareviewbooks.

Broché. Condición: Mauvais état. Judith Rothchild Ilustrador. in-8 Description :100 pp. Mouillures dans la marge de toutes les pages. Couverture tachée. Collection "Méditerranées". Langue : Français Nb de volumes : 1.

Couverture souple. Condición: Très bon. Judith Rothchild Ilustrador. Danièle CORRE VOIX VENUES DE LA TERRE 2005, Remoulins dur Gardon, Edition Jacques Brémond Format : In-12 (18 x 18 cm), broché, 71 pages illustré de 4 gravures à l'encre de Judith Rothchild façon mezzotinto Petit tirage Etat : agréable recueil de poésie, livre solide poids : 280g.

Original Wraps and Slipcase. Condición: Fine in Fine Archival Box. Limited Edition. Limited Edition. Original Wraps and Slipcase. "The three poems by Walt Whitman, To the States, Long Too long America, For you O Democracy, have been chosen to mark the inauguration of the 45th President of the United States of America. They are published in an edition of thirty in the form of a leporello. The accompanying two mezzotints by Judith Rothchild of sleepy America are printed by the artist on Hahnemühle paper." [publisher's statement]. Tight, bright, and unmarred. Oblong fo. pp. Numbered limited edition of 30, this being one of 24. Signed by Rothchild and Mark Lintott. Standard edition.

Hardcover. Condición: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. "These three poems by Elsa Koeberlé, published under the pseudonyms of Sybil, Sybil O'Santry or Sybil O'Connor, were composed in her youth before she left Alsace. It was at the end of 1915 that Elsa Koeberlé discovered the Saint-André Abbey in Villeneuve lez Avignon which would become the setting for her existence from 1916 to her death in 1950. Gustave Fayet bought the abbey from her and with her friend, the painter Génia Lioubow, they devoted their lives to restoring it and in particular to creating the Italian-inspired garden. In 2020, the paths of Elsa Koeberlé and Judith Rothchild crossed when the artist had the pleasure of being "in residence" in this garden which was then in full maturity and to execute the large format drawings then the engravings. Judith Rothchild and Verdigris editions exhibited at the abbey in September 2020. The three poems are accompanied by four mezzotint engravings by Judith Rothchild, made from sketches made at the Abbey. The engravings, printed on Hahnemulhe paper, as well as the linocuts on the covers were printed by the artist." [publisher's statement] Printed by Mark Lintott on a Vandercook N°4 press. He also made the boxes and cases. Number 25/25 is reserved for the Bibliothèque de France. Tight, bright, and unmarred. Black cloth spine, printed green paper boards, bookplate, accordion fold; matching slipcase with mezzotint block recessed. 8vo. np. Illus. (b/w plates). Numbered limited edition of 25, this being 3. 1-5 being 'deluxe' copies and including an original copy plate built into the box. Signed by the artist and printer.

Hardcover. Condición: Fine in Fine Archival Box. Limited Edition. Limited Edition. Hardcover. "The date of publication, according to the artist and printer, was Feb. 5, 2006, which was the third anniversary of Colin Powell's speech to the UN Security Council. Parts of that speech are printed in black on the blood red recto of the rear free endpaper. 12 O'clock News was originally published in Geography III in 1976. Elizabeth Bishop's prose poem, certainly surreal in outlook, with a great sense of irony as well as parody, takes a look at the author's desk top. but isolating images and viewing them as minutia. The results, as detailed in Bishop's "new report," could not be any more wrong. The parallel with the American Secretary of State's speech at the U.N. is devastatingly obvious." [artist statement]. Tight, bright, and unmarred. Burgundy cloth hinges, gray-green paper boards, Japanese stab binding, moon in yellow ink, blood red endpapers; housed in drop spine archival box matching the binding. Oblong fo. pp. Numbered limited edition of 50, this being one of Signed by Rothchild.

