Rangel luis (183 resultados)

Paperback or Softback. Condición: New. Corridos de caballos. Book.

Condición: New.

Condición: New.

Paperback or Softback. Condición: New. Nombre de piedra. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good.

Condición: New. In English. Rangel Cano, Luis Néstor; García Gallegos, Christian (ilustrador).

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Encuadernación de tapa blanda. Condición: Bueno. Bernal Sahabhún, Víctor M; Víctor C. García Moreno, Luis González Souza, m. Teresa Gutiérrez Haces, Armando Labra Manjarrez, Elaine Levine, Irma Manrique Campos, Gilberto Ortiz Muñoz, Arturo Ortiz Wadgymar, José Rangel, Benito Rey Romay, Carlos A. Rozo Bernal, Alejandra Slas-Porras John Saxe-Fernández, Anotnio Tenorio Adame. La integración comercial de México a Estados Unidos y Canadá. ¿Alternativa o destino? México, Siglo Veintiuno, UNAM, 1990. Características: Rústica en buen estado. 289 p. (21 x 14 cms.). Peso: 400 grs. (5912 NVO). …

Condición: New.

Hardcover. Condición: new. Hardcover. The first monograph on Tecla Tofano, spotlighting her transition to handmade ceramicsVenezuelan ceramicist Tecla Tofano (192795) is most recognized for her pottery, but she was also a draftswoman, metalsmith and writer. From 1964 to 1978, Tofano shifted from crafting objects on a traditional potters wheel to hand-sculpting glazed ceramics of body parts, books, totemic figures and domestic items, often exploring issues of maternity, sexism and socioeconomics. Toward the end of the 1970s, Tofano felt that she had exhausted the possibilities of clay as a medium. She stopped producing ceramics to refocus her energy and activist rhetoric on writing and drawing. Tofano wrote critical articles on society and culture for the newspaper El Nacional beginning in the 1960s and authored several books. This monograph, the first ever dedicated to the artist, highlights Tofanos ceramics and drawings from the 1960s and 1970s. It features a selection of ceramics from this transformative phase that reflect her distinct, dissident voice. The book also includes a curatorial essay by Rangel, a detailed chronology by Farias and translations of Tofanos poetry and writing by Lucia Hinojosa Gaxiola. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Encuadernación de tapa dura. Condición: Bueno. Sierra, Justo (Obra compilada bajo la dirección del maestro). Por Luis G. Urbina, Pedro Heneríquez Ureña y Nicolás Rangel. Antología del Centenario. Estudio documentado de la Literatura Mexicana durante el primer siglo de Independencia (1800-1821). Primera parte I. México, Universidad Nacional Autónoma de México (UNAM), Nueva Biblioteca Mexicana Número 94. Coordinación de Humanidades. Facultad de Filosofía y Letras. 1985. 2ª Edición. Características: Pasta dura en tela editorialcon sobrecubierta en buen estado. Sólo la sobrecubierta está un poco desgastada. 288 p. (24 x 16 cms.). Peso: 1300 grs. (3808 NVO). …

Encuadernación de tapa blanda. Condición: Aceptable. Ibarra, David; Ifigenia M. de Navarrete, Leopoldo Solís, Víctor L. Urquidi (Tomo I.). Manuel Bravo Jiménez, Gerardo M. Bueno, Arturo del Castillo, Daniel Díaz Díaz, Horacio Flores de la Peña, Enrique G. León López, Diego G. López Rosado, Rogelio Magar Vincent, Eugenio Méndez, Arnulfo Morales Amado, Daniel Ocampo Sigüenza, Jesús Puente Leyva, Manuel Rodríguez Cisneros, Luis Unikel (Tomo II). Jorge Basurto, Raúl Béjar Navarro, Ricardo Cinta G. Enrique Contrerars Suárez, Víctor m. Durán Ponte, Víctor Flores Olea, Julio Labastida Martín del Campo, Jorge Martínez Ríos, Humberto Muños García, Mario Ojeda Gómez, Orlandina de Oliveira, Luis de Pablo, José Calixto Rangel C; José Luis Reyna, Alberto Saracho, Leopoldo Solís M; Claudio Stern, Manuel Villa A, Luis Villoro (Tomo III). El perfil de México en 1980. 3 Tomos. Tomo I: La Economía y la Población. Mercados, Desarrollo y Política Económica, El sistema financiero, La distribución del ingreso. Tomo II: Agricultura y Ganadería. Urbanización. Recursos Marinos y energéticos. Industria siderúrgica, automotriz y electrónica. Transporte y telecomunicaciones. Turismo. Educación. Problema habitacional. Tomo III. Sociología. Política. Cultura. México, Siglo XXI Editores, 1972. Características: Rústica en buen estado. 199 p; 303 p; 624 p. (21 x 14 cms.). Peso: 700 grs. (3143 NVO).…

