madeline gins (160 resultados)

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Good. Good. Gently used with minimal pencil markings in text. Gently bumped top corner to spine. Binding is tight.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condición: New.

Soft cover. Condición: Very Good. 1st Edition. Nice clean copy.

Paperback. Condición: As New. 327 p., clean and unmarked anywhere; ill., charts; binding tight; wrapper without discernible wear.

Paperback. Condición: New. This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another.: This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry, Together, they have created an experimental and widely admired body of work - museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections - that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms ""human"" and ""being."" When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe, The authors explain that ""Another way to read reversible destiny.is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility."" Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.

Condición: As New. Unread book in perfect condition.

Condición: New. Brand New.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her "Reversible Destiny" architecturePoet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings-in the form of poetry, essays, experimental prose and philosophical inquiries-represent her most visionary and transformative work. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins' 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G,R,E,T,A, G,A,R,B,O, It Says), along with substantial excerpts from her two later books What the President Will Say and Do!! (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins' poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the 20th century.Born in the Bronx and long a resident of New York City, Madeline Gins (1941-2014) participated in experimental artistic and literary movements of the 1960s and '70s before developing a collaborative practice as a philosopher and architect. Alongside her own writing, Gins collaborated with her husband, the artist Arakawa, on a theory of "procedural architecture," an endeavor to create buildings and environments that would prevent human death.

Paperback. Condición: new. Paperback. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her "Reversible Destiny" architecture Poet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings--in the form of poetry, essays, experimental prose and philosophical inquiries--represent her most visionary and transformative work. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins' 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G, R, E, T, A, G, A, R, B, O, It Says) , along with substantial excerpts from her two later books What the President Will Say and Do (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins' poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the 20th century. Born in the Bronx and long a resident of New York City, Madeline Gins (1941-2014) participated in experimental artistic and literary movements of the 1960s and '70s before developing a collaborative practice as a philosopher and architect. Alongside her own writing, Gins collaborated with her husband, the artist Arakawa, on a theory of "procedural architecture," an endeavor to create buildings and environments that would prevent human death. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her Reversible Destiny architecture Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her "Reversible Destiny" architecturePoet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings-in the form of poetry, essays, experimental prose and philosophical inquiries-represent her most visionary and transformative work. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins' 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G,R,E,T,A, G,A,R,B,O, It Says), along with substantial excerpts from her two later books What the President Will Say and Do!! (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins' poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the 20th century.Born in the Bronx and long a resident of New York City, Madeline Gins (1941-2014) participated in experimental artistic and literary movements of the 1960s and '70s before developing a collaborative practice as a philosopher and architect. Alongside her own writing, Gins collaborated with her husband, the artist Arakawa, on a theory of "procedural architecture," an endeavor to create buildings and environments that would prevent human death.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.

Paperback. Condición: Very Good. JOURNAL OF PHILOSOPHY AND THE VISUAL ARTS (JPVA) NO. 6 COMPLEXITY with pieces by Andrew Benjamin, Felix Guattari, Jean-Jacques Lecercle, Bernard Cache, Kath Renark Jones, Greg Lynn, Bracha Lichtenberg Ettinger, Christian Girard, Arakawa and Madeline Gins, Mary Ann Caws and others. 96 pages, paper with stiff cover. Color and black and white reproductions. 11" x 8 1/2". Very good condition.

Paperback. Condición: Brand New. 1st edition. 120 pages. 8.75x5.75x0.50 inches. In Stock.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Making Dying Illegal is the latest installment of the ongoing Arakawa and Gins' Reversible Destiny Project. By making the on-the-surface absurd proposal to legislate against dying, a strong political and satirical strategy is produced as a series of architectural principles that relate to Arakawa's buildings in Europe and Japan. Having read the book over many times in editing, we feel that MDI can become what the reader wants to make it. This flexible text smacks of Alice in Wonderland, Dada tract, and contemporary self-help political critique--a truly exciting text.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 120.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. About very good in a very good wrapper. Square and tight copy. Bright and unmarked pages. Complete and minimally worn wrapper is both bright and crisp. The rear of the wrapper is wrinkled with liquid contact as are the outer edges of the rear board.

Condición: NEW.

Condición: New. Artist-architects Arakawa and Madeline Gins demonstrate the interconnectedness of innovative architectural design, the poetic process and philosophical enquiry. Their book promotes a deliberate use of architecture and design in dealing with the blight of the human condition. Series: Modern & Contemporary Poetics Series. Num Pages: 120 pages. BIC Classification: AMA; DC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 9. Weight in Grams: 204. . 2002. 2nd Edition. Paperback. . . . .

Softcover, 100 pages, very good condition; light rubbing and scuffs to covers; pages toned at edges; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket, 104 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: As New. Unread book in perfect condition.