Rothchild, Judith Ilustrador. oblong octavo size (7.5" by 8.5"). stiff paper wrappers, accordion-fold loose signatures, housed in publisher's folding paper-boards case with marbled paper pastedowns. (22) pages. Mezzotintes by Judith Rothchild. One of 50 numbered copies signed by the author and illustrator, of which this is one of 10 deluxe copies. Accompaning the deluxe edition is a signed and numbered print with a handwritten and signed poem by the author, also accompanied by the original etched copper plate used for one of the illustrations. All housed in a matching fall-down-back box, lined with matching marbled black and gray paper, covered with black paper, with black-on-black designs on the front, black-on-black lettering on the spine. A fine copy in near fine slipcase. A scarce Artists' Book. James Sacre (b. 1939), former professor at Smith College, now residing in Montpellier, is a French poet, much of whose writing is concerned with literalism, which rejects the poetic convention of lyricism. He wrote this series of poems in response to fellow French artist Judith Rothchild's four mezzotints. The four images can be viewed in sequence when folded out and displayed in a semicircle, or read in page spreads, side by side with the poems - the work builds on each other as in these lines: "ç'est visible que chacun / ressemble a ceux d'a cote / par un detail de forme ou bien / l'idee qu'il donne d'un lien", the mezzotints are so rich they look like they would feel like velvet to the touch; this work is a joy to behold, on so many levels. Original black wrappers with serigraph print by Rothchild, concertina or "leporello" style, wrappers stamped with title and two rows of squares in black, marbled black and gray pastepaper guards and endpapers, four gravure mezzotints with tissue guards, text in French; handset in Vendome Romain and printed on an Albion Press, Hahnemuhle paper. stiff paper wrappers, accordion-fold loose signatures, housed in publisher's folding paper-boards case with marbled paper pastedowns.

Rothchild, Judith Ilustrador. 30.5 x 21 cm. loose signatures, housed in publisher's folding case, decorated paper over boards slipcase. (16) pages. Mezzotintes de Judith Rothchild. One of 50 numbered copies signed by the author and illustrator, of which this is one of 35 copies presented in a case by the artist. A fine copy in near fine slipcase. A scarce Artists' Book. First edition illustrated with embossing on the cover and title-page, with nine mezzotints throughout. Printed by Rothchild on Hahnemuhle paper. Binding by Thibierge & Comar. The artist usually works in the pastel medium, using vibrant strong colors, usually still lifes, bringing life to inanimate objects with magical light. Encouraged by master engraver, Albert Woda, to work in mezzotints, Ms. Rothchild has created ten haunting images to perfectly complement Ms. Rouanet's poem. loose signatures, housed in publisher's folding case, decorated paper over boards slipcase.

Rothchild, Judith Ilustrador. 15-1/2" x 10-1/2" loose in original wrappers, housed in red publisher's slipcase, paper over boards. One of 50 copies all on Hahnemuhle paper, each numbered and signed by Fainlight and Rothchild on the colophon. This copy is one of 14 deluxe copies containing an original watercolor by the artist and a short manuscript poem by the poet. Fine in fine clamshell box. A scarce publication. Mezzotints printed by the artist, Judith Rothchild. Text printed by Albert Woda, the publisher, who also designed the layout. This is Judith Rothchild's first livre d'artiste. Noted poet Ruth Fainlight has contributed a moving poem using the imagery of pomegranates and its association with the Greek myth of Persephone and Demeter to pose questions about the life process, aging, revisiting our youth, death and rebirth. Ms. Rothchild's pomegranates are rich and warm, almost supernaturally lit images -- always in pairs -- exposing its complicated fruit. The artist usually works in the pastel medium, using vibrant strong colors, usually still lifes, bringing life to inanimate objects with magical light. Encouraged by master engraver, Albert Woda, to work in mezzotints, Ms. Rothchild has created six haunting images to perfectly complement Ms. Fainlight's poem. loose in original wrappers, housed in red publisher's slipcase, paper over boards.

