robert michaelis (154 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback or Softback. Condición: New. Report On Standard Samples And Related Materials For Spectrochemical Analysis, 1955. Book.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: As New. Denetsosie, Hoke Ilustrador. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

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Condición: New. In.

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Condición: New.

Paperback. Condición: Brand New. 296 pages. German language. 7.81x5.06x0.67 inches. In Stock.

Paperback. Condición: Brand New. Spieweg, Jaqueline Ilustrador. 224 pages. German language. 7.81x5.06x0.51 inches. In Stock.

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Paperback. Condición: New. Print on Demand. This book provides a detailed guide to the preparation of cast iron spectrochemical standards, developed by the National Bureau of Standards. It describes the challenges of creating spectrochemical standards for cast iron and shares the innovative unidirectional solidification technique that was designed using a copper mold plate. The authors provide an in-depth analysis of the chemical compositions, melting procedures, homogeneity testing, sample preparation, heat treatment, and certification processes involved in creating these standards. The book also offers valuable insights into the application of these standards, highlighting important considerations such as surface preparation and potential biases. This book is not only a comprehensive resource for those involved in the production of spectrochemical standards, but it also contributes to the field of analytical chemistry by demonstrating the practical application of spectrochemical methods for the analysis of cast iron. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condición: New. Print on Demand. This book details the development of a standardized method to produce copper alloy materials with uniform composition and structure to be utilized as spectrochemical analysis standards. The method's significance lies in its ability to overcome the segregation and variability issues inherent in conventional casting or ingot processes. Before this method, spectrochemical analysis was made difficult due to varying composition, structure, and properties of samples. The author provides a detailed account of the planning, preparation, and testing of 15 copper-base compositions for use as National Bureau of Standards spectrochemical standards. The procedure involves casting molten metal on a massive water-cooled plate, resulting in unidirectional solidification and a large disk casting. This allows for the separation of the casting into chill-cast and wrought samples, providing a comprehensive set of standards for both forms. The book also explores the homogeneity and structural differences within the casting and the significance of these differences for spectrochemical analysis. Ultimately, this book presents a valuable method for the preparation of spectrochemical standards, which facilitates accurate and reliable analysis of copper-base alloys. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Photopostkarte. Condición: Gut. Photopostkarte schwarzweiss als Jobbi in Gipsy Love, bildseitig von Robert Michaelis signiert mit eigenhändigem Zusatz /// Robert Armand René Michaelis (22 December 1878 - 29 August 1965) was a French-born actor and singer who worked in musical theatre, mainly in England, but he also made appearances on Broadway. By 1901, Michaelis and his parents had settled in Hampstead, and he was married there in 1913. After retiring from the stage, he became a manager, and during the Second World War was an air raid warden, by then having made his home in the west of England. Born in 1878, according to different sources in Saint Petersburg or Paris, Michaelis was the son of Guilllaume Paul Hermann Michaelis and Marie Leonie Heloise Michaelis. His mother was French, and his father was born a German but naturalized as French.[2] He was educated in London and Paris and trained as a singer in Vienna with Felice Bottelli.[3] At the time of the 1901 census, Michaelis was living in Latchmere, Battersea, with his parents, Herman Michaelis, a schoolmaster, aged fifty, and Marie, aged 45, and his occupation was stated as actor.[4] An early appearance in musical theatre came in 1907, when Michaelis sang in Gustave Kerker's The White Hen at the Casino Theatre, New York, in a run lasting three months.[5] In 1908, he took over the part of Prince Danilo in The Merry Widow for the last four months of its run at Daly's Theatre,[6] then was cast as Freddy Fairfax in The Dollar Princess (1909), becoming a favourite at Daly's,[3] and playing a leading role in The Marriage Market (1911). In 1912, he sang the title role in an English production of Franz Lehár's operetta The Count of Luxembourg,[7] as one of the five principals, together with Phyllis le Grand, Eric Thorne, Lauri de Frece, and Daisy Burrell, who were collectively described by the Musical News as "all consummate artists in their own style".[8] Soon after the beginning of the First World War, Michaelis, then living at 8 Eton Villas, South Hampstead, was naturalized as a British subject, declaring the names of his parents and his place of birth as Paris.[2] In 1920, Michaelis appeared in the silent film The Little Welsh Girl,[9] then for more than a year, from 1920 to 1921, he sang the part of Beaudon in a London production of Irene at the Empire Theatre which had a run of 399 performances. When he was granted probate on his mother's estate in 1933, Michaelis was described as a "manager".[10] In October 1939, Michaelis was living at Wychwood, Tickenham, Somerset, and soon after the outbreak of the Second World War was registered as an air raid warden and retired actor.[11] In his Nights of Gladness (1956), English theatre historian Walter MacQueen-Pope, known as "Popie", called Michaelis "one of the very best performers Daly's ever had".[12] Personal life Michaelis's father, Herman Michaelis, died at St Pancras in 1912.[13] In 1913, at Hampstead, Michaelis married Phyllis le Grand[14] an actress,[11] with whom he had starred in The Count of Luxembourg the year before,[8] and their daughter Rosemary Evelyn Helene was born in March 1914.[15] She later became a nurse and radiographer.[11] Michaelis's mother, Marie, died in 1933, aged 78. Her address was 8, Eton Villas, South Hampstead, and she left an estate valued at £2,293.[10][16] In 1940, Rosemary Michaelis married John A. Parsons in Somerset.[17] Three grandchildren were born between 1943 and 1949.[18] Michaelis died on 29 August 1965 at the Bristol Royal Infirmary, when his address was given as "Summerlands Nailsea", and he left an estate valued for probate at £7,051. [19][20] His widow, Phyllis, survived him until 15 May 1981.[21] Film roles The Little Welsh Girl (1920), as Rhys Bowen[9] Musicals Daly's Theatre, Leicester Square The White Hen (Casino Theatre, New York, 1907)[5] The Merry Widow (Daly's Theatre, 1908), as Prince Danilo[6] The Dollar Princess (Daly's Theatre, 1909), as Freddy Fairfax[3] The Marriage Market (Daly's Theatre, 1911)[7] The Count of Luxembourg (Daly's Theatre, 1912 production), as Count René of Luxembourg[22] Gipsy Love (Daly's Theatre, 1912), as Jozsi[23] Irene (1920 London production at Empire Theatre) as J. P. Beaudon[24] Orange Blossoms (Fulton Theatre, New York, 1922) as Baron Roger Belmont[25] /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box3-U029 Sprache: Englisch Gewicht in Gramm: 10.

