michael dore (103 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condición: Fine. 1st Edition. Softcover, 9" x 11.75". Catalogue of the traveling exhibition curated by Peter Selz, held August 1997 - August 1999. Color and b&w illus. Fine.

Paperback. Condición: Very Good. Unmarked text. Beautifully illustrated in color. 188p. Measures 10x10 inches. Published on the occasion of the exhibition co-organized by the Modern Art Museum of Fort Worth and the Allbright-Knox Art Gallery, Buffalo, New York. Arshile Gorky (1904-1948) pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color.

Soft cover. Condición: Very Good. First volume of this literary magazine featuring some fine writers. Spotless inside and out. No spine in the crease. The upper right and lower right corners of the front cover are each lightly creased. The first 20 or so pages also show a bent in the bottom right corner (but not the upper right). A few tiny indentations in the lower right part of the back cover. Back cover curled open just slightly. Will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit.

Softcover exhibition catalog, 188 pages, very good condition except 1-inch tear to cover at top of spine, front edge; no internal marks. Foreign shipping may be extra.

Paper Binding. Condición: Very Good. Kahn, Tobi Ilustrador. Very good paperback. Exhibition catalogue. Curated by Peter Selz. Essays by Peter Selz, Dore Ashton, and Michael Brenson.

Soft cover. Condición: Very Good. 1st Edition. First Edition, Exhibition catalogue. Very Good condition. ISBN 1890789054. Large 4to, color illustrated heavy card wraps. Signed on the front fly page by Peter Selz, curator of the exhibition. Contains about 60 color reproductions of sculpture and paintings by Kahn. Essays by Gail Gelburd, Peter Selz, Dore Ashton and Michael Brenson. This exhibition traveled to eight cities. Chronology, Selected Exhibitions, Group Exhibitions, Public Collections, Bibliography. 80 pgs. Signed by Author(s).

Paperback. Condición: Good. No Jacket. Minor wear to covers and spine. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.

Condición: Very Good. Softcover, This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers. Clean copy. Record # 371118.

First Edition. First edition. Oblong softcover. 188 pages. Published in conjunction a traveling exhibition. Features essays by Dore Ashton, Michael Auping, and Matthew Spender. Includes 42 color plates, a checklist, selected bibliography, list of previous exhibitions, and an index. A fine copy in French style wrappers.

Condición: Very Good. Doré, Gustave Ilustrador.

SingleIssueMagazine. Condición: Very Good. Vol. 101, No. 1. Besheet-sized pulp. Edited by Andre Fontaine. Cover art by Joern Gerdts. Includes "The Human Angle" by Dore Schary; "The Night of the Fight" by William Neuman; "The Cowboy and the Mark" by Michael Kahn; "Quicksand" by Tom Roan; "The Sleeper" by Charles Einstein; "Sealer Orders" (novel) by George Fielding Eliot; "Too Soon Dead" 9novel) by Don Hamilton. Other articles and features. Illustrated. Tanning; stress; minor tears. Book.

Paperback. Condición: Fine. 1st. 188 pages, illustrations (some colour), map; 26 cm. Catalogue of exhibition held at National Gallery of Art, Modern Art Museum of Fort Worth, and Albright-Knox Art Gallery, from May 1995 to March 1996. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements." - Publisher. Size: 4to. Collectible.

Condición: New. In.

paperback. Condición: Like New. First Paperback Edition. Publisher: Rizzoli/Albright-Knox Gallery, 1995.FINE in illustrated French wraps, as issued. First Softcover Edition, First Printing. Previous owner's artistic embossed stamp at bottom of title page, otherwise as new.

Hardcover. Condición: Very Good. Dore, Gustave Ilustrador. Not dated, but circa 1871. xxxi, 400pp. Red cloth-covered boards with raised titles and gilt and embossed decorations and gold colouring both to the front and spine of book, lovely imprint pattern on the back of book, all edges gilt, bevelled edges, tissue-guarded frontispiece, extra illustrated title page. There is a facsimile of Hood's handwriting as well as numerous small black and white illustrations. 12mo. Some light rubbing and rounding to the corners and spine ends. Some discolouration to the text block spray. Internally hinges cracked and a couple of lightly strained gutters. Gift inscription on label on front free endpaper, in a contemporary hand, and an embossed imprint; a further gift inscription, dated 1871, opposite the half-title. Faint and occasional spotting throughout. Contains a selection of poems by Thomas Hood.

Condición: New. Brand New.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Color Illus.; 10.25 X 0.75 X 10.25 inches; 188 pages.

