rasch rudolf ed (13 resultados)

Original publisher's sewn yellow paperback, title spine and frontcover, 8vo: 80pp., xx, 94pp., [ij], introduction with figs and references & facsimile of Bosanquet's Treatise. Very fine copy - as new. Volume 4:Tuning and Temperament Library.

Original publisher's sewn paperback, pictorial frontcover, 8vo: 224pp., illustrations, facsimiles, acknowledgements, summaries, notes. Very fine copy - as new. Volume 28: Duivelshoekreeks.

Original publishers sewn paperback, pictorial frontcover, 8vo: 224pp., illustrations, facsimiles, acknowledgements, summaries, notes. Very fine copy - as new. Volume 28: Duivelshoekreeks.

4°. OBrosch. Partitur. 44 S. + Stimmen. Einige kl. Tinteneintragungen. Sprache: Niederländisch Gewicht in Gramm: 700.

Partitur. 44 S. Sprache: Deutsch Gewicht in Gramm: 350 4°. Geheftet. Leichter Wasserrand oben rechts.

Partitur. 51 S. Gr. 4°. OKart. Geheftet. 0 Gewicht in Gramm: 350.

Original red cloth. (160) pp., portrait, music; 31x23.5 cm. "Opera Omnia Edizione Nazionale Italiana Volume XXIX" - Fine condition, see picture. Price when new is 189 euro. 900g.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. XII+463 p., 41 b/w ill., 220 x 280 mm. Languages: English, Italian This book focuses on the relationship between music and power in Baroque Era Music always functions in a specific environment and, viewed from the other side, environments use music to confirm and strengthen their identities. Institutions of power have in all times employed music to present themselves to the outside world, alongside other means such as architecture, fine arts, design and fashion. The present volume brings together a number of studies that all deal, in one way or another, with the question of how power was implemented in music in what is called the Baroque Era, roughly the seventeenth century and the first half of the eighteenth. The essays can be grouped under four main headings: court opera, ceremonial music, "musicians" and miscellaneous studies. Several essays discuss court opera, one of the most conspicuous musical forms with which a monarch could display his power. Music could also accompany festivities and ceremonies of all sorts, of very different kinds of institutions, courtly, civil or ecclesiastical. Not only sovereign rulers could employ music to confirm their power, also lower-ranking powers such as nobility often invested in music in order to gain prestige. Various studies highlight this aspect of "music and power". Finally, there are studies that deal with more general questions, such as the representation of power in Baroque opera, dedications of musical works to royals and other patrons, and the social status of musicians as they are positioned between patrons and public.

Condición: gut. Music and Science from Leonardo to Galileo In deutscher Sprache. pages.

Kosmos-Z&K, Utrecht, 1993. 24,5 x 16 cm. Gebonden. Hardcover. Met illustraties in z/w. 352 pag. Naam op schutblad anders ALS NIEUW [.

Hardback, 440 pages, Size:210 x 270 mm, Illustrations:51 b/w, 40 musical examples, Language(s):English, Italian. ISBN 9782503600802. Summary Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, Ren Descartes, Giordano Bruno and Philipp Melanchton are also discussed. TABLE OF CONTENTS Library Sigla Greek Writings Abbreviations of Reference Works Rudolf Rasch ? Introduction The (Long) Sixteenth Century Music David E. Cohen ? Latet discordantia quartae : An Early Natural-Scientific Explanation of Upper-Voice Fourths by Franchinus Gaffurius Science Paolo Alberto Rismondo ? Teoria musicale e patronage nobiliare a Venezia nel Cinquecento Alexander Jakobidze-Gitman ? Nascent Mechanism in Philip Melanchthon's References to Josquin des Prez Carlo Bosi ? Intra quaternarii limites musicam intelligunt omnem consonantiam : La musica nel pensiero di Giordano Bruno Gioia Filocamo ? Dissezioni anatomiche con musica a Padova nella prima et moderna The (Long) Seventeenth Century Music Daniel Mart n S ez ? Galileo and Opera: Music, Science, Religion, and Politics in the Seventeenth Century Jason Stoessel & Denis Collins ? La grandezza del numero sonoro : Canonic Techniques, Combinatorics and Early Scientific Thought in Seventeenth-Century Rome Carlos C. Iafelice ? Giovanni Battista Doni on the Tonal Space of Chromatic Music: The Case of Gesualdo's Tu m'uccidi, o crudele Rudolf Rasch ? Me veux-tu voir mourir: Joan Albert Ban versus Antoine Bo sset (1640-1641) Galliano Ciliberti? La Missa La luna piena (1657-1658) di Giuseppe Corsi e le teorie galileiane Science Rudolf Rasch ? Ren Descartes and Isaac Beeckman: The Philosopher and the Schoolmaster Leendert van der Miesen ? The Trumpet as Nature's Voice: Marin Mersenne and the Nature of Music Roberta Vidic ? Joachim Jungius and the Question of Music as an Experimental 'Mixed Science' Th odora Psychoyou ? Trajectories of Musical Acoustics in Seventeenth-Century French Theory and Experiment: Sound, Noise, and the Authorities of the Past Adam Fix ? The Acoustical Paradox: How Music Was Unmoored and Set Adrift from Sciences in the Seventeenth Century Index of Names 0 g.