Hardcover. Condición: VG. Quarto. Hardcover. Illustrated boards. No Jacket as issued. 115 pages : illustrations (chiefly color), portraits ; 26 cm. "Tecla Tofano: This Body of Mine foregrounds Tofano as a critical figure in the history of feminist art and the broader canon of postwar global modernism. Curated by Gabriela Rangel and Audrée Anid, this exhibition features over thirty ceramics from the 1960s and 70s as well as a selection of drawings from Evas al desnudo (Naked Eves), her series from 1972. Tofano channeled her ideas most notably through ceramics, though she was also an adept draftswoman, a metalsmith, and a voracious writer. In Rangel's words, ".the feminist impulse empowered her to examine, in both her art and writing, the female body as a tactical space of confrontation." Tofano's meditations in clay were often infused with her biting sense of humor, though they also maintained a poignant and personal undertone. The artist's initial foray into pottery in the 1950s began with throwing utilitarian objects on the wheel under the tutelage of Miguel Arroyo, a figurehead of Venezuela's nascent craft movement. By the 1960s and into the '70s, she shifted to hand-modeling body parts as well as domestic items ranging from food and books to totemic figures, flora, and fauna. Unabashed in her choice of subject matter, Tofano embraced ugliness, hand-modeling ceramics that celebrated the grotesque. Her visual language stood in direct opposition to a refined geometric abstraction and kineticism that was popular among her peers. Tofano embraced rough, hand-built surfaces, as evidenced in this exhibition's uncompromising works, which range from carved and extruding phalluses to disembodied tongues. The artist's work revealed the cracks in an extremist sociopolitical system in Venezuela, Tofano's home of over forty years. Her left-leaning activist views were a direct response to the volatile dictatorial climate that engulfed the country in the 1950s and to the oil boom of the 1960s and '70s. She embedded her work with social commentary to explore issues of class, gender construction and sexism. The female body is specifically addressed in Tofano's visual art and writing as an affront to pervasive machismo and a reflection of her personal traumas. Her suite of forty-four pencil drawings, Evas al desnudo (Naked Eves), 1972, for example, directly referenced social stigmas and expectations imposed on women, particularly those involving reproductive and domestic labor. In Tofano's narrative, Eve, the archetypal woman, is pictured in a multitude of scenarios, from the quotidian to the fantastical. Towards the end of the 1970s, Tofano felt that she had exhausted the possibilities of visual art and refocused her energy and activist rhetoric on writing. The titular phrase, "This Body of Mine is borrowed from Epílogos (Epilogues), her 1987 book of poetry. Tecla Tofano's corporeal ruminations across ceramics, drawings and writing underscore the artist's deeply-rooted commitment to vocalizing the unspoken paradoxes of womanhood and to rendering visible what was once considered taboo. To accompany this exhibition, James Cohan has published the first-ever monograph dedicated to the artist, co-edited by Gabriela Rangel and Luis Felipe Farías. It features an essay by Rangel, a detailed chronology by Farías, and translations of Tofano's poetry and writing by Lucía Hinojosa Gaxiola."-- Provided by Gallery.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Book cover has touches of corner/edge wear and light rubbing, otherwise looks clean and bright. Strong square binding. Pages are clean and bright. A clean and sharp copy overall.

PF. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

284 pp.; 25.8 x 17.6 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 27, 2017 - February 3, 2018. Texts by Cecilia Brunson, Gabriela Rangel, Susanna V. Temkin, Luis Pérez Oramas, Yuji Kawasima, and Jenni Sorkin. Includes exhibition checklist, selected exhibition history, selected bibliography videography, appendix, and contributor biographies. Also includes reproduction of guestbook for exhibition held at the Casa do Brasil, Madrid in 1981. Very Good / Fine. Light rubbing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Tapa blanda. Condición: Nuevo.

Tapa blanda. Condición: Nuevo.

Tapa blanda. Condición: Nuevo.

Condición: New.

Condición: As New. Unread book in perfect condition.