Nicolas ier (31 resultados)
Editorial: 1893., 1893
- Tapa blanda
Librería: Loïc Simon, Blaison-Saint Sulpice, FR, FranciaLoïc Simon
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EUR 13,00
Envío por EUR 19,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Biographie et portrait. Numéro de la revue "Les Contemporains". Broché. 16 pages.
Editorial: Christian, 1985,, 1985
- Tapa blanda
Librería: Harteveld Rare Books Ltd., Marly, SuizaHarteveld Rare Books Ltd.
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EUR 32,03
Envío por EUR 20,00Se envía de Suiza a Estados Unidos de AmericaCantidad disponible: 1 disponibles
in-8vo, 99 p., + 8 planches en n./b., brochure originale. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Editorial: Félix Potin, 1900
- Foto
Librería: Librairie Et Cætera - Sophie Rosière, Belin-Béliet, FranciaLibrairie Et Cætera - Sophie Rosière
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EUR 9,00
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Photo en français. Né à Nigotch en 1841. Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Photographies Félix Potin. Photo.

Editorial: Félix Potin, 1900
- Foto
Librería: Librairie Et Cætera - Sophie Rosière, Belin-Béliet, FranciaLibrairie Et Cætera - Sophie Rosière
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EUR 9,00
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Photo en français. Né à Nigotch en 1841. Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Photographies Félix Potin. Photo.
Mémoires De.Contenant Un Journal concernant la Négociation de la Paix Traitée à Vervins l'an 1598. entre Henri IV. Roi de France, & de Navarre, Philippes II. Roi d'Espagne, & Charles Emanuel Duc de Savoye.
BELLIÈVRE [Ier, Pompone De] [1529-1607] & SILLERY, [Nicolas BRUSLART, Marquis De] [1544-1624].
Editorial: The Hague: Adrian Moetjens, 1696., 1696
- Tapa dura
- Primera edición
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, CanadaD & E LAKE LTD. (ABAC/ILAB)
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado
EUR 513,43
Envío por EUR 13,13Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. 2 Parts in 1. 12mo. pp. 13 p.l., 266, [12]; 1 p.l., 269-586, [7]publisher's ads. titles in red & black with woodcut printer's device. woodcut ornaments & initials. contemporary sprinkled calf, gilt back (rubbed). First Edition. Bellièvre and Sillery were sent by Henri IV as plenipotentiaries to the Congress of Vervins…, where they concluded peace with Phillip II of Spain in 1598. The present work contains their correspondence from January to July of 1598, together with a journal relating to the negotiations, written by the secretary of the Cardinal of Florence. Goldsmith, BM STC French B527.

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
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Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 743,82
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 9" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 3/4" by 12 3/4".

Editorial: Paris, 1690
- Primera edición
- Arte / Grabado / Póster
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de AmericaTrillium Antique Prints & Rare Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Excelente
EUR 676,20
Envío por EUR 8,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Fine. 1st Edition. This amusing costume engraving is from Nicolas Ier de Larmessin's "Les Costumes grotesques et les mà tiers" or "Suite of Fanciful Costumes". The work was published in Paris circa 1690. Most of the engravings offered from the work will be from the first printing (with later editions reversed or witho…ut backgrounds). --- The images features a person composed or dressed in the tools and features of their trade. The images drew inspiration from the portraits done by Giuseppe Arcimboldo and popular prints of the time known as "Cries." --- Barthes noted that work was a product of âa society which was starkly hierarchical, in which fashion was part of a real social ritual. . A creation which is both poetic and intelligible, in which the profession is represented by its imaginary essence[;] in this fantasy, clothing ends up absorbing Man completely, the worker is anatomically assimilated to the respective instruments and in the end it is an alienation which here is described poetically: Larmessinâs workers are robots avant la lettreâ (Barthes, The Language of Fashion, p. 20). --- Provenance: Gilles Auguste Petit, Parisian milliner and hatmaker; Louis Becker ex-libris --- The work is in very good to excellent condition. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 8 7/8" by 12 3/4".
Más imágenes- Tapa dura
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Librería: Gyan Books Pvt. Ltd., Delhi, IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,92
Gastos de envío gratisSe envía de India a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Leather Bound. Condición: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends… an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1852. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: : - 616, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 616 616.
Más imágenesCorpus juris civilis in IV partes distinctum, eruditissimis Dionysii Gothofredi,. notis illustratum. In hac postrema lugdunensi editione Pandectae purissimae sunt, textus cum optimis codicibus collatus. Cura N. Antonii. 1652 [Leather Bound]
Justinien Ier (empereur de Byzance). Auteur du texte, Antonio, Nicolás . Éditeur scientifique
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Librería: Gyan Books Pvt. Ltd., Delhi, IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 46,96
Gastos de envío gratisSe envía de India a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpie…ce has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1652. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 800, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 800 800.
Más imágenesCommentaires sur la guerre des Gaules ; [Suivis des] Commentaires sur la guerre civile. [Et de la] Vie de César. Tome 2 / César ; avec les réflexions de Napoléon Ierpar Suétone ; trad. d'Artaud Volume 2 1891 [Leather Bound]
César, Jules (- av J-C) , Charpentier, Jean-Pierre , Suétone Napoléon Ier (empereur des Français ; -) commentaire,Artaud, Nicolas Louis Traducteur,Lemaistre, Félix ,Charpentier, Jean-Pierre
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Librería: Gyan Books Pvt. Ltd., Delhi, IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 56,55
Gastos de envío gratisSe envía de India a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Leather Bound. Condición: New. Language: french. {Size: 19.68 x 24.13 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded s…pine lends an artistic flair. This masterpiece has been meticulously reprinted in 2022, utilizing the invaluable guidance of the original edition published many years ago in 1891. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - french, Vol:- Volume 2, Pages:- 360, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 360.