ponsa marta (28 resultados)

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Condición: New.

Hardback. Condición: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.

Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

Condición: New. In.

Stiff photo-pictorial wrappers (softcover), 29,5 x 24 cms., 134 pp. throughout illustrated in duotone, biography, list of exhibitions, bibliography, English translation. ISBN 8476647255.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 201 pages. 9.00x6.50x0.75 inches. In Stock.

Condición: New.

Paperback. Condición: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

paperbound, flaps, 4to 134 pp., ca. 100 ills. exhibition catalogue; Ed van der Elsken; text in Spanish; LIKE NEW condition.

Condición: New. This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists.&Uumlber den AutorPeter Szendy is Professor o.

Condición: New. KlappentextSurveying the oeuvre of a genre-bending French documentarianFrench artist Marine Hugonnier (born 1969) makes experimental films that investigate the politics of the gaze and exist at the border of do.

Softcover. Condición: Book very good. 134 pp. Throughout b/w photographs of Van der Elsken. Biography, bibliography, list of exhibitions. Exposition catalogue. Languages: Spanish and Catalan, with an English translation. L'exposició Ed van der Elsken: Eye love you ha estat produida pel Kunstmuseum de Wolfsburg i organitzada per la Fundació "La Caixa". Size: 29,5 x 24 cm.

Tapa blanda. Condición: 2ª Mano. , . . Ilustrado con 79 fotografías a plena pagina. Primera edición. . Tapa blanda con solapas. 96 p. : il. ; 21x21 cm.

Fundació La Caixa, Barcelona 2000. 4to. 128 pages. Illustrations in b/w and colour. Orig. softcover. Near fine. * Texts in Spanish and English.

Paperback. Condición: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

Hardback. Condición: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.

Paperback. Condición: New. The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998.At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images.Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

Couverture rigide. Condición: Comme neuf. Edition originale. Cartonnage éditeur illustré en couleurs, très nombreuses illustrations couleurs et n&b, 312 pages.

Barcelona 2001 . Traduccions de Caplletra S.L. Enquad : Rústica amb solapes . 24,2 x 29,7 cms. 189 pag Tema : El Desert . Idioma : Català . Llibre en bon estat . ( Si paga Contra Reemborsament incrementarà les despeses d'Enviament en 5 Eur ) .