Randall c griffin (99 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Acceptable. With torn spine This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Condición: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

paperback. Condición: Very Good. First Edition. Unread. No markings in book. Binding is fine. 143pp.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. 1st. vi, 143 pages, illustrations (some colour); 27 cm. Published in conjunction with the exhibition The Art of Thomas Anshutz, September 3 to November 20, 1994. Firm binding, clean inside copy. Corner creasing/back cover. *** Thomas Anshutz (1851-1912) succeeded Eakins as an instructor at the Pennsylvania Academy of Fine Arts in Philadelphia after his mentor and colleague was dismissed for disrobing a male model in the so-called "loincloth incident". *** CONTENTS: Preface, by William Innes Homer; Ch. 1. Anshutz's Art and Life through 1891; Ch. 2. 1892-1912: A Period of Continual Change; Ch. 3. Anshutz as Instructor. Size: 4to.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Softcover,143 pages, illustrated throughout in color and b&w. Binding is cracked on page 62. Minor wear to wrappers. Neat, clean copy. This book was published in conjunction with the exhibition The Art of Thomas Anshultz, organized by Randall C. Griffith, Guest Curator; Heckscher Museum, Huntington, New York. The exhibition was on view from September 3rd through November 20, 1994. The book contains the monograph Thomas Anshultz Artist and Teacher, 28 color plates, and numerous black and white reproductions of art from throughout Anshultz's career. Record # 459666.…

Paperback. Condición: Fine. 1st Edition. Seattle: Heckscher Museum w/ University of Washington Press, 1994. 144 pages; 30 color plates; b&w text illustrations. Published in conjunction with an exhibition, The Art of Thomas Anshutz. Endnotes; Bibliography; Checklist; Index. Pictorial Wrapper (softcover). Fine. 4to. Language: ENG.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softbound. Condición: New Copy. Yellow wraps. vi, 146 pp. 32 color, 42 bw plates. Preface by William Innes Homer, book written by Randall C. Griffin with 14 pages of detailed notes and an extensive 6-page bibliography. Also includes a chronology, list of illustrations, a checklist of the exhibition of 45 works (mostly oils and some watercolors, drawings and photographs), and an index. Published to accompany an exhibition held Sept. 3 to Nov. 20, 1994. Contents as follows: Preface / William Innes Homer -- Ch. 1. Anshutz's Art and Life through 1891 -- Ch. 2. 1892-1912: A Period of Continual Change -- Ch. 3. Anshutz as Instructor.…

hardcover. Condición: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Condición: Near Fine with no dust jacket. First Edition. Forward by John Coraor and Anna Noll; preface by William Innes Homer. Thirty color plates. A couple small spots and very faint 1" crease in front cover. Slight spots on spine edges. 143 pages.; 8" x 10 1/2 ".

Soft cover. Condición: Good +. First Paperback Edition. 4to ( 29 x 26 cm). 239 pp. Illustrated paper covers with black titles to upper spine. Wear to edges, 1 cm black mark to top edge, rest of text block tight and unmarked.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. Winner of the 2005 Vasari Award presented by the Dallas Museum of Art for the finest art history book authored by a scholar in Texas. Examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders.…

Hard Cover. Condición: Near Fine Plus. Near Fine Plus. First Edition. cloth, hard cover in dust jacket., no flaws or wear, clean, no writing or markings, strong binding. appears unused.; xxviii-178pp., 8 color plates, 65 b/w illustrations. american painting approaching the turn of the century, with close looks at winslow homer, thomas eakins and thomas anshutz. Size: 8vo - over 7¾" - 9¾" tall.…

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

143, (3)pp. 30 color plates, 40 figs. 4to. Wraps. Published in conjunction with an exhibition at the Heckscher Museum, Huntington, New York, Sept.-Nov. 1994.

Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Phaidon Press, 2017. Folio. Paperback. Book is like new.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: VG+/VG+. Taupe cloth/boards; gilt lettering. Color-pictorial dj with white lettering on spine. xxviii, 178 pp. with 8 color plates and 65 bw figures. "Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity." "Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism."--Jacket.…

Hardcover. Condición: new. Hardcover. An unprecedented examination of the underexplored late work of the iconic American modernist "Griffin's study of O'Keeffe's later works is a revelation, opening new dimensions of this iconic American modernist as she grappled with age and creative evolution. . . . A must-read."Megan Fox Kelly, Observer, "Art Books Defining 2025" Georgia O'Keeffe (18871986) has long been celebrated for her paintings, photographs, and contributions to American modernism in the 1930s and early 1940s, yet her work from the end of World War II through the early 1980s has been largely neglected. In this groundbreaking study, Randall C. Griffin focuses on the major pictorial series that O'Keeffe produced throughout her later careermysterious abstract depictions of her house in Abiquiu, New Mexico, and its surrounding landscape; voluptuous aerial representations of rivers, skies, and canyons in Arizona; Buddhist-informed depictions of clouds; and daring and enigmatic portrayals of the Washington Monument. Drawing from previously overlooked photographs, letters, objects, and paintings, Griffin reveals how these works reflect O'Keeffe's evolving artistic interests and ambitions while also engaging with contemporary issues such as race, class, gender, indigeneity, spirituality, and ecology. Firmly situating O'Keeffe within the larger cultural and political milieu, this volume offers a new understanding of these visionary works and shows how they were informed by, and enriched, the American postwar artistic landscape. An unprecedented examination of the underexplored late work of the iconic American modernist Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Soft cover. Condición: As New. Condition as new, still shrink wrapped. Randall Griffin's thoroughly researched yet very readable study presents a full account of Homer's life and work, and a fresh and provocative reassessment of his place in the history of American art. Firmin, Hannah (ilustrador).

Condición: New.

Soft cover. Condición: Near Fine. Paperback reprint of the 2016 edition. 4to. 239 pp. Color illustrations throughout. Illustrated wraps. Faint rubbing and edge-wear. Near Fine.