pontius paulus (56 resultados)

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Original Kupferstich-Portrait von ca. 1640. -- Blattformat: ca.29x19,5 cm. Platte: ca. 16 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1640. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Blatt-Maße: ca. 41,5 x 26 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 24 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 23 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 24 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- mit alter Knickspur, sonst gut erhalten. || Original engraved portrait from the 17th century. -- with old fold mark, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 23 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- win good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Condición: Good. Engraving. 38.5 x 30 cm (sheet). Good, age toning along sheet edges, top margin trimmed to the image, print affixed on three sides to another support sheet.

Condición: Good. Steel engraving. 31.5 x 21.5 cm. (sheet). Very Good. Horizontal crease in lower text area.

Leather Bound. First Edition. pp. x, 602. 4to., measuring 9.5" x 8". Period mottled calf over boards, gilt rules and lettering to the spine over maroon spine label, five rasied bands, six compartments; marbled endpapers and edges. Title printed in red-and-black. Lacking the engraved frontispiece portrait of Gustave-Adolphe; eight gorgeous engraved plates comprising of five fold-out engraved maps, two fold-out battle plans, and one fold-out table (diagram), all collated and accounted for. Charming engraved rules, and head-pieces throughout. Light scuffing to the leather extremities (the leather binding has recently been professionally replenished and treated with a natural leather preserver). Leaves uniformly without blemish, and free of any markings, one 6" very neat closed tear to the left margin of plate No. 2 (p. 272) (no loss), otherwise, the remainder of the plates are without blemish, tears, or deficiencies. Overall, very good. Text in French. See, Warmholtz Citation #3810. Corresponds to OCLC #493733549.

Blatt-Maße: ca. 41,5 x 26 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

No Binding. Condición: Poor. Portrait of Balthazar Gerbier. Born 13 February 1592 in Middelburg, The Netherlands. Died 1663. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), 1634. Mediocre condition. Lacking the margins and part of the left and lower parts of the image. Several small holes affecting the image. Verso: blank, with traces of former mounting and an old collection stamp. Dimensions: 223 x 157 mm. Balthazar Gerbier was Writer, Diplomat, Artist, Miniaturist, Courtier, Painterr, Art advisor, and Architectural designer. Print.

Anthony van Dyck Ilustrador. 'D. CONSTANTINVS HUGENS EQVES / TOPARCHA SVYLECOM. / PAUL. PONTIUS SCULP. / ANT. VAN DYCK PINXIT / CUM PRIVILEGIO'Portrait of Constantijn Huygens I, bust-length, seated with hand resting on a large closed book. Dressed in formal robes with wide collar, shown against a background of curtain and sky. After a painting by Van Dyck.Made by Paulus Pontius after Anthony van Dyck.Medium: Engraving on hand laid (verge) paper. Watermark: lettering.Sheet size: 17.7 x 24.9 cm (6.97 x 9.8 inch). Image size: 16.2 x 22.5 cm. (6.38 x 8.86 inch).CONSTANTIJN HUYGENS, DUTCH GOLDEN AGE, VAN DYCK ICONOGRAPHY, PAULUS PONTIUS, 17TH CENTURY ENGRAVING, FLEMISH PORTRAIT, HUMANIST, SCHOLAR, POET | PCO-E22-38BACKGROUND INFORMATIONFrom: 'Iconographia.'.State: 6th state (per Hollstein).Reference: New Hollstein Dutch 38-6(6); Hollstein 90-4(6); Mauquoy-Hendricx (Van Dyck) 53-4(6); FMP 2685.Biography engraver: Paulus Pontius (1603-1658) was a Flemish engraver and one of the principal interpreters of Anthony van Dyck's portrait paintings. He was active in Antwerp and collaborated with Rubens as well.Biography artist: Sir Anthony van Dyck (1599-1641) was a Flemish Baroque painter, best known for his elegant portraits of aristocrats. His Iconographie series, engraved by various printmakers, became a key reference in 17th-century portraiture. Condition: very good, given age. Light foxing, soiling and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condición: Good. Engraving on laid paper with fleur-d-lys watermark (Mauquoy-Hendrickx 170?). 23.6 x 17.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with indecipherable watermark. 24.5 x 17.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 170?). 26 x 17.6 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 170?). 24.7 x 17 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 23.6 x 16.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. A short tear at bottom sheet edge (below his right hand)."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 24.4 x 15.4 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 167?). 23.2 x 16.9 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condición: Good. Engraving on laid paper with partial watermark. 24.3 x 17.3cm. sheet size.Reference: Marie Mauquoy-Hendrickx.L'Iconographie d'Antoine van Dyck = [Van Dyck's Complete Original Engravings]. Catalogue raisonné; no. 66 state IV of VII.

