philippe davet (19 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Soft cover. Condición: Very Good. Paperback.

Softcover, 96 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Soft cover. Condición: New. 1st Edition. New and sealed.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. First edition, 2007, first printing. Near Fine paperback with French flaps with a touch of shelf wear. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Louise Lawler focuses her camera on high art and its spaces. Part institutional critique, part social commentary and part wandering gaze, Lawler's photographs redirect the viewer's attention from the artworks to their environs, exposing a set of supple relationships surrounding the presentation and marketing of art and its role in conferring and reflecting power. In 1984, Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. This publication gathers almost all the Tremaine Pictures produced between 1984 and 2007." The catalogue for an exhibition held at BFAS Blondeau Fine Art Services, Geneva, September 13 - October 20, 2007. Photographs by Louise Lawler; essays by Andrea Miller-Keller and Stephen Melville; introduction by Marc Blondeau and Philippe Davet. 108 pages; color and b&w plates and text illustrations throughout; 9.5 x 9.5 inches. Illustrated and annotated exhibition checklist for 30 works. Text in English.

Trade Paperback. Condición: Used - Very Good. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.

Paperback. Condición: Fine. 1st. [94] pages, chiefly illustrations (some colour); 40 cm. Published on the occasion of the exhibition 'Distorted Faces & Portraits, 1978-2007' at BFAS Blondeau Fine Art Services, Geneva, from May 24 to July 14, 2007. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Dedicated to different types of portraits realized by the American artist between the end of the 1970s and today, this publication is presented as a large-format album, with a dust jacket-cum-poster. The format, layout, and mode of printing underlines the graphic talent of the artist, while the gathering of the works juxtaposes the famous "Distorted Faces" series with the hyperreal portraits, symbolic depictions, such as that of Ronald Reagan whose face is literally haunted by figures from the American culture of violence (Charles Manson, Rambo, etc.), and Hollywood subjects." - Publisher. *** CONTENTS: Distorted faces series: paintings (1986-2007); Noir portraits series (1978); Distorted faces series: works on paper (1978-1985); Sketches for giant face paintings (1992); Other portraits & faces (1993-2006). Size: Folio. Collectible.

Soft cover. Condición: Very Good. Book is in very good condition with b/w illustrations. Large impressive volume.

Paperback. Condición: New in shrinkwrap, Gold wraps with color illustration and bright blue lettering; French flaps; 93 pp. with sections of color and bw photographs. Photographs of the Burt and Emily Tremaine collection in both color and black and white, with extensive comments and quotes and a catalogue of the works.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Softcover. Englische Broschur.

Trade Paperback. Condición: Used - Like New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.

Trade Paperback. Condición: New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras. Still shrink wrapped.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 24,5 x 24,5 cm, 108 pages, 40 colour & 20 b/w illustrations - This book gathers almost all the Tremaine Pictures produced between 1984 and 2007 representing works in the collection of Mr. and Mrs. Burton Tremaine. The work of Louise Lawler (born 1947 in Bronxville, lives and works in New York) has focused on the presentation and marketing of artwork. Much of this work consists of photographs of other peoples' artwork and the context in which it is viewed. Examples of Lawler's photographs include images of paintings hanging on the walls of a museum, paintings on the walls of an art collector's opulent home, artwork in the process of being installed in a gallery, and sculpture in a gallery being viewed by spectators. Along with photography, she has created conceptual and installation art. Some of her works, such as the "Book of Matches", are ephemeral and explore the passing of time, while others, such as "Helms Amendment (963)", are expressly political.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Couverture souple. Condición: Très bon.