marx william (449 resultados)

Condición: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Hardciover. Condición: New. Estado de la sobrecubierta: New. First Printing. 228pp. Translated by Nicholas Elliott. Photos on request. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Good condition ex-library book with usual library markings and stickers.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. 3rd edition hardcover in very good condition. All inside pages are in great shape. Minor shelf wear to the white, black & brown cover.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft Cover. Condición: Very Good. 7th Printing. 36 pages. Size: 6 x 9. Communism.

Soft cover. Condición: Near Fine. Near Fine condition Softcover includes Notes, 302 pages. The exception to the condition is one dog eared page.

paperback. Condición: Good. Pages unmarked, gentle wear.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: good. Cover Dust jacket has minimal some shelf wear. Book is in Very Good condition.

SingleIssueMagazine. Condición: Very Good. Vol. 45, no. 4 (Whole No. 257). Edited by Clayton Rawson. Includes "Operation Prometheus" by Michael Gilbert; "Tomorrow Is Yesterday" (short novel) by Hugh Pentecost; "The Botany Pattern" by Victor Canning; "Something Rare and Beautiful" by Olga Marx; "Death By Drowning?" by Lawrence G. Blochman; "The Prevalence of Monsters" by Thomas B. Dewey; "The Impossible Murder of Dr. Satanus" by William Krohn; "Souffle Surprise" by Vincent McConnor; "The Ides of Michael Magoon" by Ellery Queen; "The Way Home" by Richard M. Gordon; "A Sad and Bloody hour" by Joe Gores; "The Most Ethical Man in the Business" by Richard Deming; "Hardcover and Paperbacks of the Month"; "Best Mysteries of the Month" by Anthony Boucher. Creasing; a little soiling; tanning; edge and corner wear. Book.

Softcover. Condición: Very Good. Sixth Printing. Staples are slightly rusted. ; Published by The John Birch Society. ; 40 pages.

Softcover. Condición: Near Fine. First Edition. NEAR FINE /No DJ as published. Vol 48 in the Middle English Texts Series. " Includes an introduction, commentary, appendices of marginalia and related texts, and a glossary." 143 pages.

Paperback. Condición: Good. ***please read*** a few marks on text - my shelf location we-c-38*.

Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 4th Printing. 4th printing (Ford-Smith, Folio 76 #1140). Includes publisher's slipcase. Fine book in near fine slipcase. Slipcase faintly scuffed. Binding tight and square, pages clean, bright, and unmarked. 2003 Hard Cover. 288 pp. A collection of humorous vignettes by various authors, with contributions by William Shakespeare, Samuel Johnson, Charles Dickens, Winston S. Churchill, the Queen of England, G.K. Chesterton, P.G. Wodehouse, Mark Twain, Dorothy Parker, Groucho Marx, etc., etc. Ever since Chaucer's day, when the host of the Tabard Inn in Southwark rose to welcome the Canterbury Pilgrims with a joke, the After Dinner Speech, designed, if possible, to reduce the assembled company to helpless merriment, has presented the ultimate challenge. The best speakers are natural story-tellers - Gerard Hoffnung, reading a selection of letters from continental hoteliers: 'There is a French widow in every bedroom affording delightful prospects'; John Mortimer telling the woeful tale of a man's numerous unsuccessful attempts to murder his wife: 'At no time did Mrs Scott feel that the magic had gone out of their marriage' - and in this collection of post-prandial treasures you will find the very best of them, from Groucho Marx on how to resist a femme fatale, to Ralph Steadman surreally addressing the Lewis Carroll Centenary Dinner. 'Goodness', said a friend on greeting Mae West, 'where did you get those beautiful pearls?' 'Goodness', replied Mae, 'had nothing to do with it.' Shaggy dog stories, practical jokes, sporting anecdotes, rousing toasts, travellers' tales and risque reminiscences rub shoulders in this essential collection with real-life revelations and moments of history. Among the guests are Peter Ustinov, Jilly Cooper, Brian Johnstone, Charles Dickens, Dorothy Parker, Robertson Davies, Henry Grady and A.P. Herbert. There is food and drink in abundance. There is gentle reflection and endearing charm as well as defiant frivolity. Above all there are stories for every occasion - witty, absurd, momentous, philosophical, fascinating, poignant, and forever entertaining.

