m schretlen (49 resultados)

Condición: New.

Hardcover. Condición: Very Good. Binding firm, very light soiling to boards. Interior clean and unmarked. No dust jacket as issued. Oversize/Overweight: additional postage may apply.

Hardcover. Condición: Very Good. No Jacket. Reprint. Large quarto in beige-colored cloth binding. B&W illustrations. Condition: some minor soiling to binding; else very good. Pages: ix, 80, [vi].

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condición: Near Fine. reprint edition; previous owner's small stamp on front endpaper. With 80 plates, several with multiple images, and 13 plates in the appendix. 86pp 2.73lb 12.3x9.3x0.9in.

Condición: New.

Hardcover. Condición: Very Good. No Jacket. 68 text pages before plate section of 80 plates. A reprint of the 1925 original. Foreword by M. J. Friedlaender. Light tan cloth exterior w/title in green on spine. Interior is unmarked, tight and clean.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very good. - Quarto, bound in tan buckram. The binding is a bit soiled. 72 pp. of text and 84 pages of b&W illustrations. Very good. Reprint of the original 1925 edition.

Condición: New.

Cloth. Condición: VG/No Dustjacket. Illustrated Ilustrador. New York, NY: Hacker Art Books. VG/No Dustjacket. 1969. . Cloth. 1969 reprint of 1925 first edition . 4to., viii, 71, 80 pp. .

Hardcover. Condición: Very good +. reprint. 9 x 13 in. Cloth boards. Condition is VERY GOOD+ ; covers have a coupe of teeny spots, no shelf wear. Binding tight, text unmarked. Art. Stax. Extra shipping may apply.

Hardcover. Condición: Very Good+. Second Printing. Hardcover. Reprint of 1926 edition. Cloth boards, lightly soiled, else fine; green text to spine. No dust jacket. Book is firm in binding, interior is on heavy paper; small stain on edge of text block. Catalogue of plates, 80 numbered plate pages, 4 more in appendix. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 65 pages.

Condición: Very good.

Softcover. Condición: VG+. Tan/white illus. wraps with red lettering. French flaps. 64 pp. with bw illus. throughout. Laid in is a map of The Netherlands, showing the locations of the associations' dealers with the names and street addresses of the dealers listed on reverse, arranged by city. A catalogue of several pieces sold in the first 5 years of the fair, listed with the buyers' names (often musuems) and a brief essay by Schretlen about the history of the fair. Published to entice patrons to attend future fairs.

Condición: Very good.

Condición: New.

A'dam, z.j. (Palet-serie). 60 pp.

Condición: Fine. 64 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condición: very good. Foreword by M.J. Friedlaender. 80 black & white plates. Tall 4to, tan cloth. New York: Hacker Art Books, 1969. Reprint edition.

Hardcover. Foreword by M.J. Friedlander. 4to. Tan cloth with green spine lettering. ix, 71pp, (3pp), 80pp, (6pp). Near fine. Superb and tight facsimile reprint of the 1925 first edition, a slim but definitive study.

Taschenbuch. Condición: Neu. Neuware - 'Dutch and Flemish Woodcuts of the Fifteenth Century' is an authoritative study of the development and artistry of woodblock printing in the Low Countries during the late Middle Ages and early Renaissance. Author M. J. Schretlen presents a comprehensive survey of the origins and evolution of this vital graphic medium, tracing its progression from early, simple designs to the complex and sophisticated illustrations that defined the era's printed books. The work explores the critical relationship between woodcuts and the rise of the printing press, detailing the distinct stylistic characteristics that separate Dutch and Flemish traditions.Through careful analysis of religious iconography and secular subject matter, the text reveals the technical skill and creative vision of the period's craftsmen. The book serves as a vital resource for scholars of art history and printmaking, documenting the transition of visual art from exclusive manuscripts to a more widely accessible form. By examining the outputs of various workshops and the works of both identified and anonymous masters, the volume provides deep insight into the cultural, spiritual, and aesthetic values of the fifteenth century. This work is a cornerstone for anyone seeking to understand the historical significance and enduring legacy of Northern European graphic arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reprint of 1925 ed. 4to. viii, 71pp, ill. G+, some foxing to linen covers.

4to, pp. viii, [2], 71, [1]; 84 leaves of plates; full tan cloth; fine.

Hardcover. Condición: Very Good. No Jacket. 1st US edition. First US edition 1925, printed in France by Messrs. Frazier-Soye. Ex-library book with usual markings and pocket on back endpaper, edgewear and shelfwear. Hardcover no DJ. Condition very good, tight book. No highlighting or underlining. Folio, viii + (2) plus 71 pages, 80 plates plus Appendix of 4 plates. Plates on heavy art paper. Large and heavy book will require additional postage for priority or international orders.

Buch. Condición: Neu. Neuware - 'Dutch and Flemish Woodcuts of the Fifteenth Century' is an authoritative study of the development and artistry of woodblock printing in the Low Countries during the late Middle Ages and early Renaissance. Author M. J. Schretlen presents a comprehensive survey of the origins and evolution of this vital graphic medium, tracing its progression from early, simple designs to the complex and sophisticated illustrations that defined the era's printed books. The work explores the critical relationship between woodcuts and the rise of the printing press, detailing the distinct stylistic characteristics that separate Dutch and Flemish traditions.Through careful analysis of religious iconography and secular subject matter, the text reveals the technical skill and creative vision of the period's craftsmen. The book serves as a vital resource for scholars of art history and printmaking, documenting the transition of visual art from exclusive manuscripts to a more widely accessible form. By examining the outputs of various workshops and the works of both identified and anonymous masters, the volume provides deep insight into the cultural, spiritual, and aesthetic values of the fifteenth century. This work is a cornerstone for anyone seeking to understand the historical significance and enduring legacy of Northern European graphic arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gr.-8°, Leinen. Condición: Gut. 59 S. + XL Tafeln Niederländische Originalausgabe, Leineneinband leicht lichtrandig und schwach fleckig, innen sauber und gut erhalten Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Niederländisch Gewicht in Gramm: 401.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. 71 Pp + 81 Plates + Appendix With Further Plates At End. Original Brown Cloth, Beveled Edges, Spine Gilt. A Large, Well-Made Book With Just Traces Of Use, Near Fine, Gilt Bright, No Foxing, No Marks.

Couverture souple. Condición: bon. RO60018878: Non daté. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 60 pages. Illustré de nombreuses photos en noir et blanc dans le texte. Texte en néerlandais. . . . Classification Dewey : 490-Autres langues.