martin marylin (27 resultados)

Condición: good. Book is in good condition. Minimal signs of wear. It May have markings or highlights, but kept to only a few pages. May not come with supplemental materials if applicable.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. English La. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. English La. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: No Jacket as Issued. Norris, Martin Ilustrador. Not Stated Assumed First Edition. A stock image [photo] is an accurate representation of the listed book's cover design . Pictorial boards, clean, bright.Illustrated throughout with color and B&W art reproductions. Pages [192 including index] clean, unmarked, covered spiral binding sound. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described.

Condición: Good. English La. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Good. 8vo - over 7¾" - 9¾" tall.

Condición: as new. Wie neu/Like new.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Fair. Spuren von Feuchtigkeit / Nässe; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. VIII, 167 pp. LCC: 2002152654.

Couverture souple. Condición: Neuf. Edition originale. 168pp 19x26 Le Musée de Montmartre donne la parole à une femme oubliée, pourtant témoin intime d'une époque : celle de la bohème montmartroise et de la naissance de l'art moderne. Pour la première fois, une exposition et un livre sont consacrés à Fernande Olivier, modèle, écrivaine et artiste. Cet ouvrage, étayé d'archives rares, analyse et contextualise ses écrits Picasso et ses amis (1933) et Souvenirs intimes (1988). Fernande y livre un récit touchant sur la condition féminine de son temps et dévoile l'intimité du Bateau-Lavoir : Apollinaire, Braque, Derain, Laurencin, Le Douanier Rousseau, Matisse, Max Jacob, Van Dongen et celui avec qui elle partagea sa vie de 1904 à 1912, Pablo Picasso. « Les livres concernant les artistes, peintres et littérateurs, dont je vais parler, sont muets sur leur intimité, pour la raison essentielle qu'ils n'ont raconté que ce qu'il plaisait aux intéressés de dévoiler publiquement. J'ai vécu avec eux, plus près d'eux que n'importe qui, puisque "chez Picasso" c'était aussi chez eux () J'ai vécu de leur existence, je les ai vus vivre, penser, souffrir, espérer et surtout travailler ; vivant, pensant, souffrant, espérant avec eux. Je peux donc, sans craindre de voir mal interpréter mes souvenirs, montrer leur vie secrète et laborieuse. » Fernande Olivier, Picasso et ses amis, 1933.

Condición: Neuf.

Softcover. Condición: Fair. First Edition. [AFRICA]. Gerard Senac, Marylin Martin, Daniel Sotiaux, Meskerem Agessed, Cameron Platter, Roger Yapi, et al. "Dak'Art 2010: 9th Biennial of Contemporary African Art [English, French]." Dakar, Senegal: Dak'Art 2010, 2010. First edition. English and French languages. Softcover with white card wrappers printed black and yellow. Art texts for the biennial with full-color images of artwork. 9 1/2 x 7 1/2 inches. 28 oz. 194 pp. Heavily water damaged with tidelines permeated throughout. Wear, use, rippling. Text clean. Acceptable reading copy. No ISBN. No ASIN. OCLC: 640112702. "Catalog of the 9th Biennale of Contemporary African Art, held in Dakar, Senegal, 2010.".

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Unclipped dust jacket protected by archival mylar.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 24 x 32 cm, 408 Seiten/pages - Anthology of African Art: The Twentieth Century does not propose to document any one African art, but rather to open up this vast but underexplored field to include a diverse theoretical, historical, geographical, and critical map of this dense and ancient region. Contributions by more than 30 international authors recount the birth of art schools in the 1930s, the development of urban design and public art, and the importance of socially-concerned art during the Independence movements. From Ethiopia, Nigeria, and the Belgian Congo to Ghana, Senegal, and Angola, through the works of hundreds of artists working in every conceivable medium and context, this anthology manages the continental and unique feat of providing a thorough, expansive, diversified, and fully illustrated history of African art in the 20th century. Since 1991, Paris-based Revue Noire Editions has dedicated itself to the multidisciplinary artistic production of the African continent and the African diaspora. Publishers of the critically-acclaimed An Anthology of African Photography, a comprehensive chronicle of African photography from the mid-1800s to the present.

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Common Thread - Uncommon Women begins in 1863 at the foothills of the Ozark Mountains in Arkansas. This historic saga covers four generations of women, beginning with the author's great-grandmother, Minerva, who was a Cherokee Native American. Minerva warned her daughter, "Jennie, they put my people on a reservation, took away their pride, and left them with no way to defend themselves. Don't you ever let anyone hurt you or your children." Jennie, Minerva's daughter, was a determined woman. Her friendship with a slave created tension within her husband's family. Thedis moral presence was a blessing to the sick, and when death won, she readied them for burial. She was destined to suffer heartbreaks too horrific to imagine. Robbie was Thedis's second-born child. Daily, she was reminded of a tragic event, the shotgun blast, her screams, and the smell of fresh blood. Born with a proud Native American heritage, these women endured hardships beyond modern comprehension but still found joy and happiness. Marylin Hayes Martin breathed essence into her characters, taking them through some of the most difficult times in American History: the Civil War, the Great Depression, and two World Wars. Common Thread - Uncommon Women is Martin's debut novel. "Marylin Martin's startling book, "Common Thread - Uncommon Women," captures the enormous well of strength, both physical and emotional, that the women who helped settle America - and who were born here, of Native American blood - had to draw on simply to survive. Alexander Stuart, author of The War Zone In "Common Thread - Uncommon Women," a story that covers the lives of four generations of her own family, Marylin Martin takes a historical family saga and raises it into a moving, memorable work of art. Bill Manville, columnist for the New York Daily News Marylin Hayes-Martin grew up in the foothills of the Arkansas Ozarks where she was exposed at an early age to the history and culture of the characters in her novel. She was mesmerized listening to epic tales of the shocking tragedies and hardships endured by the four generations of women in her family. She has woven their stories throughout her novel, Common Thread ? Uncommon Women. A number of Marylin?s short stories were published in the White County Arkansas Historical Society publication and more recently, in Second Saturday, a literary anthology published by Ladybug Press which is available from Amazon. Marylin is the co-founder and facilitator of the Sonora Writers Group. She now lives in the foothills of the California Sierra Mountains with her husband, Frank, where she enjoys life as a writer and visual artist.

