mieris elder frans (5 resultados)

No Binding. Condición: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Postcard.

Maße: ca. 33 x 22 cm. -- Kupferstich-Portrait. -- untere linke Außenecke leicht angerändert, rückseitig mit Resten alter Montierung, sonst gut erhalten. || Copper engraved portrait. -- lower left outer corner slightly backed, with mounting rests on verso, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Condición: Good. Steel engraving. 10 3/4 x 8 in. (sheet). Very Good, some toning and foxing in sheet margins.

After Frans van Mieris the Elder Ilustrador. 'MIERIS DEL." - 'W. BAILLIE F." - 'FRANS MIERIS." - 'FROM A DRAWING IN THE COLLECT? OF THE EARL OF BUTE." - 'PUB. JAN? 1777"'Half-length portrait of Frans van Mieris the Elder, turned slightly to the left, wearing a cloak draped over his shoulder, set before a column and landscape background; within a rectangular frame.Made by Captain William Baillie after After Frans van Mieris the Elder.Medium: Stipple engraving on wove (vellin) paper.Sheet size: 20.4 x 28.2 cm (8.03 x 11.1 inch). Image size: 20.4 x 28.2 cm. (8.03 x 11.1 inch).FRANS VAN MIERIS, CAPTAIN WILLIAM BAILLIE, EARL OF BUTE COLLECTION, 18TH CENTURY ENGRAVING, DUTCH GOLDEN AGE PAINTER, PUBLISHED 1777, SCOTTISH PRINT, REPRODUCTIVE PRINT | PCO-E15-2-47BACKGROUND INFORMATIONPublished January 1777; after a drawing in the collection of the Earl of Bute.Reference: Scottish National Portrait Gallery, accession no. UP M 186.Provenance: Ex. Coll. Newton Free Library.Biography engraver: Captain William Baillie (1723-1810) was a Scottish soldier and amateur printmaker known for his engravings after Old Master drawings and paintings. He produced a number of reproductive prints in the later 18th century, often after works in British collections.Biography artist: Frans van Mieris the Elder (1635-1681) was a Dutch Golden Age painter from Leiden, renowned for his finely executed genre scenes and portraits. A pupil of Gerrit Dou, he became one of the leading fijnschilders (fine painters) of the 17th century. Condition: good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Condición: Fine. Signed and dated "Sc[hou]man 1779," pencil and watercolor on Dutch paper from the "Fortuyn Mill" at Zaandyk (watermark: Strasbourg Lily; cf. CHURCHILL 404), unidentified blindstamp in lower left (verso). PUBLISHED in NAUMANN cat. 35A including PROVENANCE (selection): Sale of Jan Tak of Leiden, Haarlem: October 10, 1780 as lot 237; then Amsterdam: March 3, 1800 as lot 8; possibly Amsterdam: March 22, 1813 as lot 8 ("F. van Mieris en zijne Vrouw. Naar hemzelven, door A. Schouman. Gekleurd") and possibly sale of W. Hendriks, Amsterdam: February 27, 1838 as lot 9. ANNOTATIONS: "Pourtres van Frans van Mieris d'Oud in zyn Huyvrouw door demzelve gescheldert / Sch[ou]man fecit, na een stukje van den ouden Frans van Mires van ed selvegrooten. Uit cabinet van zijn Hoogheit Prins d'Orange et. etca. 1779" ("Portrait of Frans van Mieris the Elder and his wife painted by himself [i.e. van Mieris] / Sch[ou]man fecit, after a small piece of Frans van Mires [sic] the Elder of his great self. From the cabinet of His Highness the Prince of Orange etca. 1779"). A watercolor copy of Frans van Mieris's self-portrait with his wife and two dogs at the Mauritshuis in The Hague (inv. #108; formerly in the collection of William V of Orange, the last Stadtholder of the Dutch Republic). NAUMANN records at least 10 versions (replicas) of the Mauritshuis composition. The latter was acquired by William V at the Van Slingelandt sale in The Hague on May 18, 1768 as lot 14 (LUGT 1683). A Golden Age interior scene, it plays with iconographical ambiguity (the man pulling the dog's ear) and a very haptic conception of textures such as the carpet fibers, the sheen of the satin and metallic surfaces. Aert Schouman was trained in a variety of media, including painting, drawing, printmaking, and glass engraving. He studied under Adriaen van der Burgh (1693-1733) and became a prolific painter of genre and portrait scenes. However, he was especially celebrated for his plant and animal studies, as well as the "natekeningen," i.e., copy drawings which translated oil paintings into their watercolor counterparts. Auction catalogs suggest Schouman made at least two watercolor copies of Van Mieris' "Teasing the Pet.".