pattison james william editor (6 resultados)

Soft cover. Condición: Very Good. No Jacket. FINE ARTS JOURNAL. DEVOTED TO THE FINE AND DECORATIVE ARTS, HOME BUILDING AND ADORNMENT. Volume XXVI, Number Four (April 1912), softcover journal, original wraps, B/W illustrations and advertisements. MAGAZINE CONDITION: very good. The text block is in fine condition with no tears, marks, or dog ears. There is no bookplate nor signature of previous owner. Not a library periodical. The 3-staple binding is in good condition. The illustrated wraps are in especially good condition for a magazine over 100 years old (some chipping and wrinkling along edges). The staples (both heads and ends) lightly show their presence on the wraps, front and back, near the spine. The spine has two small tears. 11 x 8, 78 pages [including ads], 10 ounces. XX [From Wikipedia] THE FINE ARTS JOURNAL, published in Chicago from 1899 to 1919, was an art magazine devoted to the fine arts and increasingly to the arts in the broadest sense. The editor to 1905 was Marian A. White, who sought to make the journal a vehicle "to promote and foster a love for art American in type and the work of the American artist in particular" but resigned when she felt the publisher was insisting that it be a "write-up periodical". From 1907 it was adopted as the official publication of the National Art Society, also based in Chicago. XX Principal contents of this issue: The Annual Exhibition of the Pennsylvania Academy of Fine Arts, The Art of Gennaro Fava - The Venetian Process of Tempera Painting, A Collection of Antique Ceramics from Noted English Potteries, An Idealization by Bouguereau, Exhibition of Paintings and Sculpture by Swedish-American Artists, A New Message in Sculpture - The Art of Jo Davidson, Lorado Taft's Latest Work.

Soft cover. Condición: Very Good. No Jacket. FINE ARTS JOURNAL. DEVOTED TO THE FINE AND DECORATIVE ARTS, HOME BUILDING AND ADORNMENT. Volume XXV, Number Five (November 1911), softcover journal, original wraps, B/W illustrations and advertisements. MAGAZINE CONDITION: very good. The text block is in fine condition with no tears, marks, or dog ears. There is no bookplate nor signature of previous owner. Not a library periodical. The 3-staple binding is in good condition. The illustrated wraps are in especially good condition for a magazine over 100 years old (some chipping and wrinkling along edges). The staples (both heads and ends) lightly show their presence on the wraps, front and back, near the spine. The spine has two small tears. 11 x 8, 79 pages, 10 ounces. XX [From Wikipedia] THE FINE ARTS JOURNAL, published in Chicago from 1899 to 1919, was an art magazine devoted to the fine arts and increasingly to the arts in the broadest sense. The editor to 1905 was Marian A. White, who sought to make the journal a vehicle "to promote and foster a love for art American in type and the work of the American artist in particular" but resigned when she felt the publisher was insisting that it be a "write-up periodical". From 1907 it was adopted as the official publication of the National Art Society, also based in Chicago. XX Principal contents of this issue: A Collection of Contemporary French and Dutch Art, Zelma Baylos - American-Hungarian Portrait Painter, The Evolution of Travel from the Chariot to the Electric [Automobile]. The advertisements for the electric cars are especially interesting.

Soft cover. Condición: G+. No Jacket. 1st Edition. Book is bound in decorated tan wrappers, stapled binding, yap edges, pages numbering 334 to 378 plus 12 pages of ads. Black and white illustrations. Three articles: "The Master Impressionist" with 38 illustrations; "Augustus Koopman-Painter of Emotions" with 16 illustrations; "William Keith-Poetical Painter" with 24 illustrations. Soiling, edge wear and small tears on cover edges, former owner's name on upper cover, chip missing on lower margin of page 271-272, stamp of museum collection on corner of first page. Size: 4to - over 9¾ - 12" tall. Book.

Hardcover. Condición: Very Good. Portraits With Tissue Guards Ilustrador. Reprint. Seven Volumes Bound In Matching Quarter Tan Calf, Top Edges Gilt, Marbled Boards And Matching Marbled Endpapers, Spines Elaborately Gilt In All Compartments, Red And Black Morocco Spine Labels. 1895 Date On Title Pages Well Made Books, Good Quality Paper And With Tissue Guards To The Frontispiece Portraits In All 21 Volumes. All Volumes With Only Light Rubbing, A Few Beginning To Fray At Top And Bottom Edges, Joints Cracked Or Starting On All Volumes, One Spine Split Away At Top Half, The Detached Half Laid In Loosely And Repairable, One Spine Coming Loose Along Front Joint But Can Be Re-Glued Without Bindery Work; All Gilt Brilliant, Morocco Spine Labels Clean And Bright. International Postage At Usps Priority Mail Box Rate.

Softbound. Condición: VG. Printed wraps. pp. 701-750 +ads at front and rear. Major articles in this magazine include "The Twenty-Six Annual Exhibition of American Art" with 15 bw plates; Important Pictures In New York Galleries" with 4 bw plates; "A Study of Simplicity In Silver" (Towle Manufacturing Company) with 10 bw plates; "Art Tiling-It's Place In Architecture and Design" with 13 bw plates. Includes illustrated works by Gari Melchers, Lawton Parker, Frederick C. Hibbard, Giovanni B. Troccoli, Oliver dennett Grover, Arthur B. Carles, Edward Redfield, Fred G. Gray, Louis Kronberg, Helen Turner, Karl A. Buehr, Cecilia Beaux, Vaclav Vytlacil,

Softbound. CAVE Ilustrador. 12 loose issues in original brown-paper wraps. All 12 issues from 1912. Cover subtitle of this periodical is "Devoted to the fine and decorative arts, home building and adornment." The January issue includes an article on the art of Prince Pierre Troubetzskoy, which is continued into the February issue and must be one of the premier sources of information on this artist with its many illustrations. This particular periodical is rich and dense with original information on American artists, their exhibitions in New York, Philadelphia, Chicago and elsewhere; it is richly illustrated with photographs of contemporary works. It is thus a vital research tool. VG (uniformly, each issue is clean and lacking in defects, except for some edge wear.).