Couverture souple. Condición: Neuf. Estado de la sobrecubierta: Neuf. Le Musée de Montmartre donne la parole à une femme oubliée, pourtant témoin intime d'une époque : celle de la bohème montmartroise et de la naissance de l'art moderne. Pour la première fois, une exposition et un livre sont consacrés à Fernande Olivier, modèle, écrivaine et artiste. Cet ouvrage, étayé d'archives rares, analyse et contextualise ses écrits Picasso et ses amis (1933) et Souvenirs intimes (1988). Fernande y livre un récit touchant sur la condition féminine de son temps et dévoile l'intimité du Bateau-Lavoir : Apollinaire, Braque, Derain, Laurencin, Le Douanier Rousseau, Matisse, Max Jacob, Van Dongen et celui avec qui elle partagea sa vie de 1904 à 1912, Pablo Picasso. « Les livres concernant les artistes, peintres et littérateurs, dont je vais parler, sont muets sur leur intimité, pour la raison essentielle qu'ils n'ont raconté que ce qu'il plaisait aux intéressés de dévoiler publiquement. J'ai vécu avec eux, plus près d'eux que n'importe qui, puisque "chez Picasso" c'était aussi chez eux () J'ai vécu de leur existence, je les ai vus vivre, penser, souffrir, espérer et surtout travailler ; vivant, pensant, souffrant, espérant avec eux. Je peux donc, sans craindre de voir mal interpréter mes souvenirs, montrer leur vie secrète et laborieuse. »------------- Fernande Olivier, Picasso et ses amis, 1933.------------------------------.

Condición: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 366719-2 - FERNANDE OLIVIER ET PABLO PICASSO DANS L'INTIMIT DU BATEAU-LAVOIR, Ooms, Saskia, 2022.

Condición: new.

Hardcover. Condición: Very good +. Estado de la sobrecubierta: very good +. Hardcover. 9 1/2" X 7 3/4". xxxvii, 466pp, plus plates; xxx, 909pp; plus plates. Volume One presents nicely in protective archival sleeved dust jacket and comes bound in lime green cloth over boards, with upper board and spine lettered in gilt. Volume Two, in two books, Text and Plates, comes bound in publisher's laminated cloth over boards, with spines lettered in white. Mild shelfwear and very gentle bumping to extremities of bindings. All bindings are firm and sound. Pages are clean and unmarked. A very presentable set, in three volumes, of the first two volumes in Marylin Rhie's widely acclaimed and formative multi-volume work offering a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia. This set includes: Early Buddhist Art of China and Central Asia, Volume 1: Later Han, Three Kingdoms and Western Chin in China and Bactria to Shan-shan in Central Asia; Early Buddhist Art of China and Central Asia, Volume 2: The Eastern Chin and Sixteen Kingdoms Period in China and Tumshuk, Kucha and Karashahr in Central Asia, Complete in Two Volumes: Text and Plates/Illustrations. ABOUT THIS SET: The earliest Buddhist art of China can only be understood when seen in relation to a wider area comprising Central Asia and India. This is exactly the purpose of the underlying volume. Presenting the earliest Buddhist art of China in its wider context of the Bactrian and Southern Silk Road regions in Central Asia (1st to 4th century A.D.), the author offers clarifications of the issues and new assessments regarding the cross-cultural and cross-regional interrelationships, sources, dating and chronology during these formative initial phases of Buddhism from India to China. With over 500 illustrations, 18 in full colour, 76 drawings and 14 maps, the book offers not only an overview of this complex and important period, but also the fullest and most detailed analysis of the art: individually, within its local region, and in relation to the wider, trans-Asian scope essential for a proper understanding of this period for a wide range of disciplines. Volume two of Marylin Rhie's widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period. (Publisher).

(DuMont). 488 S. : zahlr. Ill., Kt. ; 30 cm Gebraucht, sehr gut A 14134 Sprache: Deutsch Gewicht in Gramm: 2124.

Hardcover. Condición: Very Good. 1st Edition. Leiden: Brill, 2002. Three octavo volumes, bound in publisher's laminated boards. Two volumes (in three), a complete set of this comprehensive reference work, with detailed descriptions of artwork from the Later Han, Three Kingdoms and Western Chin in China and Bactria to Shan-shan in Central Asia, to the Chin and Sixteen Kingdoms period in China and Tumshuk, Kucha and Karashahr in Central Asia and beyond, with the separate plate volume. Rhie was theJessie Wells Post Chair Professor of Art at Smith College. The lower corner of the front board of Vol II is crushed, with upper corner gently bumped; the remaining two volumes are as new in publisher's shrinkwrap. The complete set is very scarce.

Leiden, Brill, 2002. Fort in-8 carré, cartonnage d?éditeur ill. en couleurs, XXX-909 pp., texte anglais, cartes en noir in-t. Bibliogr., index. (HdO, section 4, vol. 12/2). Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. /99A Hardback. Very fine condition.