maria pellerano (17 resultados)

hardcover. Condición: Good.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Condición: acceptable. Includes dustjacket.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Hardcover in Near fine jacket.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. 1st Edition. Good condition hardcover book, Fair condition dust jacket. Stated First Edition. Shelf wear and smudging to covers. Covers bowed. Heavy toning and light smudging to pages. Dust jacket unclipped. Jacket has shelf wear, toning, and smudging. Sunning to spine and bumping to edges. Few small tears to edges, none more than 1/4 inch. Dust jacket protected by Mylar. Each book individually inspected and described. Never X-Library unless explicitly stated as such.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. New York: Aperture, 1997. First edition, first printing, with full number line including the 1. Hardcover. Quarter black cloth over black paper-covered boards, with silver spine lettering. Fine in a fine dust jacket. Publisher's original price intact on jacket flap. Comes with archival-quality mylar dust jacket protector. A tight, clean copy. Oblong quarto, 160 pages. Illustrated throughout in color photographs. Preface by Wendell Berry. Afterword by Mark Dowie. Additional text by William Kittredge, Susan Griffin, Peter Montague, Maria B. Pellerano, and Terry Tempest Williams. WASTE LAND presents David T. Hanson's large-format color photographs of industrial and environmentally damaged sites in the American West, accompanied by critical and literary essays responding to those landscapes. This is his first book.

Soft cover. Condición: Near Fine. 1st Edition. Exhibition catalogue. First printing. Oblong 4to. xxiii, 289 pp. Profusely illustrated with B & W reproductions (including one bi-foldout) and 10 full color reproductions. Printed on coated paper. Original glossy photographic wrappers. Bottom front fore edge corner lightly bumped else tight, fine.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Oblong hardcover 160 pages. Features a preface by Wendell Berry an afterword by Mark Dowie and additional texts by William Kittredge, Susan Griffin, Peter Montague and Maria B. Pellerano, Terry Tempest Williams. A collection of color photographs and essays by Hanson. A fine copy in paper covered boards with a cloth spine and in a fine dust jacket. Signed by Hanson on the title page. Uncommon thus. Signed.

Hardcover. Quarto (oblong), xxiii, 289 pages. In Very Good minus condition with a Good minus dust jacket. Spine is grey with black print. Dust jacket has light edge wear, toning to spine. Price unclipped: "$60.00". Boards in grey cloth; slight wear to spine caps. Illustrated: b&w plates, some color (photographs). Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Apr. 27-June 18, 1989 and at other institutions until June 15, 1991. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1400279. FP New Rockville Stock.

Condición: Fine. Estado de la sobrecubierta: Very Good+. First Edition. Princeton, NJ / Boston, MA: Art Museum, Princeton University / Bulfinch Press/Little, Brown and Company, [1989]. First Edition. Oblong quarto (25.5cm); publisher's cloth in unclipped photo-illustrated dust jacket; xxiii,[1],289pp.; halftone illus. throughout. Dust jacket spine panel a shade sunned, else a Near Fine example.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. First edition, hardcover, slight lean, one folding plate protrudes slightly at bottom and has light wear to that edge, spot of shelf soiling to bottom edge, otherwise a VG+ copy in like dustjacket.

Estado de la sobrecubierta: dj. First Edition. First edition. Oblong hardcover. 289 pages. Published in conjuction with a traveling exhibition that had seven stops. Features text by Peter Bunnell. A comprehensive and scholarly examination of White's extensive body of work. Includes 10 color and 285 duotones, chronological survey of images, bibliography of published writings, selected bibliography, and checklist. A tight very near fine copy with some slight tapping to the top front corners in a very near fine dust jacket with the same slight tapping and with laid in card for the event with Bunnell. Signed by Bunnell on the half title. A very fresh copy of the less common cloth issue. Signed.

Condición: gut. Minor white, the eye that shapes In deutscher Sprache. pages.

Hardcover in dust jacket. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Oblong 4to. Pp. xxiii; 289. Includes a prefatory biographical chronology; a bibliography of published writings; bibliography. Includes a chronological survey of White's photos. Laden with several portfolios of White's photography; his "Totemic Sequence" is presented in two fold-out leaves. Bound in gray cloth with white lettering stamped on spine. A comprehensive survey of the artist and his work, presented as a catalog to accompany the exhibit that traveled from Princeton to MOMA, the San Francisco Museum of Modern Art, etc.From 1937 to the start of WWII, the photographer lived in Portland and was associated with the Oregon Camera Club. White eventually served as a creative photographer for the Oregon Art Project, an arm of the Works Progress Administration (WPA) Art Program of the Federal Works Agency. In 1942 the Portland Art Museum mounted White's first one-man show. Dust jacket is now preserved in a clear, removable archival protector.