Rothchild, Judith Ilustrador. 8vo. Brown marbled paper boards with the title blind-embossed on the front, black cloth spine and fore-edges, paper spine label, lighter brown marbled paper slipcase lined with black paper. (12) pages. Mezzotintes gravure by Judith Rothchild. One of 45 numbered copies signed by the illustrator. A fine copy in near fine slipcase. A scarce Artists' Book. Based on an open letter written by Victor Hugo on December 2, 1859, that was published by the press on both sides of the Atlantic, with a plea to the citizens of the American republic not to put to death the abolitionist John Brown. Judith Rothchild has taken the text of the letter, bound it leporello (concertina) style, with two short accordion folds on each board with the French language on the left and English on the right; in the middle is a masterful maniere noire (a form of aquatint) depicting the shackled feet of a hanged man. Printed on Rives BFK paper, the gravure on Hahnemuhle paper. There are six leaves on each side of the book, with the double-page gravure in the middle. Brown marbled paper boards with the title blind-embossed on the front, black cloth spine and fore-edges, paper spine label, lighter brown marbled paper slipcase lined with black paper.

Condición: Fine. First edition. First printing of this limited deluxe edition poetic ode to a pair of pears, illustrated in lovingly executed mezzotints ? with original copper plate included in the original box. Judith Rothchild's and Mark Lintott's Verdigris press, located in the south of France, produces an eclectic selection of artist's books based around a variety of texts. For Wallace Stevens's poem of pear pondering, Rothchild and Lintott have created a book that invites visual contemplation of its fruity subjects, with weight added to the text by Rothchild's deeply set mezzotints. The plate included in this deluxe copy is of one of the larger illustrations, and shows off the delicacy and precision involved in creating a mezzotint. An attractive production, presented in both English and French. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate). Original stiff paper wrappers in green, brown, and yellow. Illustrated with nine black-and-white mezzotints of pears, with three blind-embossed shapes of pears. Loose concertina textblock as issued with [20] panels, printed one side only, with tissue guards between each fold. With black-and-white mezzotint New Year's card, numbered 17/70 and signed by Rothchild and Lintott, loosely laid in. In original green, yellow, and brown clamshell box, with original copper plate mounted to rear. A touch of rubbing to wrapper joints. Sharp and clean. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate).

