robert wert (17 resultados)

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Estado de la sobrecubierta: Includes dust jacket. Minor dirtiness on prelim pages. Dj has minor wear/tear.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: Near Fine. First Edition. Yellow Springs The Antioch Review Inc. Near Fine. 1996. First Edition. Softcover. Magazine. Perfect-bound 6" x 9" trade paperback format, pictorial wrappers, pages 134 - 253 Near Fine copy with very light wear.bx300.

No binding. Condición: Good. Papercovers. Pages slightly tanned otherwise Good Plus. NOT A FORMER LIBRARY BOOK.

Condición: New.

Hardcover. Condición: As New. Book is like new. Dust jacket in mylar protective cover has some shelf wear.

Paperback. Condición: Good. Good, ex-library with markings, paperback binding, light to moderate wear to corners and edges, may have minor markings to text, previous owner's signature, remainder mark, sticker/residue, and/or other minor aesthetic flaws. Satisfaction guaranteed. Last Word Books & Press is an Infamous Independent Bookstore and Print Shop located in Olympia, Washington.

hardcover. Condición: Sehr gut. Gebraucht - Sehr gut sehr gut erhalten; Rechnung mit MwSt. Deutsch.

Condición: New.

hardcover. Condición: Sehr gut. Gebraucht - Sehr gut sehr gut erhalten; Rechnung mit MwSt. Deutsch.

Magazine. Condición: Good. First Edition. There is some light discolouration to the covers around the staples which are rusty. Small blue stain to the bottom corner of the back cover. The spine has a little chipping to the surface with small pieces missing at the top and bottom and one inch closed tears on either side at the top and a smaller tear at the bottom. The covers are detached from the text block. The pages are browned around the edges with spotting to the first and last pages and to the edges but are otherwise unmarked. Contains 'Waikiki Widow' by Gault, 'Model T Murders' by Wert, 'The Corpse Loved Flowers' by Hogan, 'The Unlamented Corpse' by Polito, 'Love Me, She's Dead!' by Baker and 'Murder Walks a Strange Path' by Olsen. Small uncredited illustrations at the beginning of three of the stories. Postage charge will be reduced by £1.50 when the order is processed.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. 176 pages. Illustrated. Marchetto da Padova and Giotto's Scrovegni Chapel Frescoes (pp. 7-23) Eleonora M. Beck Giaches de Wert at Novellara (pp. 25-33+35-36+38+40+3) Iain Fenlon "The Beggar's Opera" and "opéra-comique en vaudevilles" (pp. 42-43+45-47+49-53) Daniel Heartz A Sweet Bird of Youth: Caffarelli in Pistoia (pp. 55-63) Jean Grundy Fanelli Heidegger and the Management of the Haymarket Opera, 1713-17 (pp. 65-71+73-84) Judith Milhous and Robert D. Hume Guadagni in the Dock: A Crisis in the Career of a Castrato (pp. 87-95) Patricia Howard Music and the Royal Procession in Maria Theresia's Vienna (pp. 96-118) Janet K. Page.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Slightly Frayed and Chipped. 1st Edition. FOREWORD BY CLINT EASTWOOD.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condición: Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns Ilustrador. 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.