Marsching jane (16 resultados)

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Good. No Jacket. 1st Edition. Number One Hundred Thirty. Winter, 1993. Contents Include: Rocky Schenck; Lu Nan; Christian Walker; Mary Kocol; Teun Hocks; Thomas Tulis; Anne Turyn; Annette Messager; Michiko Kon; Dore Gardner; People And Ideas, etc. Card Covers. 78+ Pages. Good+ tight condition. Language: eng Language: eng 0.0.…

Paperback. Condición: Fine. First Edition. Book.

Condición: Very Good. Very Good condition. Issue No. 130. (Photography, Periodicals) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Softcover. Condición: Fine. Aperture 130; 7.8 X 5.1 X 1.0 inches.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Condición: Near Fine. Np, nd. Small quarto, 32 p., original wraps. First and only edition of this collection of photographs. Light wear to spine joints, else a VG+ copy.

Condición: Good. Blur of the Otherworldly: Contemporary Art, Technology, and the ParanormalAuthors: Mark Alice Durant & Jane D. Marsching.Publisher: Center for Art and Visual Culture, USA, 2006.Binding: paperback.Illustrated: yes.Description / Condition: Some shelf wear/marks to cover. Light wear to pages. A rare copy.Please see pictures for further information.…

18 cm, Broschiert. Condición: Sehr gut. 189 Seiten, Illustr.; Zustand: sehr gut. Geringfügige Gebrauchs- oder Lagerspuren. 165 ISBN 9781890761080 Aufgrund der EU-Verpackungsverordnung (PPWR) erfolgt der Versand nur nach Deutschland, ins Nicht-EU-Ausland und nach Österreich. Für einen Versand in alle anderen EU-Länder (außer Österreich) nutzen Sie bitte Paketweiterleitungsdienste und hinterlegen bei der Bestellung eine deutsche Versandadresse. Due to the EU Packaging Regulation (PPWR), we ship only to Germany, non-EU countries, and Austria. For shipping to all other EU countries (except Austria), please use a package forwarding service and provide a German shipping address when placing your order. Sprache: Englisch Gewicht in Gramm: 675.…

Condición: gut. 2005. Blur of the Otherworldly. Contemporary Art, Technology, and the Paranormal. [Issues in Cultural Theory 9] In englischer Sprache. pages.

Paperback. Condición: New. Issues in Cultural Theory; As technology has burgeoned in recent years, so have ghosts in the machine, or so the 29 artists featured here suggest. All use existing gadgets--photography, film, video, radio, Internet, and digital media--to explore age-old questions about parallel worlds and the paranormal. Photography has a long history with this topic--from the infamous Cottingham fairy photographs through studio spiritualist images to more recent grainy snapshots of Sasquatch and unexplained flying objects, it is often called upon by viewers to testify, and used by artists to move between science, fantasy and art. In days of millenial angst, ever-greater leaps of science, and ever-decreasing wilderness, other worlds seem as possible, probable, alluring, and potentially within reach of new technologies as they did in the days of fairies. Among the artists whose observations are recorded here are Jeremy Blake, Gregory Crewdson and Mariko Mori.…