rita kersting (100 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Fine. Not Stated. A nice tight copy.

Hardcover without dustjacket as issued, 120 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Folio, card covers, dust jacket, 207pp., ills. Exhibition catalogue for the Kunstmuseum Basel and Kunstverein fur die Rheinlande under Westfalen show. VG+/VG+: a clean, bright and sound book in a like jacket. Extra postage may be asked (4).

Couverture souple. Condición: Très bon. allemand/anglais.

Hard Cover. Condición: Fine. First Edition; First Printing. Illustrated throughout in color and black and white. Forewords by Georg Kulenkampff and Jeremy Strick. Essays by Michael Darling and Kevin Young. Interview with the artist by Rita Kersting. Text in English and German. Published on the occasion of the exhibition at the Museum of Contemporary Art, Los Angeles, 13 October 2002 - 9 February 2003, and at the Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, 18 January - 30 March, 2003. ; Tight, clean and crisp. PArevious owner's small stamp to bottom of front endpaper, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 10.4 X 7.9 X 0.6 inches; 120 pages.

Paperback. Condición: As New. New and sealed.

Paperback. Condición: As New. New and sealed.

Softcover, 120 pages, in German with English at rear; very good condition except first 30 pages are lightly rippled near bottom edge from damp; no internal marks. Foreign shipping may be extra.

Oversized Paperback. Condición: Good.

hardcover. Condición: New. **PAPERBACK** **SHRINKWRAPPED**.

Condición: Fair. No date, circa 2000. This book has soft covers. Ex-library, With usual stamps and markings, In fair condition, suitable as a study copy. English and German text. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2050grams, ISBN:

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Turquoise flexible boards with illus. and white lettering. 120 pp. with color and bw illus. throughout. Dual text, English - German. Published to coincide with the exhibitions held at The Museum of Contemporary Art, Los Angeles, October 2002 to February 2003 and at the Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, January - March 2003. Includes and interview by Rita Kersting, essay by Michael Darling, exhibition chronology, checklist of the exhibition, and more. Fine but with art museum ex-lib. stickers on front/back cover and blind stamp on ffep.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: gut bis sehr gut. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Softcover, 192 pages, new condition, still sealed in shrinkwrap with enclosed booklet; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

8 ° Pappband mit illustr. Einbanddeckel, hochwertig gestalteter Band mit Fadenheftung; 119 Seiten; erschien anlässlich der gleichnamigen Ausstellung im The Museum of Contemporary Art Los Angeles (13.10.2002 - 09.02.2003) und im Kunstverein für die Rheinlande in Düsseldorf (18.01. - 30.03.2003); faktenreicher Band umfangreichem Literaturverzeichnis; viele Werkabb. und Fotos in Farbe + Duotone Gut, die Seiten etwas lichtrandig und im hinteren Buchteil leicht wellig 700 gr.

Paper-Covered-boards. Condición: Good +. First Thus. blue white and black pictorial paper-covered-boards with white titles on front and spine, light wear, covers are bowed. book interior clean and tight with color photos scattered throughout.

hardcover. Condición: Very Good. Ex-art museum hardcover. No dust jacket. Library stickers, labels and stamps on back cover and inside. Cover is ingood condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Certain to become the definitive book on Noguchi's multidisciplinary career, this publication accompanies the first major touring European exhibition on the Japanese-American artist in twenty years, which will travel from London's Barbican Art Gallery to Cologne's Museum Ludwig and the Zentrum Paul Klee in Bern. It encompasses the entirety of the artist's work in sculpture, ceramics, photography, architecture, design, as well as his playscapes, gardens and stage sets for modern dance and theatre performance. This survey explores his creative process and lesser-known aspects of his practice, his engagement with a wide range of mediums and cultures, and his innovative achievements over six decades. Brimming with stunning imagery and contributions from an international range of authors, this book helps readers grasp the diversity and patterns of Noguchi's work both in situ and in galleries. Archival photographs of the artist's studios offer glimpses into his experimental attitude towards sculpture. Themes of harmony and dissonance, which were central to Noguchi's practice, are explored in a series of essays that consider the artist's dual heritage, the Japanese American experience, his worldwide travel and his many influences. The book examines the cultural diversity of Noguchi's practice as he addresses themes such as identity, history, and politics. It also pays tribute to Noguchi's fruitful collaborations with creatives from a range of industries, such as R. Buckminster Fuller, Martha Graham and Louis Kahn. Throughout the monograph Noguchi's own words provide a critical backdrop towards understanding an artist who embraced many schools of thought, and whose entire life and career set an example for partnership and cooperation across artistic, political and cultural boundaries. AUTHORS: Fabienne Eggelhoefer is Chief Curator at Zentrum Paul Klee, Bern. Rita Kersting is Deputy Director at the Museum Ludwig, Cologne. Florence Ostende is Curator at the Barbican Art Gallery, London. 350 illustrations Now available in paperback, this definitive book explores the multidisciplinary career of one of the most experimental and pioneering artists of the 20th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Documenting a notorious episode in art authentication Perhaps nothing is more devastating to an art collection than the discovery that one of its beloved pieces is merely a replica of the real thing. The subject of counterfeit artworks has long been taboo in the art world, but the fear of forgery has led to the reassessment of many museum collections and an increase in transparency regarding the strategies used to identify such forgeries. For the past decade, the Museum Ludwig in Cologne, Germany has engaged in a systematic examination of its collection of Russian avant-garde paintings acquired by Peter and Irene Ludwig and donated to the museum in 2011. This fascinating volume presents 24 examples of diligent research completed in the name of authenticity. The text offers valuable insight into the artistic methods of the Russian avant-garde movement as it reveals the detailed process of confirming an artwork's authenticity or spotting a fake. The subject of counterfeit artworks has long been taboo, but today an increasing number of museums are opening up their collections to transparent assessments. Based on the research into 24 artworks, this publication documents the past 10 years of Museum Ludwig's (Cologne), own examination of its collection of Russian avant-garde paintings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. grey, red & yellow illustrated wraps w/ black printing. 212 pgs w/ color & bw illustrations. "The subject of counterfeit artworks has long been taboo, but today an increasing number of museums are opening up their collections to transparent assessments, sharing research findings and deattributing works when necessary. Over the past ten years, the Museum Ludwig, together with international scholars, has been systematically examining its collection of Russian avant-garde paintings that were acquired by Peter and Irene Ludwig and donated to the museum in 2011. Based on twenty-four examples, the research presented here not only reveals the detailed process involved in confirming the authenticity or inauthenticity of a painting but also offers valuable insight into the working methods of the artists of the Russian avant-garde."--WorldCat. VG+ (creasing to spine tail. corners bumped w/ light rubbing. light shelf-wear/scuff to lower textblock edge. remains tightly bound; appears unread).

4° (30-35 cm), Softcover. Condición: Sehr gut. Dieser Artikel ist momentan um 50% rabattiert. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! 74 Seiten, viele Abbildungen Deutsch 364g.

4° (30-35 cm), Softcover. Condición: Sehr gut. Dieser Artikel ist momentan um 50% rabattiert. Zustand: Einband mit geringfügigen Gebrauchsspuren, Seiten mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! 74 Seiten, viele Abbildungen Deutsch 364g.

Couverture rigide. Condición: Comme neuf. Hatje Cantz, 2002. Sam Durant. Like, man, I'm tired (of waiting). Contributors Michael Darling, Rita Kersting, Kevin Young. The Museum of Contemporary Art Los Angeles. Textes in English. Book in very good condition, as new. C2.

Condición: New.