Paperback. Condición: Very Good. Photographs; 8vo 8" - 9" tall; Original title lettered wraps. Wraps with expected light toning at edges. Vertical stress crease. VG.

hardcover. Condición: Fine.

Paperback. Condición: new. Paperback. If Greek tragedies are meant to be so tragic, why do they so often end so well? Here starts the story of a long and incredible misunderstanding. Out of the hundreds of tragedies that were performed, only 32 were preserved in full. Who chose them and why? Why are the lost ones never taken into account? This extremely unusual scholarly book tells us an Umberto Eco-like story about the lost tragedies. By arguing that they would have given a radically different picture, William Marx makes us think in completely new ways about one of the major achievements of Western culture. In this very readable, stimulating, lively, and even sometimes funny book, he explores parallels with Japanese theatre, resolves the enigma of catharsis, sheds a new light on psychoanalysis. In so doing, he tells also the story of the misreadings of our modernity, which disconnected art from the body, the place, and gods. Two centuries ago philosophers transformed Greek tragedies into an ideal archetype, now they want to read them as self-help handbooks, but all are equally wrong: Greek tragedy is definitely not what you think, and we may never understand it, but this makes it matter all the more to us. Nearly Everything We Think We Know about Greek Tragedy Is Wrong. This Is Why. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. If Greek tragedies are meant to be so tragic, why do they so often end so well? Here starts the story of a long and incredible misunderstanding. Out of the hundreds of tragedies that were performed, only 32 were preserved in full. Who chose them and why? Why are the lost ones never taken into account? This extremely unusual scholarly book tells us an Umberto Eco-like story about the lost tragedies. By arguing that they would have given a radically different picture, William Marx makes us think in completely new ways about one of the major achievements of Western culture. In this very readable, stimulating, lively, and even sometimes funny book, he explores parallels with Japanese theatre, resolves the enigma of catharsis, sheds a new light on psychoanalysis. In so doing, he tells also the story of the misreadings of our modernity, which disconnected art from the body, the place, and gods. Two centuries ago philosophers transformed Greek tragedies into an ideal archetype, now they want to read them as self-help handbooks, but all are equally wrong: Greek tragedy is definitely not what you think, and we may never understand it, but this makes it matter all the more to us.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New.

75pp, (7.5 x 9.75 inches), b&w illustrations, four color plates. Near Fine in wrappers (soft cover). Clean, tight, bright, no bumps, tears or creases, no markings. Twenty literary essays, including "Scholarship, the Book and Illustration," and "Medieval Poets and Artists; the Imagery of Love Paramours" by Alcuin Blamires, "Literature and Art: Analysis and Analogy" by Rebecca Ferguson, "The Art of Love: Elizabethan Literature and Renaissance Art" by Gordon Williams, 'Hogarth and Rowlandson" by Allen Samuels, "Text and film" by Lawrence Normand, "The Erlangen Connection" by Karl Holtgen, "The Old (Antiquarian) Library at Lampeter and the Illustrated Book" by Gwyn Walters, "The Renaissance Art of May-Games and Mahem" by Godron Williams, "Evelyn Waugh's Illustrations for 'Decline and Fall'," by Peter Miles, "The Leverhulme Project: Building a Book Illustration Archive" by Gwyn Walters, "Medieval Illuminated Manuscripts in Wales" by William Marx & Alcuin Blamires.

Soft Cover. Condición: Very Good. Volume 25, No. 4, Summer 1994. 91 pp. Vol. 25, No. 4, Summer 1994 only! Solidly bound copy with minimal external wear, crisp pages and clean text.

Soft Cover. Condición: Very Good. Volume 23, No. 3, Spring 1992. 87 pp. Vol. 23, No. 3, Spring 1992 only! Solidly bound copy with moderate external wear, crisp pages and clean text. Creased front and back covers.