lucy sandler (179 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good+. Small repaired chip to front DJ panel; Blue cloth hardback. B&W illustrations. Biblio. Collection of writings on art by various authors ; 4to 11" - 13" tall; 820 pages.

Softcover. Condición: As New. First Edition. [BOOK HISTORY]. Ed. Colum Hourihane. Contributors: Adelaide Bennett, Walter Cahn, Marc Michael Epstein, Marilyn Aronberg Lavin, Henry Mayr-Harting, Elizabeth Moodey, Stella Panayotova, Virginia Reinburg, Mary Rouse, Richard Rouse, Lucy Freeman Sandler, Don C. Skemer, Anne Rudloff Stanton, and Patricia Stirnemann. "Manuscripta Illuminata: Approaches to Understanding Medieval and Renaissance Manuscripts (The Index of Christian Art: Occasional Papers XVI)." Princeton, NJ: Princeton University Press, 2014. First edition. English language. Softcover with pictorial wrappers. Nonfiction academic essays in book history with full-color illustrations. 11 x 8 1/2 inches. 38 oz. 286 pp. Text clean. Book still in shrink-wrap, though the shrink-wrap has some holes. As New. ISBN: 9780983753735. "Princeton University first started collecting Western manuscripts in 1876 and continues to this day with the specific aim of developing a research and teaching tool. That unique collection of medieval manuscripts forms the nucleus of this collection of essays. Stretching from Ottonian to the late Gothic-early Renaissance periods, these studies examine the secular as well as the religious and look at a variety of themes, from the book of hours to the grisaille manuscript. The studies all attempt to place the university's collection in the broader framework of manuscript studies, and a number of them deal with general topics not represented within the manuscript library. Written by some of the most celebrated scholars in the field, the studies make every effort to help us understand the power of the written and illuminated word.".

Hardcover. Condición: Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

softcover. Condición: Fine copy. Well-illustrated Ilustrador. 1st. 4to, 61 pp.

softcover. Condición: Fine copy. Well-illustrated Ilustrador. 1st. 4to, 152 pp.

softcover. Condición: Fine copy. Well-illustrated Ilustrador. 1st. 4to, 85 pp.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Interior is excellent. very good cover very shelf faded.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition.

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Hardcover. Size: 7.75"x10.5", 814pp., 548 black & white illustrations. Very light foxing to the top edge else near new condition, covers bright, text clean and binding tight in a like dust jacket which is now in a clear protective mylar sleeve.

Paperback. Condición: Good. Paperback. Some scuffing, corners bumped, tint tear at top of spine.Pages clean and unmarked, no notes or highlighting.

Paperback. Condición: Fine. Crisp, bright, clean; no owners' marks or wear; as new. More issues available.; 4to.

paperback. Condición: fine. Illustrated with 25 color plates and some b/w images. 120 pages. Slim 4to, pictorial wrappers. (London): Harvey Miller, (1999). A fine copy.

351 pp.; 27.9 x 21.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph published in conjunction with Artists Spaces' 25 Year anniversary. Edited by Claudia Gould and Valerie Smith. Introduction by Claudia Gould. Texts by J. Abbott Miller, Trudie Grace, Irving Sandler, Joan Rosenblum, Helene Winer, Cindy Sherman, Linda Shearer, Carlos Gutierrez-Solana, Amy Wanggaard, Denise Fasanello, and Ronald Jones. Includes dozens of artists interviews. Artists include Gregg Bordowitz, Judith Barry, Connie Butler, Edit deAk, Walter Robinson, Jane Dickson, Mark Dion, Andrea Fraser, Ellen Gallagher, Ann Hamilton, Mike Kelley, Jeff Koons, Louise Lawler, Zoe Leonard, Lucy Lippard, Robert Longo, Allan McCollum, Annette Messager, Lee Mullican, Tony Oursler, Adrian Piper, Carolee Schneemann, Kiki Smith, Fred Wilson, Martha Wilson, Vito Acconci, Laurie Anderson, Janine Antoni, Joan Jonas, Elizabeth Murray, Shirin Neshat, Howardena Pindell, Richard Prince, Nan Goldin, Rita McBride, Felix Gonzalez-Torres, Barbara Kruger and many others. Endnote by Jenny Holzer. Includes director interviews, chronology of activities at artists space and artist interviews, key to the chronology, artists space services and staff, publications, and multiples histories, funders histories, and index. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condición: Good. Used - good - dust jacket shows moderate use wear and some aging to color - book has a name inked on the ffep - sound useful copy.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. covers have minor edge wear, corners lightly bumped, binding tight, pages unmarked, 88 pages, periodical published by the International Center of Medieval Art, some of the articles in this issue are 'The Audiences for the Medieval Cult of Saints' by Barbar about-El-Haj; 'The Cantharus and Pigna at Old St. Peter's' by Margaret Finch; 'Early Heraldry: How to Crack the Code' by Meredith Parsons Lillich and ' A Reconstruction of the Cloisters Ivory Cross with the Caiaphas Plaque Restored at its Base' by Bernice R. Jones, bw illustrations Size: 8.5 x 11.

Paperback. Condición: Good. covers have heavy edge wear and chipping, corners heavily bumped and creased, binding tight, pages unmarked, 72 pages, periodical published by the International Center of Medieval Art, articles in this issue are 'Visualization And Memory: The Illustration of Troubadour Lyric In A Thirteenth-Century Manuscript' by Sylvia Huot; 'The Margins of Society in Marginal Romanesque Sculpture' by Nurith Kenaan-Kedar; 'The Susanna Crystal of Lothar II: Chastity, the Church, and Royal Justice' by Genevra Kornbluth; 'Concerning the Cotton Genesis and Other Illustrated Manuscripts of Genesis' by John Lowden and 'Images of St. Matthew Commissioned by the Arte del Cambio for Orsanmichele in Florence: Some Observations on Conservatism in Form and Patronage' by Laurie Taylore-Mitchell, bw illustrations Size: 8.5 x 11.

Paperback. Condición: Good. covers have minor edge wear and chipping, corners heavily bumped and creased, binding tight, pages unmarked, 80 pages, periodical published by the International Center of Medieval Art, articles in this issue are 'The Eleanor of Aquitaine Vase, William IX of Aquitaine, and Muslim Spain' by George T. Beech; 'Margaret of Antioch the Demon-Slayer, East and West: The Iconography of the Predella of the Boston Mystic Marriage of St. Catherine' by Lois Drewer; 'Considering a Marginal Master: The Work of an Early Fifteenth-Century Parisian Manuscript Decorator' by Allen S. Farber; 'Mulitple Contracting in the Saint-Denis Chevet' by John James; 'Medieval Mappaemundi and Ptolemy's Chorographia' by John F. Moffitt and ''The Wise Mother': The Image of St. Anne Teaching the Virgin Mary' by Pamela Sheingorn, bw illustrations Size: 8.5 x 11.

paperback. Condición: New. 1st.

Condición: New.

Hardback. Condición: New. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned and Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned and Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.

Hardcover. Condición: new. Hardcover. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Booklet - Unbound Pages. Condición: Very Good. 9 pages. From Speculum, A Journal of Medieval Studies. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 17 x 26 cms. Category: Speculum; Cosmo Books : 28 years selling on ABE; 28 years of taking care of customers on ABE; A seller you can rely on.

hardcover. Condición: New.

paperback. Condición: New.

Hardback. Condición: New. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'.The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned and Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned and Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.

Soft Cover. Condición: Very Good. 123 + pp. March 1964, Vol. XLVI, No. 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.