Photopostkarte. Condición: Gut. Photopostkarte schwarzweiss als Liet. Niki in A Waltz Dream, bildseitig von Robert Michaelis signiert mit eigenhändigem Zusatz "Best wishes" /// Robert Armand René Michaelis (22 December 1878 - 29 August 1965) was a French-born actor and singer who worked in musical theatre, mainly in England, but he also made appearances on Broadway. By 1901, Michaelis and his parents had settled in Hampstead, and he was married there in 1913. After retiring from the stage, he became a manager, and during the Second World War was an air raid warden, by then having made his home in the west of England. Born in 1878, according to different sources in Saint Petersburg or Paris, Michaelis was the son of Guilllaume Paul Hermann Michaelis and Marie Leonie Heloise Michaelis. His mother was French, and his father was born a German but naturalized as French.[2] He was educated in London and Paris and trained as a singer in Vienna with Felice Bottelli.[3] At the time of the 1901 census, Michaelis was living in Latchmere, Battersea, with his parents, Herman Michaelis, a schoolmaster, aged fifty, and Marie, aged 45, and his occupation was stated as actor.[4] An early appearance in musical theatre came in 1907, when Michaelis sang in Gustave Kerker's The White Hen at the Casino Theatre, New York, in a run lasting three months.[5] In 1908, he took over the part of Prince Danilo in The Merry Widow for the last four months of its run at Daly's Theatre,[6] then was cast as Freddy Fairfax in The Dollar Princess (1909), becoming a favourite at Daly's,[3] and playing a leading role in The Marriage Market (1911). In 1912, he sang the title role in an English production of Franz Lehár's operetta The Count of Luxembourg,[7] as one of the five principals, together with Phyllis le Grand, Eric Thorne, Lauri de Frece, and Daisy Burrell, who were collectively described by the Musical News as "all consummate artists in their own style".[8] Soon after the beginning of the First World War, Michaelis, then living at 8 Eton Villas, South Hampstead, was naturalized as a British subject, declaring the names of his parents and his place of birth as Paris.[2] In 1920, Michaelis appeared in the silent film The Little Welsh Girl,[9] then for more than a year, from 1920 to 1921, he sang the part of Beaudon in a London production of Irene at the Empire Theatre which had a run of 399 performances. When he was granted probate on his mother's estate in 1933, Michaelis was described as a "manager".[10] In October 1939, Michaelis was living at Wychwood, Tickenham, Somerset, and soon after the outbreak of the Second World War was registered as an air raid warden and retired actor.[11] In his Nights of Gladness (1956), English theatre historian Walter MacQueen-Pope, known as "Popie", called Michaelis "one of the very best performers Daly's ever had".[12] Personal life Michaelis's father, Herman Michaelis, died at St Pancras in 1912.[13] In 1913, at Hampstead, Michaelis married Phyllis le Grand[14] an actress,[11] with whom he had starred in The Count of Luxembourg the year before,[8] and their daughter Rosemary Evelyn Helene was born in March 1914.[15] She later became a nurse and radiographer.[11] Michaelis's mother, Marie, died in 1933, aged 78. Her address was 8, Eton Villas, South Hampstead, and she left an estate valued at £2,293.[10][16] In 1940, Rosemary Michaelis married John A. Parsons in Somerset.[17] Three grandchildren were born between 1943 and 1949.[18] Michaelis died on 29 August 1965 at the Bristol Royal Infirmary, when his address was given as "Summerlands Nailsea", and he left an estate valued for probate at £7,051. [19][20] His widow, Phyllis, survived him until 15 May 1981.[21] Film roles The Little Welsh Girl (1920), as Rhys Bowen[9] Musicals Daly's Theatre, Leicester Square The White Hen (Casino Theatre, New York, 1907)[5] The Merry Widow (Daly's Theatre, 1908), as Prince Danilo[6] The Dollar Princess (Daly's Theatre, 1909), as Freddy Fairfax[3] The Marriage Market (Daly's Theatre, 1911)[7] The Count of Luxembourg (Daly's Theatre, 1912 production), as Count René of Luxembourg[22] Gipsy Love (Daly's Theatre, 1912), as Jozsi[23] Irene (1920 London production at Empire Theatre) as J. P. Beaudon[24] Orange Blossoms (Fulton Theatre, New York, 1922) as Baron Roger Belmont[25] /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box2-U023 Sprache: Englisch Gewicht in Gramm: 10.

Paperback. Condición: New.

Condición: New. Denetsosie, Hoke Ilustrador.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. pp. xiv + 429 Illus.