oppenheimer hermann (10 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Xiii, 369 Pp. Brown Cloth, Gilt. No Statement Of Printing. Slight Usage, Near Fine, Two Tiny Tape Ghost On Each Free Endpaper. Dust Jacket Priced #3.75, With Reviews; Slight Ear And Narrow Are Of Browning At Edges, No Fading. 81 Short Analyses By Leading Scientists, Including 8 Nobel Prize Winners, From Talks Specially Arranged For Intermissions During Concert Radio Broadcasts Beginning In May 1943.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1867 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 61 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 61.

Leatherbound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1889 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 34 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language:

Leather Bound. Condición: New. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1867. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: - 62, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 62.

no binding. Condición: good. 24 December 1901 First Edition. Original Printed patent disbound About 27cm by 18 cm some wear and tear due to the disbinding.

no binding. Condición: good. First Edition. Original Printed patent disbound About 27cm by 18cm some wear and tear due to the disbinding.

no binding. Condición: good. First Edition. Original Printed patent disbound About 27cm by 18cm some wear and tear due to the disbinding.

no binding. Condición: good. First Edition. Original Printed patent disbound About 27cm by 18cm some wear and tear due to the disbinding.

LeatherBound. Condición: NEW. LeatherBound edition. Condition: New. Reprinted from 1867 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 54.

Condición: Good. Original letterpress broadside in German with English in smaller font. 61 x 47cm . Signed and dated by Zapf. Presentation copy in Jerusalem to Raymond Gid, signed and dated again. Creases in margins. Discolored in lower margin.Robert Oppenheimer poster designed and signed by Hermann Zapf. Full text below.From: J. R OPPENHEIMER: "PROSPECTS IN THE ARTS AND SCIENCES":"In the situation of the artist today there are both analogies to and differences from that of the scientist; but it is the differences which are the most striking, and which raise the problems that touch most on the evil of our day. For the artist it is not enough that he communicate with others who are expert in his own art. Their fellowship, their understanding, and their appreciation may encourage him; but that is not the end of his work, nor its nature. The artist depends on a common sensibility and culture, on a common meaning of symbols, on a community of experience and common ways of describing and interpreting it. He need not write for everyone or paint or play for everyone. But his audience must be man; it must be man, and not a specialized set of experts among his fellows. Today that is very difficult. Often the artist has an aching sense of great loneliness, for the community to which he addresses himself is largely not there; the traditions and the culture, the symbols and the history, the myths and the common experience, which it is his function to illuminate, to harmonize, and to portray, have been dissolved in a changing world."Hermann Zapf (pronounced "tsáff," born November 8, 1918) was a German typeface designer who lived in Darmstadt, Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf's work, which includes Palatino (1948, named after 16th century Italian writing master Giambattista Palatino) and Optima (1952, a flared sans-serif, released by Stempel in 1958. Zapf disliked its name, which was invented by Stempel's marketers), has been widely copied, often against his will. The best known example may be Monotype's Book Antiqua, which shipped with Microsoft Office and was widely considered a "knockoff" of Palatino. In 1993, Zapf resigned from ATypI (Association Typographique Internationale) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there, using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938, Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt, a fraktur type called Gilgengart.In 1976, the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming, the first of its kind in the world. He taught there from 1977 to 1987, flying between Darmstadt and Rochester. There he developed his ideas on digital typography further, with the help of his connections in companies such as IBM and Xerox, and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the "hz-program", which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIER,Expert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en ?uvres d'art5, rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print B.