parodi laura e (18 resultados)

Soft cover. Condición: New. ISBN:9789356401044.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 2021 Edinburgh University Press hardcover edition. Light reading wear else very good condition. Contents: 1. Old Mosques: Destroyed, Lost and Transformed in Twentieth- and Twenty-first-century India; 2. The 'Arraf Mosque in Dhu Jibla; 3. Monumentality en Miniature: On Two Dome-shaped Carpet Weights - mir-i farsh; 4. 'The View from Above': Muslim Perceptions of the Turks of Syria and the Jazira in the Period 1070 to 1176; 5. The Multiple Faces of Restoration in the Medieval Islamic Architecture of Central Asia; 6. A Damascus Room in Los Angeles; 7. Rubbish, Recycling and Repair: Perspectives on the Portable Arts of the Islamic Middle East; 8. A Copper-alloy Plate with Architectural Imagery in Berlin . and Jerusalem?; 9. Looking Inside the Book: Doublures of the Mamluk Period; 10. Taj al-Din 'Alishah: The Reconstruction of his Mosque Complex at Tabriz; 11. Once More Cosmophilia: Facing the Truth, Later; 12. The Making, Unmaking and Making Sense of an Illustration from an Imperial Mughal Akbarnama; 13. The Use of Metals in Islamic Manuscripts; 14. Telling Stories: Artists' Books in the Collection of the British Museum; 15. The Freer Beaker in Text and Image; 16. When Muslims Died in China; 17. Abu'l-Fazl's Description of Akbar's 'House of Depiction'; 18. 'Migration Theory' in Islamic Pottery.

Paperback. Condición: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Condición: New. In.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks. It ranged from Arabia and Iran to East Asia and, increasingly, fell within the orbit of European colonial expansion. This book offers an exploration of the art of the late medieval and early modern Deccan. Num Pages: 360 pages. BIC Classification: 1FKA; AC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 253 x 196 x 35. Weight in Grams: 1620. . 2014. hardcover. . . . .

Hardback. Condición: New. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks, which ranged from Arabia and Iran to East Asia. Incresingly, these networks served as a conduit for European colonial expansion, and in the process the Deccan fell into the orbit of European interests. Its position and links to a wide variety of ultural influences produced in the Deccan an immensely rich visual culture. This was shaped further by the dynamic encounters between the different versions of Islam patronised by the ruling dynasties of the period, as well as by diverse local linguistic, religious and artistic traditions in the region. The Visual World of Muslim India is a richly illustrated and comprehensive exploration of the art of the late medieval and early modern Deccan. It explores the ways in which court art, artefacts and built environments were created and experienced, the reasons behind their creation, and the other agencies involved besides and beyond the court.Beginning with the idea of large spaces experienced by a range of subjects on a daily basis, this book continues with examples of architecture and architectural decoration that affirmed peculiar identities or beliefs, and finally considers some artefacts that played a role in court diplomacy as well as everydy life.It therefore commences with an examination of the visual landscapes of the Deccan, including the magnificent Qutb Shahi capital of Golconda as well as smaller, less-known structures which constituted the 'city' in the early modern Deccan. There is also a focus on painting and painters, and their intersections with court policy and diplomacy, such as the earliest illustrated Dakani Urdu diwan- a collection of poems composed by a ruler of the Golconda kingsom. Muhammad- Quli Qutb Shah. The last section of the book leaves the boundaries of the courts and looks at the wider patterns of circulation of goods and ideas, highlighting the momentous social changes that followed the Mughal conquest of the Deccan (and their subsequent withdrawal from the region).This is an invaluable resource for all interested in the material and visual culture of South Asia and the wider Islamic world.

Gebunden. Condición: New. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks. It ranged from Arabia and Iran to East Asia and, increasingly, fell within the orbit of European colonial expansion. This.

Condición: New. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks. It ranged from Arabia and Iran to East Asia and, increasingly, fell within the orbit of European colonial expansion. This book offers an exploration of the art of the late medieval and early modern Deccan. Num Pages: 360 pages. BIC Classification: 1FKA; AC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 253 x 196 x 35. Weight in Grams: 1620. . 2014. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condición: New. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks, which ranged from Arabia and Iran to East Asia. Incresingly, these networks served as a conduit for European colonial expansion, and in the process the Deccan fell into the orbit of European interests. Its position and links to a wide variety of ultural influences produced in the Deccan an immensely rich visual culture. This was shaped further by the dynamic encounters between the different versions of Islam patronised by the ruling dynasties of the period, as well as by diverse local linguistic, religious and artistic traditions in the region. The Visual World of Muslim India is a richly illustrated and comprehensive exploration of the art of the late medieval and early modern Deccan. It explores the ways in which court art, artefacts and built environments were created and experienced, the reasons behind their creation, and the other agencies involved besides and beyond the court.Beginning with the idea of large spaces experienced by a range of subjects on a daily basis, this book continues with examples of architecture and architectural decoration that affirmed peculiar identities or beliefs, and finally considers some artefacts that played a role in court diplomacy as well as everydy life.It therefore commences with an examination of the visual landscapes of the Deccan, including the magnificent Qutb Shahi capital of Golconda as well as smaller, less-known structures which constituted the 'city' in the early modern Deccan. There is also a focus on painting and painters, and their intersections with court policy and diplomacy, such as the earliest illustrated Dakani Urdu diwan- a collection of poems composed by a ruler of the Golconda kingsom. Muhammad- Quli Qutb Shah. The last section of the book leaves the boundaries of the courts and looks at the wider patterns of circulation of goods and ideas, highlighting the momentous social changes that followed the Mughal conquest of the Deccan (and their subsequent withdrawal from the region).This is an invaluable resource for all interested in the material and visual culture of South Asia and the wider Islamic world.