Wrappers. Condición: Very Good. Camillos Kouros Gallery, New York, Published 1984. Wraps, 20 pp.; 27 cm; staple bound; illustrated with twelve black-and-white plates of Lekakis wood sculptures with titles, dates, materials, and heights. In Very Good condition. Cream paper wraps with the artist's Greek monogram printed at center of front cover. Light bumping to edges and corners and mild shelf wear; faint surface soiling and scattered light foxing visible on both covers. Staple binding tight. Interior pages unmarked.Exhibition catalog for the Michael Lekakis retrospective held at Camillos Kouros Gallery, 831 Madison Avenue, New York, in December 1984. The exhibition was presented under the auspices of the Greek Consulate General in New York as part of the "Contributors to American Culture" series, with an introduction by Consul General Nicolas A. Capellaris framing the project as institutional recognition of modern Greek artists' place in American culture. The biographical essay is by Dore Ashton (reprinted from Arts Magazine), the American art critic and Cooper Union professor best known for her biographies of Philip Guston and Mark Rothko. Ashton positions Lekakis as a serious modern carver of wood drawing together Klee's cosmic principle, Plato's metaphysics, Hölderlin's romance with ancient Greece, and the artist's own statements about reconciling man and the cosmos through eros and agape. The text records Lekakis's personal connections with Ezra Pound, whose Homeric obsession Lekakis cherished, and with e.e. cummings, who called him "a singularly honest Greek sculptor."Twelve plates document major Lekakis sculptures in oak, elm, walnut, mahogany, rosewood, and pearwood, including Astrape (1953-65, 93 inches), Keravnos (1948, 49 inches), Trocheion (1955-59, 66 inches), Apotheosis No. 1 (1962-67, 45 1/2 inches), Trimanton (1973-83, 76 inches), Rhythmisis (1951-66, 63 1/2 inches), Trisipostaton (1947-65, 76 inches), and Thunderbird (1946-55, 56 inches). The catalog closes with lists of selected exhibitions (including a Whitney solo show in 1973-74 and group inclusion in MoMA's Americans 1963) and selected public collections (MoMA, Solomon R. Guggenheim, Whitney, Philadelphia Museum of Art, Wadsworth Atheneum, Tel-Aviv Museum, and the National Pinacotheque of Athens, among others).

Paperback. Condición: Very good. First Edition. LITHOPINION 4, THE GRAPHIC ARTS AND PUBLIC AFFAIRS JOURNAL OF LOCAL ONE, AMALGAMATED LITHOGRAPHERS OF AMERICA. Texts by Ben Waltenberg, John Brooks, Arnold M. Auerbach, Michael Harrington, Dore Schary, Barryt Commoner, Richard Gummere, Jr, Shepard Traube. 106 pages. Paper with stiff cover. Color and black and white reproductions. 12" x 7". Very good condition.

First Edition. First edition. Softcover. 66 pages. Preface by Jeffrey Weiss. Essays by Dore Ashton, Michael Gibson, and Sheldon Nadelman and also includes text by Rothko as well. Includes some black and white and numerous color illustrations. A very near fine copy in wrappers.

Soft Cover. Condición: Very Good -. Very Good -. Glossy Pictorial Soft Cover. Excellent color reproductions of Rothko's iconic abstractions. Essays by Suzanne Pagé, Jeffrey Weiss, Dore Ashton, and Michael Gibson. Text in French. Biography. Covers show moderate wear and toning. Moderate toning to page edges; very mild damp staining to top edges at front and rear; otherwise interior is clean, crisp, tight & bright, unmarked. 66 pp. Approx. 8.5" x 11.25". A very nice copy. Carefully shipped in secure parcel. Ask all questions; glad to respond.

Softcover. Condición: VG (slight bumping to corners). Color illustrated wraps. 188 pp. 42 color plates. Catalogue of exhibition to be held at National Gallery of Art, Modern Art Museum of Fort Worth, and Albright-Knox Art Gallery, from May 1995 to March 1996. Michael Auping's valuable text provides an introduction to the life and art of Arshile Gorky as well as an insightful consideration of the grand psychological landscape The Liver is the Cock's Comb, 1944, a work pivotal to the development of Gorky's style. Dore Ashton writes a lucid account of this artist who tends to resist classification, contributing an art historical overview of Gorky's appreciation of such modern innovators of abstraction and Surrealism as Miro and Kandinsky. Matthew Spender provides biographical details of Gorky's early years, while a selection of Gorky's personal letters further sheds an intimate light on the artist and his achievements. Arshile Gorky (1904-1948) is recognized as one of the most crucial and intriguing figures in the early shaping of Abstract Expressionism. Gorky pioneered a complex vocabulary of forms by fusing landscapes remembered from his childhood home in Armenia with surrealist imagery and abstract plumes of color. In so doing, he helped create a distinctly new vision for painting, leading American art into one of the most experimental periods in its history. Gorky's most important paintings and drawings were executed from 1940 through 1947, powerfully expansive years that many regard as his breakthrough period. His rich, mature work of these years is the focus of this illuminating volume, the most comprehensive book on the subject.