richard benthall (9 resultados)

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paper cover. Condición: Good. First Edition. G : in good condition. Staples rusted. 180mm x 130mm (7" x 5"). 48pp.

304 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; June 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Gurgles around the Guggenheim," statements and comments by Daniel Buren, Diane Waldman, Thomas M. Messer, Hans Haacke; "Correspondence;" "David Bohm and the Rheomode," by Jonathan Benthall; "Letter from Prague," by Jindrich Chalupecky; "Some Thoughts on 'Art and Technology,'" by Jane Livington; "The information fall-out," by Les Levine; "UK Commentary," by Tim Hilton; "The Rothko Chapel at Houston," by Dore Ashton; "Dutch Artists on Television," by Carel Blotkamp; "The art-lesson," by Richard Wollheim; "Inno 70," by John Latham; "Supplement on prints and graphics," including Donald H. Karshan on "The end of 'the cult of the unique;" publisher's and presses and directory of galleries and dealers dealing in prints. Cover art: "Single Woman" by Colin Self, one of a new series of 11 etchings entitled "Prelude to 1,000 objects," which have been selected to represent Great Britain at the São Paulo Biennale this year. Very Good. Light rubbing and dusting of covers with 8.8 cm. of pencil writing on verso. Contents clean and unmarked.

Condición: new.

84 pp.; 30.7 x 24.3 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; February 1971 issue of Studio International, edited by Peter Townsend. Contents include: "A Smart Set of concepts," by Suzi Gablik; "Aaaargh! indeed," by Andrew Higgens; "The American Juggernaut," by Hilton Kramer; "Correspondence;" "News and Notes;" "The Sociology of Knowledge," by Jonathan Benthall; "Andy Warhol as a film maker," Paul Morrissey interviewed by Derek Hill; "Strindberg and the arts," by Tore Håkansson; "Interview with Konrad Fischer," by Georg Jappe; "UK Commentary," by Timothy Hilton; "Sydney commentary," by Donald Brook; "Linguistics: an eye-witness account," by Gareth Jones and "Inno 70," by John Latham. Cover art: postcards by Richard Hamilton and David Hockney from the recent exhibition at the Angela Flowers Gallery, London. Includes an advertisement for Warhol's April 1966 exhibition at Leo Castelli. Fair / Good. 4.7 cm. pencil writing on recto. Additional yellow discoloration, dusting, and rubbing of cover. Staplebound text block has separated from the covers it was adhered to. 3.3 cm. dog-ears to bottom right corner of pages 41-44 with additional light corner wear to pages. Contents otherwise clean and unmarked.

221 pp.; 30.7 x 24.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. Very Good. Light edge-wear and dusting of covers. Contents clean and unmarked.

56 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. Messer; "Which is in Fact What Happened," Thomas M. Messer in an interview with Barbara Reise; "The Limits of Collecting," by Sir Norman Reid; "Three Early African Sculptures;" "Supplement: New and Recent Art Books" "Reviews," by Marth Haworth-Booth, Jonathan Benthall, Alan Bowness, Timothy Clark, Richard Cork, Peter Gidal, Andrew Higgens, Timothy Hilton, and Frank Whitford. Cover: Sketch for "Zing" 1970 by Bridget Riley. Very Good. Light rubbing and bumping of cover edges. 8 cm. vertical creasing to verso with 6 cm. of pencil writing on verso edge. Contents clean and unmarked.