Nemerov ali (86 resultados)

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: very_good.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: Good. Clean, has good binding, no marks or notations, light wear to the dust jacket. LF.

Condición: As New. Unread book in perfect condition.

Oversized Hardcover. Condición: Good.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Condición: New. Shrink wrapped! A brand new, unused and unread copy in perfect condition.

hardcover. Condición: Very Good. 2018 Glenstone Museum Pub. Fine/Like New and unread. Grey cloth hardcover is like new.

Hardcover. Condición: new. Hardcover. This book marks the long-term installation of Robert Gobers (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the works original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: very_good.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: As new. Square Quarto. Hardcover. Strip style jacket. Board are bound in grey cloth with a belly band. 47 pages : illustrations (some color), plans ; 33 c. American sculptor Michael Heizer (born 1944) was among the first artists to reject the white cube gallery space in favor of the open land and majestic vistas of the western United States. Michael Heizer marks the unveiling of 'Collapse' (1967/2016) and 'Compression Line' (1968/2016) at Glenstone Museum. Monumental in scale but composed with rhythm and elegance, the two sculptures individually embody opposing aspects of Heizer's sculptural practice: beams exploding from an unseen depth and a sliver of space compressed so precisely that the viewer is unaware of the vast negative area hidden beneath it. This book includes an interview with the artist, previously unpublished archival images and extensive process and installation photography. Exhibition: Glenstone Museum, Potomac, USA (on permanent display from 18/10/2018).…

hardcover. Condición: Acceptable. Almost fully split spine. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover with bellyband; 48 pages, tears to bellyband otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Hardback. Condición: New. In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of-and respect for-the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist's meticulous fabrication process. It also includes a conversation with-and text by-the artist and installation photography.…

Hardcover. Condición: New. In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of--and respect for--the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist's meticulous fabrication process. It also includes a conversation with--and text by--the artist and installation photography.…

Hardback. Condición: New. This book marks the long-term installation of Robert Gober's (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work's original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.…

Hardcover. Condición: VG (light scratches, rubs). grey cloth boards w/ silver-stamped printing; 125 pgs w/ bw & color illustrations. For nearly 50 years Japanese-born artist On Kawara (29,771 days) devoted himself to a quiet practice of marking time, incrementally, via various methods and media. He is best known for a continuous series of monochromatic canvases, collectively titled Today, upon which each work's date of execution is painted in precise white script. This installation features three Date Paintings from the Today series (1966-2013) by On Kawara that together commemorate the Apollo 11 lunar landing mission in July 1969. Each large-scale canvas bears a date documenting the mission's launch (July 16, 1969), the landing of the lunar module (July 20), and man's first steps on the moon (July 21). The Moon Landing triptych is installed in a skylighted room designed in close collaboration with the artist and his estate.--Glenstone Museum Website.…

Hardcover. grey cloth boards w/ silver stamped printing; printed half-wrap. 81 bw & color illustrations. This book marks the long-term installation of Robert Gober's (born 1954) seminal work Untitled (1992) at Glenstone Museum. Untitled is an immersive installation with diverse parts: sinks with running water, darkened exterior pathways, a brightly lit chamber, a hand-painted mural and sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Includes an original essay by Jim Lewis.--Glenstone Museum. Near Fine (light rubbing to corners; scratches. tightly bound.).…

Hardcover. grey cloth boards w/ silver-stamped printing; yellow illustrated half-wrap. 125 pgs w/ bw & color illustrations. For nearly 50 years Japanese-born artist On Kawara (29,771 days) devoted himself to a quiet practice of marking time, incrementally, via various methods and media. He is best known for a continuous series of monochromatic canvases, collectively titled Today, upon which each work's date of execution is painted in precise white script. This installation features three Date Paintings from the Today series (1966-2013) by On Kawara that together commemorate the Apollo 11 lunar landing mission in July 1969. Each large-scale canvas bears a date documenting the mission's launch (July 16, 1969), the landing of the lunar module (July 20), and man's first steps on the moon (July 21). The Moon Landing triptych is installed in a skylighted room designed in close collaboration with the artist and his estate.--Glenstone Museum Website. Near Fine (light scratches, rubs; may have tear to lower corner of half-wrap).…

Hardcover. Condición: VG (scuffs to cloth boards). Blue cloth boards with white inset and white lettering. 211 pages : illustrations (chiefly color), portraits. The trailblazing work of French - born American artist Louise Bourgeois (1911-2010) will be the subject of a five-decade survey exhibition featuring more than 30 works, all from Glenstone's collection, including a recently acquired master piece that was realized at a pivotal moment in her career: the 1974 installation "The Destruction of the Father." On view in the exhibition will be a selection of early wooden "Personage" sculptures; pieces in bronze, marble, plaster, and rubber; suites of drawings and prints; textile-based works; and room-like installations that she called "Cells." In these works Bourgeois forged a unique vocabulary, powerfully and idiosyncratically expressing psychic states and emotions such as anger, fear, and loneliness, and often evoking a sense of disquiet about the strangeness of the human body. In 1974, Bourgeois made a precursor to these Cells with her first installation, The Destruction of the Father, a theatrically-lit diorama depicting primal violence served up as a commentary on domineering father figures and the imaginary revenge they inspire. Exhibition: Glenstone Museum, Potomac, USA.…