Marubbio elise (60 resultados)

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: very_good. Ex-library books with typical library markings stickers.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very_good. Ex-library books with typical library markings stickers.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hardcover. Condición: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condición: Good. Offers a critical intervention and response to Hollywood's representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty.…

hardcover. Condición: very godo. Estado de la sobrecubierta: very good. 6 3/8 x 9 1/4" 298 pages. ex college library. dj spine label inked out, stamped on page edges & inside front cover. pocket and sticker on inside rear cover.

Hardback. Condición: Good. Offers a critical intervention and response to Hollywood's representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty.…

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, review copy (review slip laid in). Book has a small stain on some fore edge pages, else fine. DJ has very light wear. Illustrated with b & w photos. Includes filmography, notes, bibliography and index. "Examines the sacrificial role young Native women who ally themselves with white male heroes and die as a result." Tenure creates such useful topics of discussion. …

Hardcover. Condición: New. Estado de la sobrecubierta: New. 9 X 6.20 X 1.10 inches; 312 pp; Excellent book.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 390 pp; . Book has previous owner stamp on endpapers, else an as new book.

Soft cover. Condición: Very Good. No Jacket. 390 pp. with B/W illustration, fillmography, and index. Slight edgewear. "Without a doubt, this volume represents a major contribution to the literature on Native film. Because of its wealth of insightful essays and fresh interviews with Native filmmakers, it should be an essential book for courses on Native film and Indigenous media, not to mention more general courses on Native American studies and media studies, where these topics are too often neglected. A very impressive and useful collection." - Randolph Lewis, author of Navajo Talking Picture: Cinema on Native Ground. Includes pieces on Atanarjuat: The Fast Runner; the documentaries of Alanis Obomsawin and Loretta Todd; the video works of Dana Claxton; The Business of Fancy Dancing; filmmakers Yasu Osawa, Chris Eyre, and Randy Redroad; Sterlin Harjo and Blackhorse Lowe; Mona Smith; Shelley Niro.…

Condición: New. Brand New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

paperback. Condición: Very Good in Wrappers. No Jacket. First Edition. Tucson. 2017. November 2017. University of Arizona Press. 1st American Edition. Very Good in Wrappers. 9780816535477. 232 pages. paperback. keywords: Sociology. DESCRIPTION - In Cherokee, the term for motion picture is a-da-yv-la-ti or a-da-yu-la-ti, meaning something that appears. In essence, motion pictures are machine-produced apparitions. While the Cherokee language recognizes that movies are not reality, Western audiences may on some level assume that film portrayals offer sincere depictions of imagined possibilities, creating a logic where what is projected must in part be true, stereotype or not. Native Apparitions offers a critical intervention and response to Hollywood's representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty. The collection clusters around three approaches: retrospective analysis, individual film analysis, and Native- and industry-centered testimonials and interviews, which highlight indigenous knowledge and cultural context, thus offering a complex and multilayered dialogic and polyphonic response to Hollywood's representations. Using an American Indian studies framework, Native Apparitions deftly illustrates the connection between Hollywood's representations of Native peoples and broader sociopolitical and historical contexts connected to colonialism, racism, and the Western worldview. Most importantly, it shows the impact of racializing stereotypes on Native peoples, and the resilience of Native peoples in resisting, transcending, and reframing Hollywood's Indian tropes. CONTRIBUTORS: Chadwick Allen, Richard Allen, Joanna Hearne, Tom Holm, Jan-Christopher Horak, Jacqueline Land, Andrew Okpeaha MacLean, M. Elise Marubbio, Steve Pavlik, Rose Roberts, Myrton Running Wolf, Richard M. Wheelock. inventory #41976.…