peter kunze (553 resultados)

paperback. Condición: Fine.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Stapled. Condición: Very Good. No Jacket. 24 pp. Text in German. The pages are tanned at the edges, and there is light rubbing to the cover edges. There is a 1/4" dia. stain on the front cover. The binding is secure, and the text is clean.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Taschenbuch; Condición: Gut. 239 S. ; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 250.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Pamphlet. Condición: Very Good. Vol 41, No 2, pp. 189-206, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Condición: New.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condición: As New. No Jacket. STAGING A COMEBACK: BROADWAY, HOLLYWOOD, AND THE DISNEY RENAISSANCE, Peter C. Kunze, softcover, 2023. BOOK CONDITION: as new. The text block is in fine condition with no tears, marks, or dog ears. There is no bookplate or signature of a previous owner. Not a remainder or library book. The wraps are in near fine condition (slight curling of upper righthand corner). 9 x 6, 223 pages, 14 ounces XX [From the back cover] In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it was one of the most powerful entertainment conglomerates in the world. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation - not live-action - was the center of a veritable renaissance at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflected and influenced changes in Broadway and Hollywood more broadly. XX "Peter Kunze's STAGING A COMEBACK brings a fresh perspective to the Disney 'renaissance' of the 1980s and 90s. He examines these films' historical connection to the theatricality, anthropomorphic performance, and mediated liveness of classic animation. The book is also noteworthy for the author's innovative research methods, in light of the studio's reluctance to open up to independent scholarship. Kunze shows that if you can't enter the castle over the moat, you can storm it by way of the ramparts (DONALD CRAFTON, AUTHOR OF SHADOW OF A MOUSE: PERFORMANCE, BELIEF, AND WORLD-MAKING IN ANIMATION). XX STAGING A COMEBACK tells a fascinating, complex story of corporate ambition, artistic vision, and theatrical collaboration. Kunze brilliantly reveals how the interdependence of theatre and animation, New York City and theme parks, Hollywood producers and Broadway musical theatre artists enabled Disney's breathtaking success (STACY WOLF, AUTHOR OF BEYOND BROADWAY: THE PLEASURE AND PROMISE OF MUSICAL THEATRE ACROSS AMERICA). XX Peter C. Kunze is an assistant professor of communication at Tulane University. He is editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good.

Soft cover. Condición: Fine. No Jacket. 1st Edition. TAKING A STAND: CONTEMPORARY US STAND-UP COMEDIANS AS PUBLIC INTELLECTUALS, edited by Jared N. Champion and Peter C. Kunze, softcover, stated first printing, 2021. BOOK CONDITION: fine. The text block is in fine condition, with no tears, dogears, or marks. No signature or bookplate of a prior owner. Not a library book or remainder. The wraps are in fine condition. 9 x 6, 284 pages, 15 ounces XX [From the back cover] A comprehensive study of comedy as social discourse and how comedians influence public opinion XX Taking a Stand makes a valuable addition to many disciplines, from media studies to gender studies to communication to sociology, not just for the wide breadth of its topics and analysis, but also for the considerable skill with which each chapter is crafted (TED GOURNELOS, author of Popular Culture and the Future of Politics: Cultural Studies and the Tao of South Park). XX Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli's use of problematic postracial humor, Aziz Ansari's merging of sociology and technology, or Maria Bamford's emphasis on mental health, to name just a few. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously. XX JARED N. CHAMPION is assistant professor of writing and interdisciplinary studies at Mercer University. He is editor of Cliffs and Challenges: A Young Woman Explores Yosemite, 1915-1917, PETER C. KUNZE is visiting assistant professor of communication at Tulane University. He is editor or coeditor of multiple publications, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon; American-Australian Cinema: Transnational Connections; and Conversations with Maurice Sendak.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

[1.Aufl.]. 120 S. Illustr. OPp. (m. jeweils kl. Illustr. vorn u. hinten v. Moritz Götze). Schnitt etw. altersfleckig; Hinterdeckel m. 2 winzigen Schmutzspuren; sonst gutes sauberes Expl. auf holzfreiem Papier, kein Umschlag.

Einband, 248 S. , Abbl. , Fotos, Zust. gut.

First Edition. Very good paperback copy; edges slightly dust-toned and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical Description; [16] p. : ill. ; 21 x 23 cm. Subjects; Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik. Koperen blaasinstrumenten. Tentoonstellingscatalogi (vorm). Notes;Begeleidende tekst bij grammofoonplaat-opnamen in "Deutsches Museum." 1 Kg.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Very Good.

Hardcover. Condición: leichte Gebrauchsspuren. guter bis sehr guter Zustandleichte Lagerspuren am Einband, keine Eintragungen, sauber 520.

Condición: New.

Paperback. Condición: New. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live action-was the center of a veritable "renaissance" at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.

Paperback. Condición: new. Paperback. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live-action-was the center of a veritable "Renaissance" at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflects and influenced changes in Broadway and Hollywood more broadly. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflects and influenced changes in Broadway and Hollywood more broadly. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condición: sieheBeschreibung. Sonderdruck der sächsischen Landeszentrale für politische Bildung. Br. 79 S. 4° Guter Zustand. Deutsch broschiert/Taschenbuch.

Condición: As New. Unread book in perfect condition.

Broschiert. Condición: Gut. 2., erw. Aufl. XIV, 226 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Schnitt und Einband sind etwas staubschmutzig; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 280.