Hardcover. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 6 of 10 de luxe editions (total edition 50), oblong octavo size, [14] pp., signed by the artist and author, text in French. Frederic Jacques Temple (b. 1921), French poet and author, decided to pursue writing as a career following a meeting with Blaise Cendrars in 1949. This work by him is a collection of memories of the Aveyron River and surrounding area from childhood; his early memories influenced much of his work, including "L'Enclos" which celebrated the "mythical" city of Montpelier where he attended the college of the Enclos Saint-Francois. The accompanying intaglio prints by Judith Rothchild are a combination of mezzotint and dry point techniques for which she is well known, with the type enjambed to lengthen the ripples of the riverbanks which extend borderless across double-page spreads; thus each page flows seamlessly into the next like the bends of a river. The words like the ripples and river stones are given an added dimension of meaning, especially being fragments of a long-distant childhood. The lush woodlands, and light filled waters of southern France are praised in this romantic accolade by two of its natives. ___DESCRIPTION: Original binding of blue paste paper over yellow paper affixed to both boards and the title letterpress printed to the upper board, concertina or "leporello" style, text in French, 11 gravure mezzotints, handset in Vendome Romain and printed on an Albion Press, Hahnemuhle paper, oblong octavo size (11.75" by 7.75"), [14] pp., limited edition, this number 6 of 10 de luxe copies, from a total edition of 50, signed by the author and artist. Accompanied by one additional print signed and numbered by the artist with a handwritten poem by the author, also signed, and housed in a blue marbled paste paper portfolio; both items are housed in a matching fall-down-back box with marbled black and blue pastepaper guards. ___CONDITION: Fine; crisp, clean, as new and free of prior owner markings; in a like case. A lovely collaboration between artists. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Stiff wraps. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 8 of 35, quarto size, [22] pp., signed by Judith Rothchild, text in French. Charles Cros (1842-1888) was a French poet and scientific inventor. His proposals and theories about color photography and the phonograph were published almost simultaneously with those of Louis Ducos du Hauron and Thomas Edison. Cros did not devotedly belong to any fixed group or school, but was friends with poets such as Verlaine and Rimbaud, and frequented the salons of both the Symbolists and the Décadents. In 1874 he published Le Fleuve, a long poem in alexandrine verse, illustrated with watercolors by Édouard Manet. His bohemian lifestyle and lifelong devotion to absinthe helped to degrade his health, and at the time of his death in 1888 most of his work remained unpublished. The four poems of Les Quatre Saisons were first published in Le Coffret de Santal in 1873, and earned the poet the Juglar Prize, one of the few points of recognition Cros received during his lifetime. Judith Rothchild's four mezzotints appropriately illustrate the emotion of the artist while also emphasizing the "season" both of nature and of the heart expressed in each poem; asparagus buds for spring, "wheat" that appears wind blown for summer, a split chestnut for autumn, and a "flame" for winter. ___DESCRIPTION: Original black Somerset Velvet paper wrappers silk screened by the artist in shades of green and brown, title and author blind-embossed to the spine, matching design in blind to endpapers, housed in a green paper slipcase with similar silk screened design of black and blue, signatures loose as issued, four mezzotints, please note that all text is in French; Vendome Romaine type, Hahnemuhle paper, quarto size (10 5/16" by 8 1/2"), unpaginated with [22] pp., limited edition, this number 8 of 35, signed by Judith Rothchild. ___CONDITION: Fine overall, the outer paper wrapper clean and the colours deep (not sunned), the interior signatures clean and bright, and free of prior owner markings; a hint of wear to the wrap where it was creased to form the spine, else fine; in a fine slipcase. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Stiff wraps. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 4 of 10 de luxe copies (total edition 50), oblong octavo size, [22] pp., signed by the author and artist. James Sacre (b. 1939), former professor at Smith College, now residing in Montpellier, is a French poet, much of whose writing is concerned with literalism, which rejects the poetic convention of lyricism. He wrote this series of poems in response to fellow French artist Judith Rothchild's four mezzotints. The four images can be viewed in sequence when folded out and displayed in a semicircle, or read in page spreads, side by side with the poems - the work builds on each other as in these lines: "ç'est visible que chacun / ressemble a ceux d'a cote / par un detail de forme ou bien / l'idee qu'il donne d'un lien", the mezzotints are so rich they look like they would feel like velvet to the touch; this work is a joy to behold, on so many levels. ___DESCRIPTION: Original black wrappers with serigraph print by Rothchild, concertina or "leporello" style, wrappers stamped with title and two rows of squares in black, marbled black and gray pastepaper guards and endpapers, four gravure mezzotints with tissue guards, text in French; handset in Vendome Romain and printed on an Albion Press, Hahnemuhle paper, oblong octavo size (7.5" by 8.5"), [22] pp., limited edition, this number 4 of 10 de luxe copies, from a total edition of 50, signed by the James Sacre and Judith Rothchild. Accompanied by a signed and numbered print, number IV of X, on the right-hand side of a single leaf, on the left-hand side a handwritten and signed poem by the author, also accompanied by the original etched copper plate used for one of the illustrations. All housed in a matching fall-down-back box, lined with matching marbled black and gray paper, covered with black paper, with black-on-black designs on the front, black-on-black lettering on the spine. ___CONDITION: Fine; crisp, clean, as new and free of prior owner markings; the case overall fine, a few light, stray markings which are barely visible. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Stiff wraps. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 7 of 15, quarto size, unpaginated [40] pp., signed by Judith Rothchild. The Notebooks of Leonardo da Vinci were compiled, edited and translated by Jean Paul Richter in 1883, they include hundreds of pages of notes written by the mysterious Renaissance master, including sketches, lists of books he read, and financial records. Much of his notes are detailed studies and astute observations of the natural world, including the flight of birds, mechanics, the flow of rivers, architecture, astronomy, anatomy et al. His notes on light and shadow are both scientific and philosophic in nature, beautifully complimented Judith Rothchild's six shadow studies, both the text and prints imply evidence of a curious and vigilant eye. ___DESCRIPTION: Original brown paper portfolio with embossed geometric shapes and inlaid printed title to upper wrapper, lettering in blind to backstrip, housed in an illustrated blue paper slipcase, off-white flyleaves embossed with geometric shapes, six plates in mezzotint, rocker, roulette and dry point (the copper plates, embossments and screen prints are printed by the artist) all with original tissue guards, Vendôme Romain type, 9.25" by 12.25", unpaginated leaves folded once [40] pp., limited edition, signed by Judith Rothchild to the colophon and to each plate. ___CONDITION: Fine in a like slipcase. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please contact us for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condición: Fine. Rothchild, Judith Ilustrador. Rothchild, Judith. Hardcover. 20 of 30 copies. Copies 26 to 29 were hors commerce, and number 30 was given to the Bibliotheque Nationale de France. SIGNED BY ARTIST AND WRITER. This beautiful work has eleven stunning numbered and initialed mezzotints by artist Judith Rothchild. Rothchild is an American born artist who lives in the Languedoc region of France. Also a pastel artist, she has become famous for her mezzotints, perhaps the most difficult printmaking technique. Rouanet is a well known French writer. The colophon says that the work is a collaboration between the two, who share a deep love for the Languedoc. Rouanet's text, in French, was inspired by Rothchild's prints of food and wine and by the spirit of a local restaurant, Le Mimosa. The folio sized pages are loose in a yellow and green box made by Lisa Knoblauch with the front board decorated with mimosa leaves done by serigraph. Printed by Mark Lintott in Vendome Romain type on an Albion press. The prints are protected by tissue guards. 20 pages including the prints. PRI/061207.

