Prodger philip (407 resultados)

Condición: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Paperback. Condición: Very Good. 'I knew Hoppe's photographs for years.' - Alfred Stieglitz, New York, 1921 'The Master' - Cecil Beaton, London, 1945 'The missing link in British photography between Frederick Evans and those contrasting moderns, Bill Brandt and Cecil Beaton' - Mark Haworth-Booth, London, 2006 Born in Munich in 1878 and resident in Britain from 1902, Emil Otto Hoppe began his photographic career in 1907 and soon developed a transatlantic reputation for photographing eminent figures from the worlds of literature, politics and the arts. Sitters include Jacob Epstein, Henry James, Tilly Losch, Vaslav Nijinsky, Tamara Karsavina, Margot Fonteyn, W. Somerset Maugham, George Bernard Shaw and the royal family. Less well known are his sensitive studies of ordinary people - such as cleaners, maids,and street vendors - that Hoppe made on location as well as in his London studio from the 1920s onwards. His photo-stories of the early 1930s were taken for the new pictureled reportage magazines, such as Weekly Illustrated. These masterful observations had a major impact on later photographers and predate the growth of photojournalism during and after the Second World War. Following extensive conservation and organisation, the Hoppe photographic archive has been recently reunited with letters and biographical documents held by his estate. This important survey showcases 150 of Hoppe's remarkable portraits, including many previously unpublished photographs as well as new research into his life and work. Accompanies a major National Portrait Gallery, London exhibition, 17 February-30 May 2011. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. light shelfwear, NICE! Oversized.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. very clean softcover. no marks.clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Paperback. Condición: Very Good. Glossy paper covers; mild edge wear; small price sticker in top front corner; 4to - over 9 3/4" to 12" tall; small inscription on first page; small smudge on very edge of last few pages; interior clean and unmarked; 310 pages. Additional shipping charges may need to be requested due to size or weight of book.…

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Soft cover. Condición: Very Good. Volume has some wear; tight, text clean. 80 p., well illustrated. Oversize [b 830].

Condición: as new. Wie neu/Like new.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condición: Very Good. Presumed first; full number line. Softbound book in very good condition. Pages are clean, straight, and firmly bound. Spine is uncreased. There is very light shelf wear to the corners. The head edge of the text block has three pinhead-size lght brown spots. The bottom edges of pages 261 through 268 have a very small nick. Book is full of color illustrations which are vivid and fresh.…

hardcover. Condición: Very Good. Publisher overstock. May have remainder mark / minor shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Good. Crease/bruise to cover and pages.

Condición: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Hardcover. Condición: As New. 1st Edition. Hardcover, with dust jacket. As new.

Soft cover. Condición: New. 1st Edition in Softcover. 1st. Edition, Illustrated soft cover , 309 page book . With black and white photo illustrations . Condition : NEW Size: 4to - over 9¾" - 12" tall. Eadweard Muybridge (ilustrador). Book.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. 3rd ed. xxxvi, 472 p. : ill. ; 23 cm.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardback. Condición: Good. Darwin's Camera tells the extraordinary story of how Charles Darwin not only changed the course of science; he forever changed the way pictures are seen and made. In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory--his was the first photographically-illustrated science book ever published. Using photographs to depict fleeting expressions of emotion--laughter, crying, anger, and so on--as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The things he wanted to photograph changed too quickly to be photographed easily, and he struggled to get the pictures he needed. So he scoured the galleries, bookshops, and photographic studios of London, looking for pictures to satisfy his demand for expressive imagery. He finally settled on one the giants of photographic history, the eccentric art photographer Oscar Rejlander, to make his pictures. It was a peculiar choice. Darwin was known for his meticulous science, while Rejlander was notorious for altering and manipulating photographs. Their remarkable collaboration, and the lengths they went to to create the pictures Darwin needed, is one of the astonishing revelations in Darwin's Camera. Darwin never studied art formally, but he was always interested in art and often drew on art knowledge as his work unfolded. He studied art as a student and befriended the artists on the voyage of HMS Beagle, he visited art museums to examine figures and animals in paintings, he made friends with artists, and read art history books. He befriended the celebrated animal painters Joseph Wolf and Briton Riviere, and accepted the Pre-Raphaelite sculptor Thomas Woolner as a trusted guide. He corresponded with legendary photographers Lewis Caroll, Julia Margaret Cameron, and G.-B. Duchenne de Boulogne, as well as many lesser lights. Darwin's Camera provides the first examination ever of these relationships and their effect on Darwin's work, and how Darwin, in turn, shaped the history of art.…

Hardcover. Condición: Acceptable. Spine seperating. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 2007 Hardcover First Edition with full number line. 176pp. Interior clean; binding tight. Boards VG. Dust jacket protected in mylar sleeve.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.