philippi desa (26 resultados)

Paperback. Condición: Good. Front cover section cut, else near fine.

Soft cover. Condición: Near Fine. 1st Edition. Arnolfini Bristol, 1993. Softcover exhibition catalog, accompanied exhibition 24 April and 6 June 1993, 46 pages, in English; very good condition, no internal marks, very slight wear to cover. Illustrated in colour and b&w throughout. With two critical essays.

Paperback. Condición: Very Good. Paperback exhibition catalogue, to accompany exhibition 24 April and 6 June 1993, 46pp. Very good condition, no internal marks, very slight sunning to rear cover and tanning of page edges. Illustrated in colour and b&w throughout. With two critical essays. AD. Used.

Softcover exhibition catalog, 46 pages, in English; very good condition, no internal marks, clean and crisp.

Hardcover. Condición: Very Good. Cover has light to modest rubbing, some light smudges, and some light bumps to corners and spine, but otherwise overall still looks attractive. Binding a bit wiggly but still solid, pages are clean and crisp. Overall an attractive copy in very good condition.

Condición: Very good.

Soft cover. Condición: Very Good. A beautiful copy.

Soft cover. Condición: Near Fine. Spine discolored. Otherwise in fine condition.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Pages bright and clean. Wrappers have very light shelf wear. ; Contents: Buck-Morss, Aesthetics and anaesthetics: Walter Benjamin's artwork essay reconsidered. Werneburg, Ernst Jünger and the transformed world. Diederichsen, Spiritual reactionaries after German reunification: Syberberg, Foucault, and others. Huyssen, Kiefer in Berlin. Osorne, Painting negation: Gerhard Richter's negatives. Philippi, Moments of interpretation. Crow, Hand-made photographs and homeless representation. Koch, The Richter-scale of blur. ; 9.0" tall; 142 pages.

Paperback. Condición: Brand New. Paperback.Width: 30 cm. Height: 22cm. 48 pages. English text.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 15 x 21 cm, 224 pages, 25 b/w illustrations - This title of the Parachute anthology focuses on painting, sculpture, installation, and architecture: the so-called traditional and academic media. They are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America for instance), from the lessons of postmodernism to the definition and exhibition challenges caused by the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow, Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.

Soft cover. Condición: Very Good. Spine is faded and front cover has slight indentation. Internally is all clean and clear throughout.

Soft cover. Condición: Near Fine. Discreet original price in ink on opening page. No other marks to covers or contents. C2.

Exhibition catalogue. First edition 1993. 46 pages. Illustrated in colour and black and white. Small binding error to free front endpage. Paperback. Very good. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience, you may order with confidence.

142 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow and "The Richter-Scale of Blur," by Gertrud Koch. Good. Light yellowing of covers with spotty ocher spotting to recto and light soiling of verso with rubbing to corners. 12.2 cm. dog-ear to table of contents, light yellowing of page edges. Contents otherwise clean and unmarked.

Softcover. Condición: Sehr gut. 41 Seiten. Zahlreiche Abbildungen, z.T. doppelseitig. Englisch.

Softcover, 70 pages, in French, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Fine. Invitation, SIGNED by Roland Flexner, laid-in. Original white covers, 7x8 5/8 inches, 32 pp, text in French and English. Softcover, fine. Starting to lightly age yellow along edges, otherwise tight, clean, paper crisp, unmarked and never read. Art; exhibition catalogue (catalog) ; autograph.

First edition. Softcover. 69 pages. Published in conjunction an exhibition that ran June 8 through August 22, 1994. Text in French. Features an introduction by Christine van Assche and essays by Nadia Tazi, Desa Philippi, and Jacinto Lageira. Includes numerous color and black and white illustrations, a brief chronology, list of previous exhibitions and performances and a bibliography. A clean very near fine copy in wrappers.

8vo. pp 146. Original publisher's grey boards with black lettering at the spine. Copiously illustrated throughout in black and white and colour. ISBN: 0953532003 About fine.

SOFTCOVER. Condición: As New. 1st Edition. Extra Large 4to. in stiff card covers, 56pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: UsatoBuono. Bross., cm 21,5X29,5, pp 48, molte tavv. a col.

Condición: Fine. Estado de la sobrecubierta: very good +. 210x240mm. 35pp. Printed black & white with colour plates in grey wraps. Exhibition catalogue produce don the occasion of Hatoum's show at the Arnolfini Gallery, Bristol, UK from 24 April - 6 June, 1993. Condition: sunning to covers but overall NF.

SOFTCOVER. Condición: As New. 1st Edition. 1st Edition Quarto size (4to) card covers in photographic self-wraps. 44pp, plates . [CONDITION: A well preserved AS NEW unmarked copy (minute 2mm crease to bottom front cover corner tip) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

336 pp.; 26 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. The artworks are accompanied by original writings by the artists, contemporaneous criticism and newly commissioned essays by Pamela Franks, Aruna D'Souza, Johanna Burton, David Levi Strauss, Hamza Walker and Cuauhtémoc Medina. The ambitious works presented and interpreted herein invite us to consider the impact of the feminist revolution across generations while rendering obsolete any stigma associated with shows or catalogues limited to women artists. Taking its lead from Conceptualism, feminism, and from its included artists, Witness to Her Art reaches for art history's capacity as a medium of world-making." -- publisher's statement. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked.