morris sir edward (21 resultados)

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first printing of this collection of 15 short stories. Featured are The Resident Patient by Sir Arthur Conan Doyle, The Superfluous Finger by Jacques Futrelle, The Cyprian Bees by Anthony Wynne, Easter Devil by Mignon Eberhart, But the Patient Died by Lawrence G. Blochman, The Problem of the Covered Bridge by Edward D. Hoch, Hurting Much? by Cornell Woolrich, The Memorial Hour by Wade Miller, Guilty Witness by Morris Hershman, The Doctor Takes a Case by George Harmon Coxe, Miracle of the Fifteen Murderers by Ben Hecht, Doctor's Orders by John Suter, The Splinter by Mary Roberts Rinehart, Sound Alibi by Jack Ritchie, Paint Doctor by Joe L. Hensley, The Other Side of the Curtain by Helen McCloy. Faint rubbing to the dustjacket. Price clipped otherwise in fine / near fine condition.

Hardcover. Condición: Near Fine. Sir Edward Coley Burne-Jones Ilustrador. First Edition. Printed by Robert Hogg. Bound in publisher's original quarter light green paper boards, with white linen spine and black titles to cover. Colophon and printer's device. [iv] + 70 + [1, colophon] + [1, blank] pp. A reproduction of the Kelmscott edition of 1898, this edition was "Reprinted MCMLXIX by photolithography in the Republic of Ireland at the Irish University Press. T M Mac Glinchey Publisher Robert Hogg Printer." printed in black and red in the Golden type designed by Morris for his press, with 5 pages in the Troy and Chaucer types he designed. Head-title and shoulder-notes in red.The frontispiece, "Psyche Borne off by Zephyrus," designed by Sir Edward Coley Burne-Jones, was engraved by William Morris for a projected edition of The Earthly Paradise in the 1860s and was "touched up" by Robert Catterson-Smith. Rejected ornaments for Love Is Enough. Woodcut borders (4a and 4) to frontispiece and first page of text. One 6-line woodblock initial capital designed by Morris for his press, engraved by William Harcourt Hooper, plus four large, 20-line woodcut initials (designed for the Froissart, but never used). A few tiny bits of foxing to the cloth spine. Covers most-minimally soiled. Internally pristine. Condition overall: Near Fine. 1.

A very nice piece of musichall ephemera: a signed self-caricature by one of its leading lights. See Robey's entry in the Oxford DNB. On a 7 x 8.75 cm piece of card, cut from a plain printed postcard. In good condition, lightly aged, with traces of the four paper label mounts on reverse. On the front, which is entirely plain apart from Robey's writing, is his Autograph Inscription, in a close hand with stylized signature: 'Good luck. Geo Robey.' This is at the foot of the page, beneath a well-executed self-caricature in blue and red ink. Robey has drawn himself, head and shoulders, with a small hat perched at an angle on his head, collarless shirt, and smiling clownlike face, eyes half-closed with mirth, whisps of hair above his ears, thick eyebrows, red nose. On the reverse, written over part of the printed square in which the stamp is meant to be placed, with some printed text to one side of the signature, is 'Lily Morris' in a loose, expansive hand.

Hardcover. Condición: Very Good. Sir Edward Coley Burne-Jones Ilustrador. Limited First Edition. Printed by William Morris, and sold by the Trustees of the late William Morris at the Kelmscott Press. Bound in publisher's original quarter Holland-backed blue paper boards, with white linen spine and black titles to cover. One of 525 [at ten shillings] paper copies (plus 12 [at two guineas] on vellum). Printed on fine, hand-made, Batchelor (with the second version of the Primrose watermark) paper. Uncut, deckled edges. Colophon and the smaller, rectangular printer's device designed by Morris (no. 1). [iv], 70 pp., [1, colophon], [1, blank]. Printed in black and red throughout with the Golden type designed by Morris for his press, with 5 pages in the Troy and Chaucer types he designed. Head-title and shoulder-notes in red. The frontispiece, "Psyche Borne off by Zephyrus," designed by Sir Edward Coley Burne-Jones, was engraved by William Morris for a projected edition of THE EARTHLY PARADISE in the 1860s and was "touched up" by Robert Catterson-Smith. Rejected ornaments for LOVE IS ENOUGH. Woodcut borders (4a and 4) to frontispiece and first page of text. One 6-line woodblock initial capital designed by Morris for his press, engraved by William Harcourt Hooper, plus four large, 20-line woodcut initials (designed for the Froissart, but never used).This was the last book printed at the Kelmscott Press. It was finished at No. XIV Upper Mall, Hammersmith, in the County of London, on the fourth day of March, MDCCCXCVIII. [Clark Library, Kelmscott and Doves, pp. 62-63. Peterson A53. Ransom, Private Presses, p. 331, no. 53. Sparling 53. Tomkinson, pp. 121-124, no. 53.] Lacking errata slip. Light wear and soiling to boards. Corners slightly bumped. Cloth spine in good condition. Mark to letterpress of title (possibly flaw in paper at time of printing). Condition overall: Very Good. 1.

Hardcover. Condición: Near Fine. Sir Edward Coley Burne-Jones Ilustrador. Limited First Edition. Printed by Designed & Printed by Will and Sebastian Carter at the Rampant Lions Press. Bound in publisher's original blue and white, Morris Willow Bough-inspired pattern cloth boards, with blue cloth spine, by John P. Gray. Gilt-titled morocco spine labels, t.e.g. Housed in divided blue cloth slipcase. One of 270 numbered copies. Printed on fine, J. Barcham Green paper. Uncut, deckled edges. Gilt top edge. [2], XIV, 37, [1], 26, [4]; [6], 92, [4] pp. William Morris (1834-1896) and Edward Burne-Jones (1833-1898) began the plans for this magnificent illustrated edition of Morris's poem about Cupid and Psyche, in the 1860s. Morris engraved more than forty wood blocks of Burne-Jones's illustrations. But their ambitious plans were never brought to completion as a whole. These 44 wood engravings survived and are here printed for the first time with the text of the poem. Original tinplate cover with colored paper cover, leather backplate and head gold cut. Some of the original Troy types from the Kelmscott Press (now in the Cambridge University Press Collection) were used, along with additional types cast at the foundry of the Oxford University Press from the original matrices in the possession of the Cambridge University Press. Text design and printing by Will and Sebastian Carter. "The Story of Cupid and Psyche" is considered the masterpiece of the press by Will and Sebastian Carter, it is the first book that has been printed since 1898 in this way. "William Morris engraved on wood at least 35, and possibly 40, of the 'Cupid and Psyche' scenes. A number of his helpers engraved the remainder, fewer than ten. Both May Morris and S.C. Cockerell recorded the attributions, which will be found on pages 19-20 and in note 67 on page 34 in Volume One: they differ slightly, but Morris's major contribution is not in doubt." (Statement in Vol. II).This publication, the eighth of the Clover Hill Editions, consists of: 130 copies, numbered I to CXXX, each with a portfolio containing a set of collotype prints of the 47 original "Cupid and Psyche" drawings and a set of proofs of the 44 wood-engravings. 270 copies numbered 1 to 270. 100 portfolios numbered i to c, each containing a set of proofs of the 44 wood-engravings. This copy is No. 96 of 270 copies. Two volumes. Condition overall: Near Fine. 3 Large 4tos: 14 1/4" x 10 1/2" x 2 1/8" (36.2 x 26.7 x 5.4 cm).

Limp Vellum. Condición: Near Fine. Sir Edward Coley Burne-Jones Ilustrador. Limited First Edition. Printed by and sold by William Morris. Bound in publisher's original limp vellum by J. & J. Leighton, with silk ties supplied by Morris & Co., and gilt titles to spine. One of 350 [at five guineas] paper copies (plus 8 [at twenty guineas] on vellum). Printed on fine, hand-made, Batchelor (with the first and second versions of the Primrose watermark) paper, with yapped edges. Uncut, deckled edges. Colophon and the large, floral printer's device designed by Morris (no. 2). [8] + 496 pp. Printed in black and red throughout in double columns with the Chaucer type designed by Morris for his press. Chapter heads and shoulder notes in red. Four large woodcuts designed by Sir Edward Coley Burne-Jones. Numerous full-page, side, half three-quarter and center woodcut floral borders at chapter headings (16a, 16, 17a, 17, 18a, 18, 19a, and 19), along with many 14-line initial words at the beginning of each section and numerous 6- and 3-line woodcut initials all designed by Morris, engraved by William Harcourt Hooper. Dated March 2, issued June 4, 1896.One of the last books to be printed by Morris and his press before his death in October, 1896. The Kelmscott Press edition was set up from the sheets of the Longmans edition, then being printed by the Chiswick Press, which, though not issued until October, 1896, was finished in 1894.H.G. Wells praised the book and compared Morris to Malory, admiring his style, writing: "All the workmanship of the book is stout oaken stuff, that must needs endure and preserve the memory of one of the stoutest, cleanest lives that has been lived in these latter days." It was highly influential on all subsequent fantasy literature, including inspiring latter, fellow Oxford writers C.S. Lewis and J.R.R. Tolkien, and is among the most important proto-fantasy works ever penned. Recognizable influence abound, such as "ancient tables of stone," "Gandolf," a "King Peter," and a marvelous white horse named "Silverfax," namesake (if not exact) of "Shadowfax." "It is the lengthiest of [Morris's] fantasy novels, probably the longest in the genre before J.R.R. Tolkien's LORD OF THE RINGS (1954-1955), and it remains one of the most complex and beautiful fantasy quests ever written." [Fantasy: The Liberation of Imagination, by Richard Mathews, p. 44]. [Peterson A39; Magill, Survey of Modern Fantasy Literature V, p. 2091, Colbeck 78]. Bookplate of Frederick John Hancock Lloyd. Occasional slight toning and only minimal foxing in some places in the margins. Condition overall: Near Fine. 2.5 Large 4to: 11 13/16 " x 8 5/16" x 2 1/4" (30 x 21.1 x 5.7 cm).

Condición: Very Good+. Sir Edward Coley Burne-Jones Ilustrador. Limited First Edition. Printed by Designed & Printed by Will and Sebastian Carter at the Rampant Lions Press. Printed on fine, J. Barcham Green paper. Uncut, deckled edges. William Morris (1834-1896) and Edward Burne-Jones (1833-1898) began the plans for this magnificent illustrated edition of Morris's poem about Cupid and Psyche, in the 1860s. Morris engraved more than forty wood blocks of Burne-Jones's illustrations. But their ambitious plans were never brought to completion as a whole. These 44 wood engravings survived and are here printed for the first time with the text of the poem. Original tinplate cover with colored paper cover, leather backplate and head gold cut. Some of the original Troy types from the Kelmscott Press (now in the Cambridge University Press Collection) were used, along with additional types cast at the foundry of the Oxford University Press from the original matrices in the possession of the Cambridge University Press. Text design and printing by Will and Sebastian Carter. "The Story of Cupid and Psyche" is considered the masterpiece of the press by Will and Sebastian Carter, it is the first book that has been printed since 1898 in this way. "William Morris engraved on wood at least 35, and possibly 40, of the 'Cupid and Psyche' scenes. A number of his helpers engraved the remainder, fewer than ten. Both May Morris and S.C. Cockerell recorded the attributions, which will be found on pages 19-20 and in note 67 on page 34 in Volume One: they differ slightly, but Morris's major contribution is not in doubt." (Statement in Vol. II).This publication, the eighth of the Clover Hill Editions, consists of: 130 copies, numbered I to CXXX, each with a portfolio containing a set of collotype prints of the 47 original "Cupid and Psyche" drawings and a set of proofs of the 44 wood-engravings. 270 copies numbered 1 to 270. 100 portfolios numbered i to c, each containing a set of proofs of the 44 wood-engravings. This copy is No. lxiii of c copies. One portfolio. Original card wrappers. Contents very well-preserved. Clean and bright. Clamshell box very good with light wear to extremities. Condition overall: Very Good+. 2.5 Publisher's blue cloth clamshell box with leather title to spine Large 4to: 14 1/4" x 10 1/2" x 1 1/4" (36.2 x 26.7 x 3.2 cm).