Text by Marie Rouanet with eight mezzotints of snails by Judith Rothchild. One of 50 copies printed on Hahnemühle paper on an 1867 handpress by Mark Lintott, this no.32 signed by the author and artist. 223 x 174 mms. Oblong 8vo., in concertina format the whole loose as issued in green screenprinted wrappers with images of a shells on sides and black lettering on spine, in the original green board slipcase with the same shell images. Octon, Verdigris. A stunning production with Rothchild's mezzotints of snails wandering around the pages as a snail invades an abandoned garden. Mark Lintott has set the short text perfectly to reflect its style and the illustrations. The whole has a serene, balanced beauty.The short text is reprinted from the last chapter of the Occitan author Marie Rouanet's book Tout jardin est Eden. Rouanet has published many books on the culture of the Occitan region and although a regional writer she enjoys a national reputation in France.Judith Rothchild is an American painter/printmaker who collaboraters with the English printer Mark Lintott on Verdigris in the South of France. She has an international reputation and her work has been exhibited at more than thirty solo exhibitions throughout the United States and Europe and is in numerous public collections. She has been represented by Francis Kyle Gallery since 1985.

Five round mezzotints of figs in various stages of bursting by Judith Rothchild plus a screen prints of fig leaves including a two-coloured one facing the colophon. Printed on Hahnemuhle paper in Vendome Romain type by Mark Lintott. One of 12 deluxe copies (this no.9) with an extra signed mezzotint printed exclusively for this edition. Sq. 4to., loose as issued in velvet black wrappers screen printed with fig leaves, green lettering on spine, in the original black clamshell box with fig leaf on upper cover. Octon, Verdigris. D.H. Lawrence's provocative and erotic poem Fig first appeared in Birds, Beasts and Flowers in 1923. It achieved notoriety when it was used in a memorable scene in Ken Russell's film Women in Love. It is stunning presented here with wonderful use of spacing for the text and luscious illustration. A sensual and and beautiful piece of printing. Judith Rothchild is an American painter/printmaker who collaboraters with the English printer Mark Lintott on Verdigris publications in the South of France. She has an international reputation and her work has been exhibited at more than thirty solo exhibitions throughout the United States and Europe and is in numerous public collections. She has been represented by Francis Kyle Gallery since 1985.

