Robert venturi vincent scully (21 resultados)

Paperback. Condición: Very Good. 2nd. 132 pages, illustrations; 23 x 29 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** The pioneering document on post-modern architecture. *** CONTENTS: Nonstraightforward architecture: a gentle manifesto; Complexity and contradiction vs. simplification or picturesqueness; Ambiguity; Contradictory levels: the phenomenon of "Both-And" in architecture; Contradictory levels continued: the double-functioning element; Accommodation and the limitations of order: the conventional element; Contradiction adapted; Contradiction juxtaposed; The inside and the outside; The obligation toward the difficult whole. Size: Oblong.…

Paperback. Condición: Very Good. No Dust Jacket. Second Edition. Nice, clean copy. Some wear to cover and edges. ; B&W Photographs; 8vo; 136 pages.

Paperback. Condición: Very Good. 2nd. ***please read*** no marks on text - cover has some light wear - name insidemy shelf location - cover bn9-top*.

Soft cover. Condición: Fine. 2nd. reprinted 2002. With 350 black-and-white illustrations. 136pp 1.29lb 8.5x10.9x0.4in.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Oversized Paperback. Condición: Good.

Condición: New.

Wrappers. Condición: Very Good. First Thus. (1966). 8vo. First simultaneous wrappered edition. Rubbing and wear to wraps. VG in wrappers.

Condición: As New. Unread book in perfect condition.

Couverture souple. Condición: Bon état. In-8 cartonnage éditeur. 22,5 cm sur 15,5. 135 pages. Nombreuses illustrations en noir et blanc. Intérieur frais. Bon état d'occasion.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. Fine in gray cloth-covered boards and near fine dust jacket with light rubbing and publisher's price clip and replacement price sticker.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Grey cloth octavo, with dust jacket. First edition. Inscribed by Robert Venturi to art & architecture critic Victoria Donohoe (1929 - 2018). Donohoe wrote over 1,000 articles about art and architecture for the Philadelphia Inquirer over a fifty-year period from 1962-2012. Near fine+ with some very faint foxing to edges of text block. Moderate rubbing to dj, chip to lower right front corner. Inscribed by Author(s).…

Hardcover. First edition. 21.5 x 28.5 cm. Oblong quarto. 224pp. Red cloth in dust jacket. Small stain to foredge. Some soiling to the jacket. Previous owner's name on front free endpaper. Very Good in Very Good dust jacket.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st edition, inaugural publication of The Museum of Modern Art Papers on Architecture in 1966. The signature of James Jarrett, professor of architectural theory and Yale and CUNY, on f.f.e.p., likely his own copy. NF boards. Soiling and light chipping to dj, with small open tear to spine tail. Underline in a light hand to limited pages. …

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi and Vincent Scully on the title page. Fine in a near fine dust jacket. Introduction by Vincent Scully. Rare and desirable signed by both Venturi and Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times). …

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi who has added a drawing of his mother's house on the dedication page. Fine in a near fine dust jacket. Introduction by Vincent Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).…

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, "To Al, Friendship and respect Bob Venturi." FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).…

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Signed and dated by Robert Venturi on the title page. FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times). …