Hardcover. Condición: Near Fine. Sir Edward Coley Burne-Jones Ilustrador. Limited First Edition. Printed by William Morris and sold by the Trustees of the late William Morris at the Kelmscott Press. Bound in publisher's original quarter Holland-backed blue paper boards, with white linen spine and black titles to cover. One of 525 [at ten shillings] paper copies (plus 12 [at two guineas] on vellum). Printed on fine, hand-made, Batchelor (with the second version of the Primrose watermark) paper. Uncut, deckled edges. Colophon and the smaller, rectangular printer's device designed by Morris (no. 1). [iv] + 70 + [1, colophon] + [1, blank] pp. Printed in black and red throughout with the Golden type designed by Morris for his press, with 5 pages in the Troy and Chaucer types he designed. Head-title and shoulder-notes in red. The frontispiece, "Psyche Borne off by Zephyrus," designed by Sir Edward Coley Burne-Jones, was engraved by Morris for a projected edition of THE EARTHLY PARADISE in the 1860s and was "touched up" by Robert Catterson-Smith. Rejected ornaments for LOVE IS ENOUGH. Woodcut borders (4a and 4) to frontispiece and first page of text. One 6-line woodblock initial capital also designed by Morris, engraved by William Harcourt Hooper, plus four large, 20-line woodcut initials (designed for the Froissart, but never used).This was the last book printed at the Kelmscott Press. It was finished at No. XIV Upper Mall, Hammersmith, in the County of London, on the fourth day of March, MDCCCXCVIII. [Clark Library, Kelmscott and Doves, pp. 62-63. Peterson A53. Ransom, Private Presses, p. 331, no. 53. Sparling 53. Tomkinson, pp. 121-124, no. 53.] Lacking errata slip. Near fine condition. Mild fraying to small areas of the spine. Two corners slightly bumped. Small leather ex libris (of a prominent South African) at the top inner side of the front pastedown with some offsetting from this to a few adjacent blank pages. Otherwise internally very clean. No marks. No foxing. Condition overall: Near Fine. 1.

Condición: New. Print on Demand pp. 134.

No Binding. Condición: Near Fine. 1st Edition. Single Page Proof Of One Of The Most Attractive And Well-Known Page Images, The First Page Of The 1893 Version Of The Kelmscott Chaucer, Which Was Slightly Revised When Published In 1896. Printed On Laid Paper With Lines 1 ½" Apart, No Watermark, And The Sheet Is 12 3/4" Wide, Rough Edges, By 16 5/8" Tall, Straight Cut With Lower Margin Slightly At An Angle; This Is About 1 ½" Wider And 1/4" Shorter, But Otherwise Exactly Like The First Page Of The Bifolium Which Was Distributed To A Few Booksellers Circa 1893. Undamaged, But Two Horizontal Partial Folds, Not Creased, From Storage When Rolled.

Full Morocco Gilt. Condición: Fine. Sir Edward Burne Jones Ilustrador. 1st Thus. a very fine copy in full crushed levant morocco gilt extra by Sangorski and Suttciliffe Binders of London in brown levant. Frontis by Burne Jones a friend of Morris. Full title is the Defence of Guenevere and other Poems. Edited by Richard Steele for the Kings Poets Series from the De La More Press. Superb in an art nouveau period binding in the manner of Morris and Cobden Sanderson. Size: 8vo. By the Binder. Private Press.