Folio. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 9 of 30 copies, folio size, 21 pp., signed by Marie Rouanet and Judith Rothchild, all text in French. Magie Blanche (White Magic) is a feast for the senses, an invitation to share twenty years of epicurean delight at the restaurant "Le Mimosa," in Languedoc, a place of tangible emotion, as translated in this book through a series of engravings and original texts. Judith Rothchild's eleven mezzotints elevate the subjects in their technical achievement. The sumptuous plates enclose, in circles or squares, the commonplace subjects: olives, cheese, langoustines, wine bottles, and mushrooms, frozen in velvety black shadow and dappled light. The colophon calls this the "fruit of a collaboration between creators of diverse origins, sharing a deep love of Languedoc." Marie Rouanet's original French text is a poetic response to Rothchild's mezzotints, and to the soulful history of the restaurant created by Bridget and David Pugh. ___DESCRIPTION: Original loose leaves, unbound in the French style, in a fall-down-back box designed by Lisa Knoblauch with a silkscreen of green mimosa leaves on a yellow ground, and with a printed paper label to upper board and backstrip, 11 mezzotints on 10 full-page spreads, embossed mimosa leaf vignette to title-page, text in French; Vendome Romain type, Hahnemuhle paper, leaves are folio size (16" by 12"), [1] 2-21 pp, first limited edition, this number 9 of 30 copies, signed by the author and illustrator to the colophon. ___CONDITION: A fine copy; like new, in a like case. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please contact us for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Folio in a case. Condición: Fine. Rothchild, Judith Ilustrador. Limited Edition. Number 10 of 50 copies, quarto size, [20] pp., signed by Judith Rothchild and the printer Mark Lintott. Wallace Stevens (1879-1955) was "one of America's most respected poets. He was a master stylist, employing an extraordinary vocabulary and a rigorous precision in crafting his poems. But he was also a philosopher of aesthetics, vigorously exploring the notion of poetry as the supreme fusion of the creative imagination and objective reality." (N.B., from the web site of the Poetry Foundation.) "Study of Two Pears" was first published in 1954 in The Collected Poems of Wallace Stevens, and is here translated into French by Bernard Noel. The title asserts itself as being concerned with visual arts, and each stanza tugs at the tension between reality that is observed and imaginative reality, the observer sees the pears but not as he wills, language fails to adequately describe them as they are without the use of metaphor. There might be no more appropriate poem to illustrate than this, as the speaker's desire to describe the pears without relating them to anything else is an act of reduction which ultimately expands the image by showing us the many things they do resemble. Illustrated by Rothchild's velvety, hyper-realistic mezzotints which follow the progress of the stanzas, each print gradually growing brighter, the pears illustrated from every possible angle, becoming more definite and resolved along with the poem. ___DESCRIPTION: Original wrappers screen-printed with a design of green, brown and orange, with the title letterpress printed to the backstrip and upper wrapper in dark green, loose leporello, deckled fore-edge, nine mezzotints, two blind-stamped sets of pears to fly-leaves, text in English and French; handset type, Hahnemuhle paper, quarto size (11" by 11.75"), unpaginated with [20] pp., limited edition, this number 10 of 50 copies, signed by printer Mark Lintott and Judith Rothchild. Housed in a heavy cardboard slipcase covered in green paper and similarly screen-printed in shades of green, lined with plain green paper. ___CONDITION: Fine; crisp, clean; other than a hint of rubbing to the top corners and a small rubbed spot on the spine of the backstrip, as new, and free of prior owner markings; in a like case. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Text by Marie Rouanet. Mezzotints by Judith Rothchild. One of 30 copies (this no.19). 42 x 31.5 cms, loose as issued with original loose screen printed covers, housed in a box screen printed by the artist. Verdigris, Octon. The delicious mezzotints follow the course of a large repast at the Magie Blanche to celebrate 20 years of its existence.