Buch. Condición: Neu. Neuware - Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks, which ranged from Arabia and Iran to East Asia. Incresingly, these networks served as a conduit for European colonial expansion, and in the process the Deccan fell into the orbit of European interests. Its position and links to a wide variety of ultural influences produced in the Deccan an immensely rich visual culture. This was shaped further by the dynamic encounters between the different versions of Islam patronised by the ruling dynasties of the period, as well as by diverse local linguistic, religious and artistic traditions in the region. The Visual World of Muslim India is a richly illustrated and comprehensive exploration of the art of the late medieval and early modern Deccan. It explores the ways in which court art, artefacts and built environments were created and experienced, the reasons behind their creation, and the other agencies involved besides and beyond the court.Beginning with the idea of large spaces experienced by a range of subjects on a daily basis, this book continues with examples of architecture and architectural decoration that affirmed peculiar identities or beliefs, and finally considers some artefacts that played a role in court diplomacy as well as everydy life.It therefore commences with an examination of the visual landscapes of the Deccan, including the magnificent Qutb Shahi capital of Golconda as well as smaller, less-known structures which constituted the 'city' in the early modern Deccan. There is also a focus on painting and painters, and their intersections with court policy and diplomacy, such as the earliest illustrated Dakani Urdu diwan- a collection of poems composed by a ruler of the Golconda kingsom. Muhammad- Quli Qutb Shah. The last section of the book leaves the boundaries of the courts and looks at the wider patterns of circulation of goods and ideas, highlighting the momentous social changes that followed the Mughal conquest of the Deccan (and their subsequent withdrawal from the region).This is an invaluable resource for all interested in the material and visual culture of South Asia and the wider Islamic world.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: new. Hardcover. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks, which ranged from Arabia and Iran to East Asia. Incresingly, these networks served as a conduit for European colonial expansion, and in the process the Deccan fell into the orbit of European interests. Its position and links to a wide variety of ultural influences produced in the Deccan an immensely rich visual culture. This was shaped further by the dynamic encounters between the different versions of Islam patronised by the ruling dynasties of the period, as well as by diverse local linguistic, religious and artistic traditions in the region. The Visual World of Muslim India is a richly illustrated and comprehensive exploration of the art of the late medieval and early modern Deccan. It explores the ways in which court art, artefacts and built environments were created and experienced, the reasons behind their creation, and the other agencies involved besides and beyond the court.Beginning with the idea of large spaces experienced by a range of subjects on a daily basis, this book continues with examples of architecture and architectural decoration that affirmed peculiar identities or beliefs, and finally considers some artefacts that played a role in court diplomacy as well as everydy life.It therefore commences with an examination of the visual landscapes of the Deccan, including the magnificent Qutb Shahi capital of Golconda as well as smaller, less-known structures which constituted the 'city' in the early modern Deccan. There is also a focus on painting and painters, and their intersections with court policy and diplomacy, such as the earliest illustrated Dakani Urdu diwan- a collection of poems composed by a ruler of the Golconda kingsom. Muhammad- Quli Qutb Shah. The last section of the book leaves the boundaries of the courts and looks at the wider patterns of circulation of goods and ideas, highlighting the momentous social changes that followed the Mughal conquest of the Deccan (and their subsequent withdrawal from the region).This is an invaluable resource for all interested in the material and visual culture of South Asia and the wider Islamic world. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks. It ranged from Arabia and Iran to East Asia and, increasingly, fell within the orbit of European colonial expansion. This book offers an exploration of the art of the late medieval and early modern Deccan. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks, which ranged from Arabia and Iran to East Asia. Incresingly, these networks served as a conduit for European colonial expansion, and in the process the Deccan fell into the orbit of European interests. Its position and links to a wide variety of ultural influences produced in the Deccan an immensely rich visual culture. This was shaped further by the dynamic encounters between the different versions of Islam patronised by the ruling dynasties of the period, as well as by diverse local linguistic, religious and artistic traditions in the region. The Visual World of Muslim India is a richly illustrated and comprehensive exploration of the art of the late medieval and early modern Deccan. It explores the ways in which court art, artefacts and built environments were created and experienced, the reasons behind their creation, and the other agencies involved besides and beyond the court.Beginning with the idea of large spaces experienced by a range of subjects on a daily basis, this book continues with examples of architecture and architectural decoration that affirmed peculiar identities or beliefs, and finally considers some artefacts that played a role in court diplomacy as well as everydy life.It therefore commences with an examination of the visual landscapes of the Deccan, including the magnificent Qutb Shahi capital of Golconda as well as smaller, less-known structures which constituted the 'city' in the early modern Deccan. There is also a focus on painting and painters, and their intersections with court policy and diplomacy, such as the earliest illustrated Dakani Urdu diwan- a collection of poems composed by a ruler of the Golconda kingsom. Muhammad- Quli Qutb Shah. The last section of the book leaves the boundaries of the courts and looks at the wider patterns of circulation of goods and ideas, highlighting the momentous social changes that followed the Mughal conquest of the Deccan (and their subsequent withdrawal from the region).This is an invaluable resource for all interested in the material and visual culture of South Asia and the wider Islamic world. Between the fourteenth and eighteenth centuries, the Deccan stood at the crossroads of far-reaching commercial and diplomatic networks. It ranged from Arabia and Iran to East Asia and, increasingly, fell within the orbit of European colonial expansion. This book offers an exploration of the art of the late medieval and early modern Deccan. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.