Single Issue Magazine. Condición: Good. Somerfield, T.; Jackson, A.E.; Pitcher, N.S.; Holloway, W.H.; Buchanan, F.; Whitaker, W.G.; McCormick, H.; Lunt, W.; Wigfull, W.E.; Webb, Arch.; Wright, Frank Ilustrador. First Edition. Pages 194-288 pages plus 16 pages of great vintage ads. Features: A Millionaire's Adventure - Milan millionaire Signor Luigi Beretta becomes the victim of an infamous plot; War-Time Wanderings in the Italian Alps - a merry trio of climbers have some fun; A Fight for Life in Mid-Air - a workman dismantling a great chimney at the Whitehall Road electric power works experiences a terrible industrial accident; The Adventures of Howard Blackburn - Right Hon. Sir Edward Morris, P.C., Prime Minister of Newfoundland, describes nautical adventures of Howard Blackburn; "Grubb of Gran Chaco"- The adventures of pioneer W. Barbrooke Grubb in the Paraguayan Chaco; Six Weeks in Lahoul - a hunting trip for ibex and red bear; Allen's Well - how a man was buried at the bottom of a deep well and was rescued; The Lion's Cub - a striking story from the Coast Mountains of Southern Oregon involving 'Yellow Tail' the mountain lion, Jud Bucklin, and Dick Wimer of the U.S. Forest Service; Aunt Barbara Visits Mustypore - an amusing story from an Indian coffee-planting district; A Woman Alone in China (part II) - Mary Gaunt met with many odd experiences and saw many strange sights, which are here described in most entertaining fashion, with photos; A Tragic Ocean Race - Five clipper ships started on a race from Australia to China, but strange and terrible things happened aboard the "Island Bay"; After Gold in the "Land of Fire" - an unfortunate prospecting expedition in Tierra del Fuego; The Haunted Tomb - a tale from the Southern Punjab; and more. Covers nearly detached as one. Unmarked with average wear. A worthy copy of this great vintage issue.

Hardcover. Condición: Fine. William Morris and Sir Edward Burne Jones Ilustrador. 1st Edition. Large 8vo. Royal Original 3/4 gilt vellum and gray Holland boards With the frontispiece signed in the plate engraved plus many illustrations by Morris and Burne Jones. A Fine fresh copy of a classic work on Morris and his Modern Pre Raphaelite movement.

1p, 4to. In fair condition, lightly aged and worn. Folded twice. Bold signature in light-blue ink. He has not forgotten the 'very pleasant meeting' he had with Hills and her husband when she was on a trip to Newfoundland, and will be 'very pleased to accept your kind invitation for luncheon on the 5th November, and say a few words in connection with the work ahead for women in Empire Citizenship'. He assumes that the invitation extends to his wife.

With Remarks on each Vase by the Collector. V. I: 2 engraved titles; 159 pp. text; 63 plates. Vol. II: 2 engraved titles; 104 pp. text; 63 plates. Illustrated from engravings. Oversized folio, rebound in 20th. c. 3/4 calf. First edition. An ex-library set, with a perforated stamp at the lower right marginal corner of the title leaf in each volume; tiny stamp at the rear of Vol. I; and nearly undetectable trace of call number impressions at the base of each spine. Slight tanning to a very few of the plates: on the whole, a clean, tight and sound set. A presentation copy from William Morris to Edward Burne-Jones, inscribed in each volume, "E. Burne Jones from W. M." Additional postage applicable for these large, heavy volumes.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1882 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 254 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 254 Language: English.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1882 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 253 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 253 Volume no. 7443 Language: English.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1882. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 250, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 250 250.

Leather Bound. Condición: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2023, utilizing the invaluable guidance of the original edition published many years ago in 1882. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume no. 7443, Pages:- 246, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume no. 7443 246.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1881. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 297, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 297 297.

Premium Leather Bound. Condición: New. Language: English. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1882] and this unique edition is Reprinted in 2023 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - English, Vol: - Volume no. 7443, Pages 246, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. Volume no. 7443 246.