rebekka deubner (15 resultados)

Paperback. Condición: New. The images of 'tempête après tempête' were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03. 11. 2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. 'tempête après tempête' portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies, they all merge into a new and hybrid body. For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. The images of tempete apres tempete were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03. 11. 2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant.Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. tempete apres tempete portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies, they all merge into a new and hybrid body.For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: New Book. First Edition. 32.5cm x 23cm. 104 pages, colour illustrations. Smyth-sewn with pictorial french fold wrappers. "IÂ've been meeting you through a strip of land, called Fukushima-ken emerging of the Pacific ocean. The scenery I am wandering around is made of water and cells -- randomly forming pink-whitish seaweed, shiny epidermis, teeming caves, narrow pupils, raven hair. Shamelessly IÂ'm strolling around the offered pieces of the landscape's body. Hidden behind my telephoto lens, I am gazeating every detail of it, responding to an urge to feel and seize all the shapes emerging from the still fertile breach of a disaster and its offspring. Keiko, Natsumi, Hayato, Hitoshi, Junka, Hisashi and AsamiIf I am lucky, your defense caves in and I'll get close, collecting scattered pieces of you and soft gestures -- a face revolving -- a folding hand -- lips opening -- a winking eyelid -- my pictures become the films stills of a slow sequence shot which wasnÂ't filmed. Suggesting the missing images from the in-between, calling out to us to fill the gaps while the nocturnal fauna of the sea is swarming through the seaweed, feeding itself on the leftovers of the wave(s)." (publisher's blurb) Multiple copies available this title. Category: Photography; Art & Design::Contemporary Art. ISBN/EAN: 9789493146730. Inventory No: 0021596.

Einband - flex.(Paperback). Condición: New.

Paperback. Condición: New. New Book, Direct from Publisher.

Condición: Very good.

Paperback. Condición: New. The images of 'tempête après tempête' were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03. 11. 2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. 'tempête après tempête' portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies, they all merge into a new and hybrid body. For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.

Paperback. Condición: new. Paperback. The images of tempete apres tempete were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03. 11. 2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant.Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. tempete apres tempete portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies, they all merge into a new and hybrid body.For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.