Ramos stephen (121 resultados)

Condición: Acceptable. Readable, but has significant damage / tears. Has a remainder mark. paperback Used - Acceptable 2025.

paperback. Condición: Very Good.

paperback. Condición: Fine.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Softcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Second Edition; First Printing. Near Fine paperback in Very Good dust jacket with some edgewear and a few short tears. DJ states: 1982, Second Edition. ISBN 0934840024. Book: 1980, First Printing. ; Y2Y; 8vo 8" - 9" tall; 181 pages.…

Condición: Very good. - Octavo, 9 inches high by 6 inches wide. Softcover, bound in pictorial yellow and orange wrappers designed by John Totten. The edges of the covers are lightly soiled. [4] & 44 pages illustrated with artwork and photographs. Very good. "This first issue for the fall semester has been dedicated to the new writers and artists who have been submitting their work for publication. We have tried to present much of the stories, poetry and art from people at Poly who have not been published before in Counterweight." - from the Editorial.…

Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 296 pages.

Paperback. Condición: Good. 2nd. Paperback with dust jacket (magenta cover underneath illustrated dust jacket). Gift inscription inside front cover. Minor shelf wear to dust jacket.

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. During the interwar years, the discourse of regional planning profoundly reformulated the spatiality of race and place in the United States. In the South, Jim Crow brutality and agriculture crisis fueled unprecedented population outmigration. Sociologist and author Howard W. Odum founded the Institute for Research in Social Science at the University of North Carolina to develop a Southern regionalism that reasserted organic territorial culture amid that flux. Regionalism connected the arts, humanities, and social sciences across the country in a collective effort to elevate place-based narrative and folk sensibility to an all-encompassing social theory.Stephen J. Ramos refocuses the history of US regionalism and regional planning on the South, illuminating the modern tensions inherent in regionalism as nostalgic cultural practice paired with future-oriented planning ideology. By tracing Southern regionalists' intellectual history and institutional biography, Ramos explores how they developed a regional-nationalism through survey and plan that came to inspire federal New Deal policies for the South. In showing how Odum's influence crossed regional and national borders, Ramos offers us a nuanced way to reappraise race, social science, and planning in the US South.…

Paperback or Softback. Condición: New. Folk Engineering: Planning Southern Regionalism. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft cover. Condición: Good+. First Printing stated. x, [182]pp ---- Inscribed and signed by Ramos-Garcia on first page ---- [extensive pencil notes and markings on conents and adjacent pages; scattered pencil notations and markings] Size: 8vo - over 7¾" - 9¾" tall. Inscribed and Signed By the Editor. Book.…

Paperback. Condición: New. During the interwar years, the discourse of regional planning profoundly reformulated the spatiality of race and place in the United States. In the South, Jim Crow brutality and agriculture crisis fueled unprecedented population outmigration. Sociologist and author Howard W. Odum founded the Institute for Research in Social Science at the University of North Carolina to develop a Southern regionalism that reasserted organic territorial culture amid that flux. Regionalism connected the arts, humanities, and social sciences across the country in a collective effort to elevate place-based narrative and folk sensibility to an all-encompassing social theory.Stephen J. Ramos refocuses the history of US regionalism and regional planning on the South, illuminating the modern tensions inherent in regionalism as nostalgic cultural practice paired with future-oriented planning ideology. By tracing Southern regionalists' intellectual history and institutional biography, Ramos explores how they developed a regional-nationalism through survey and plan that came to inspire federal New Deal policies for the South. In showing how Odum's influence crossed regional and national borders, Ramos offers us a nuanced way to reappraise race, social science, and planning in the US South.…

Condición: New. pp. 200.

Soft cover. Condición: Good. Good+ condition. COVER- minor wear, no tears; slight stains, clean overall. PAGES- medium ink-smudges (as manufactured) inside front/back, slight stains on interior pages, clean overall; no writing; no tears. Not ex-library. Book.

Hardcover. First edition. Fine hardcover with hint of shelf wear; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for the 2009 Absa l'Atelier Awards, the annual South African art competition, presents the work of about 90 artists. The winners and merit award recipients get 2 to 4 pages with reproductions of their work; the other artists are accorded one page. There is a profile for each artist, at least one work with annotation, and a description of the work. The 2009 Absa l'Atelier prize was awarded to Stephen Rosin for a multimedia work. The Gerard Sekoto prize for the most promising artist was won by Nyaniso Lindi for a linocut. The Absa L'Atelier Art Competition is an annual art award for South African visual artists between the ages of 21 and 35. The competition is run in conjunction with the South African National Association for the Visual Arts (SANAVA). Foreword by Maria Ramos; introduction by Gwen Miller; statement by Anton Loubser. 111 pages; color reproductions throughout; 8.5 x 8.5 inches. List of previous winners. Includes a small disc in a pocket tipped-in to the inside back cover.…

Condición: New. 2025. paperback. . . . . .

Wrappers. Condición: Very Good. (2020) Tall thin 8vo. SIGNED by editor Sandy King on cover. A bright, tight, clean copy. VG.

Condición: New.

paperback. Condición: Good. Used books may not include access codes or one time use codes. Proven Seller with Excellent Customer Service. Choose expedited shipping and get it FAST.

Condición: New. pp. 200.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Very Good.