Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
EUR 32,92
Cantidad disponible: 1 disponibles
Añadir al carritohardcover. Condición: Used-Good. Bilingual. Cloth, dj. Spine, edges of boards, text block and jacket dampstained; text itself unaffected. A sound reader's copy in otherwise very good condition.
Librería: Widney Manor Books, Solihull, MIDLA, Reino Unido
EUR 59,06
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Very Good. Book is in very good condition. 396pp with colour illustrations.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 103,97
Cantidad disponible: 2 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 117,27
Cantidad disponible: 7 disponibles
Añadir al carritoCondición: New.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 119,56
Cantidad disponible: Más de 20 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 120,04
Cantidad disponible: 7 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
EUR 124,75
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 123,97
Cantidad disponible: 7 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 129,96
Cantidad disponible: 16 disponibles
Añadir al carritohardcover. Condición: New.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 129,96
Cantidad disponible: 13 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 129,96
Cantidad disponible: 5 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 141,22
Cantidad disponible: 5 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 141,22
Cantidad disponible: 2 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 141,22
Cantidad disponible: 5 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2010
ISBN 10: 2503527795 ISBN 13: 9782503527796
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 142,08
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In this book, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba). The contributors are: Rachel Beckles Willson, Dario Borim, Steve Butterman, Teresa Cascudo, Myriam Chimenes, Regis Duprat, Christoph Flamm, Marina Frolova-Walker, Thomas Garcia, Melita Milin, Simone Munz, Marcos Napolitano, Nina Noeske, Karen Painter, Gemma Perez Zalduondo, Daniel Perry, Carlo Piccardi, Marc-Andre Roberge, Katy Romanou, Mattias Tischer, Andrzej Tuchowski, Luis Velasco Pufleau, Pablo Vila, Maria Alice Volpe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 124,32
Cantidad disponible: 9 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
EUR 147,29
Cantidad disponible: Más de 20 disponibles
Añadir al carritohardcover. Condición: New. 1st.
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 142,30
Cantidad disponible: 5 disponibles
Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 150,78
Cantidad disponible: 4 disponibles
Añadir al carritoHardback. Condición: New.
EUR 155,39
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2025
ISBN 10: 2503615678 ISBN 13: 9782503615677
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 158,97
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. Luigi Dallapiccola represents one of the most important Italian composers of the twentieth century. Born in Pazin, on the border between three frontiers, he experienced a certain multiculturalism from a young age that led him to take an interest in the new musical languages that were flourishing. Approaching the music of Schoenberg, from the 1930s he began his natural inclination toward twelve-tone music, which he developed fully after the 1950s. After 1950, the composer sought to bring his work into a principle of structural unity and stylistic uniformity, directing himself "toward patient clarification, toward sensibility, not theory". This volume offers essays on Dallapiccola's mature works, from the 1940s through to the 1970s, including the so-called 'protest music' works (Canti di prigionia, Prigioniero and Canti di liberazione), with analyses related to text, timbre and compositional process. In addition, the volume is enriched by an important section of musical and documentary sources, reproducing letters from and to Dallapiccola, as well as musical autographs, sketches, and quotations from works such as "Sex Carmina Alcaei", "Il prigioniero", "Canti di liberazione", and "Ulisse". This volume offers essays on Dallapiccola's mature works, from the 1940s through to the 1970s, including the so-called 'protest music' works (Canti di prigionia, Prigioniero and Canti di liberazione), with analyses related to text, timbre and compositional process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 142,13
Cantidad disponible: 9 disponibles
Añadir al carritoCondición: New.
EUR 162,35
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 170,98
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: New.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 171,84
Cantidad disponible: 16 disponibles
Añadir al carritoCondición: New.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 171,84
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 171,84
Cantidad disponible: 13 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2016
ISBN 10: 2503566286 ISBN 13: 9782503566283
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 174,14
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. The subject of this monograph is protest music and 'dissident' composers and musicians during the twentieth century, with a particular focus on the forms with which dissent may be expressed in music and the ways composers and performers have adopted stances on political and social dissent. In the present volume, twenty-one articles by scholars of different nationalities explore not only the way in which protest music is articulated in artistic-cultural discourse and the political matter, but also the role it played in situations of mutual benefit. Moreover, the phenomenon of dissent has been investigated within the contexts of musical historiography and criticism, approaching the topic from historical, sociological and philosophical points. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2020
ISBN 10: 2503589510 ISBN 13: 9782503589510
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 174,14
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In 1795 Friedrich Schiller wrote: "Die bildende Kunst in ihrer hochsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart ruhren" (Schiller, Uber die asthetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to "ut musica pictura", music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2024
ISBN 10: 2503611842 ISBN 13: 9782503611846
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 174,14
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: "Fascism is a great orchestra, where everyone plays a different instrument". A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world. This book explores the relationship between music, institutions and composers during the Fascist period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.