Paulus Pontius Ilustrador. Horses in a stable with a groomsman holding a pitchfork. The scene is detailed, showing three horses in the foreground.Made by Paulus Pontius after own design.Medium: Engraving on hand-laid (verge) paper. Watermark: Coat of arms with a cross and a crown with letters GR below.Sheet size: 35.5 x 24.8 cm (13.98 x 9.76 inch). Image size: 32.5 x 22 cm. (12.8 x 8.66 inch).HORSE STABLE, PONIES, GROOMSMAN, 17TH-CENTURY, DUTCH ENGRAVING, ANIMALS | EXPO-415 (FLEMISH)BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Paulus Pontius (1603-1658) was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens. Condition: very good, given age. Light soiling and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condición: ACEPTABLE. Grabado de Paulus Pontius de la obra de Rubens Isabel Clara Eugenia de Habsburgo como monja de 1625. Isabela ClaraEugenia (1566-1633)fue Infanta de España, Archiduquesa de Austria y Soberana de los Países Bajos y de Borgoña. Además, fue candidata a la corona de Francia, a la que no accedió a causa de la Ley Sálica. Formato (cm): 43x60.

34,5 x 25,5 cm. Condición: Gut. Kupferstich. Hulle, Anselm - Paulus Pontius. JOHANN CUYERMANS, Spanischer Rat in Brabant, Berater des Königs im obersten Senat und Gesandter zu dem Westfälischen Friedens. Halbporträt nach rechts im Oval, mit reicher Verzierung. In der Platte Signiert, Blatt Nr. 106. Tadellos erhalten, Breitrandig. HULLE, Anselmus von ( eigentlich Ans. Hebbelynck), Maler, geb. in Gent 1601 gestorben nach 1674. Wurde bekannt durch seine zahlreichen Porträts und Kirchenbilder. Seine Bekanntschaft verdankt er im besondseren Maße den berühmtesten Stechern seiner Zeit, die seine Porträts stachen. Allen voran PIETER DE JODE II., geb. 1606 in Antwerpen und gest. nach 1674 in England. Das Blatt entstammt dem Werk " PORTRAITS DES HOMMES ILLUSTRES. " ( Porträts berühmter Personen die im 17. Jahrhundert gelebt haben, verlegt bei Francois van der Plaats in Amsterdam, 1706. JOHANN CUYERMANS, Spanish council at Brabant, adviser of the King at the highest senate and ambassador to the Westphalia peace. Half portrait to the right in oval, with rich decoration. Signed in the plate, folio number 106. In excellent condition, expanded bordered. Hulle anselmus (actually Ans. Hebbelynck), born at Geneva 1601; died after 1674. He became famous trough his several portraits and church paintings. His famous he owes in particular the most famous engravers of his time, which etched his portraits. All ahead PIETER DE JODE II., born 1606 at Antwerp and died after 1674 in England. The folio emanates of the volume ?PORTRAITS DES HIOMMES ILUSTRES?? (Portraits of famous people which lived in the 17th century, published Francois van der Plaats at Amsterdam, 1706). deu S 7|1357BG Sprache: Deutsch Gewicht in Gramm: 444.

Original engraving by Paulus Pontius after a painting by Gerrard ter Borch. Amsterdam 1648. Plate measures: 26,5 x 16,5 cm. Sheet measures: 27,5 x 18 cm. Slight foxing, mainly to edges. Tear repaired with paper on verso. * Vobiscus Fortunatus Plempius was born in Amsterdam in 1601. He studied at Louvain, Leiden & Padua where he obtained a doctorate in medicine in 1623. He was appointed Professor at Louvain in 1633 and died there in 1671.

Leather Bound. Condición: New. Language: eng,fre. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1739. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - eng,fre, Pages: - 291, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 291.