lippold richard (16 resultados)

Condición: Very Good. Estado de la sobrecubierta: None. 346 pages. Hardcover. Black & white photographs. Clean, tight copy. Record # 613839.

Hardcover. Condición: Very Good. Updike edition. Quarto. xii, 346pp. Boards bowed, cloth modestly stained, about very good. Contributions by Louis Auchincloss, Jack Beeson, Hortense Calisher, Ada Louise Huxtable, Wolf Kahn, R.W.B. Lewis, Richard Lippold, Norman Mailer, Cynthia Ozick, and Arthur Schlesinger.

Softcover. 25 x 16,5 cm. Originalbroschur, am unteren Rückenbezug mit 1 cm Ausriss. Vollständig mit den Seiten 65 - 112 der fortlaufenden Jahrgangs-Seitenzählung sowie den Seiten 1-3 der bibliographischen Beilage. Guter, sauberer Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! K10026-422740.

Softcover. 25 x 16,5 cm. Originalbroschur, geringfügig randbestoßen. Vollständig mit den Seiten (1) 402 - 464 der fortlaufenden Jahrgangs-Seitenzählung sowie den Seiten 22-30 der bibliographischen Beilage. Sauber und frisch im Innenbereich, da nicht aufgeschnitten. Guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! K10026-422738.

Softcover, staple-bound; 24 pages; very good condition; small crease to all pages at lower right corner; no internal marks.

Hardcover. Estado de la sobrecubierta: Good. vii, 189 pp. Vision + Value Series. LCC: 6510807 Very good condition; very light yellowing on edges of papers.

Hardcover. Condición: Near Fine. 1st Edition. 1st printing. Book is unread, with only a hint of shelfwear. Autographed by John Updike, Louis Auchincloss, and Cynthia Ozick on title page, at a New York event. A lovely volume, uncommon with any contributors' signatures. No DJ, as issued. 346 pages. Signed by Author(s).

Paperback. Condición: Very Good. Staplebound in card wraps (Covers are white with details of "Working Drawing," interior of covers gold foil. Illustraions and photographs of the designs, sculptures and installations, as well as the artist. 34 items in the exhibition, most not pictured, by dimensons given for all works. Very good with moderate wear to covers and no marks to text, som age toning to coves, sespecially notable at spine. Art/66; 12mo 7" - 7½" tall; 23 pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. B/W Illustrations Ilustrador. First Edition. Vii, 189 Pp. White Cloth. First Printing (No Additional Printing Noted). Fine In Very Near Fine Dust Jacket Priced $12.50, Browning On And Around The Spine Panel.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 116. A perfect gift for your loved ones. Reprinted from 1969 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 116.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 108. A perfect gift for your loved ones. Reprinted from 1967 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 108.

Bruxelles : Association pour la diffusion artistique et culturelle, 1963 - un volume (21,2x26,8 cm) sous couverture originale de Lucio Fontana, 196 pages (+ 20 pages de publicité) sur papier couché abondamment illustrées en noir et en couleurs - textes (essentiellement en francais mais aussi en allemand avec un résumé en français et en anglais in-fine) de Jean-Clarence Lambert, François Mathey, Michel Tapié, Die Gruppe Zero, etc. bon état (couverture légèrement frottée sur 2 cm) - Importante revue entièrement consacrée à l'art moderne dirigée par Ernest Goldschmidt et Bruno Alfieri. Toutes les couvertures des 20 numéros parus ont été composées spécialement par les artistes. Livres.

Condición: Good. Single sheet 9 x 19.5 inches, folded into 6 panels. Very Good. Minor wrinkles and wear. Color and B&W plates. Mailed to Peter Selz by USPS with mailing address on verso. Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Soft cover. Condición: Very Good. Hand-assembled in-house portfolio by renowned American sculptor Richard Lippold (1915-2002), known for his site-specific geometric constructions using wire as a medium, and for his ability to work in harmony with modernist architecture. His body of work includes a long list of public commissions, both indoor and outdoor. Four of his most famous works were installed in New York City: The Sun (1953-56) at the Metropolitan Museum of Art; Seagram Building Construction No. 1 (1959) at the Four Seasons Restaurant; Orpheus and Apollo (1962) at Avery Fischer Hall; and Flight (1963) in what was at the time the Pan Am Building. The portfolio consists of 37 color or black-and-white photographs of sculptures , mostly in situ, on glossy photo paper; 3 illustrations of renderings on matte paper; and 2 two-dimensional schematics for hanging wire sculptures on glossy paper. In addition, there is a fold-out, 4-page spread with Lippold s CV and a listing of representative commissions largely corresponding to what s in the portfolio, plus a page of accolades at the end. The accolades include one from Philip Johnson, who commissioned the Seagram Building project (Lippold is THE architectural sculptor); one from Walter Gropius, who worked with Lippold on Flight and an early sculpture at Harvard (All my life I have tried to cooperate with painters and sculptors to create works to be at one with buildings; Lippold is the only one whose work comes to one with our buildings. The only one!) and NY Times critic John Canaday (He is as important in his generation of sculptors as Calder is in his). Pictured works in the portfolio include World Tree (1950) at the Harvard Graduate Center; Radiant I (1959) at the Inland Steel Building in Chicago; the Four Seasons sculpture, photograph plus schematic; Homage to Our Age (1960) at the J. Walter Thompson Co.; Orpheus and Apollo; Flight; Baldacchino (1970) at St. Mary s Cathedral in San Francisco; Flora Raris (1975) at the Hyatt Regency; Encounter (1974) at the Fairlane Town Center in Dearborn, MI; Ad Astra (1976) at the Smithsonian National Air and Space Museum; Homage to King Faisal (1975) in Riyadh, Saudi Arabia; In Skyspace (1977) at Kish Island, Iran; and SunTree (1982) at a Shinto Shrine in Kyoto, Japan. A number of the images correspond to ones used by the Lippold Foundation as illustrations on their website. Several are credited elsewhere to John D. Schiff. 4to, 22 plastic sheets with images separated by black paper, housed in a plastic ring binder with RIchard Lippold and Lippold embossed in gold on the cover and the spine respectively. Created circa 1982, as that is the year of the last sculpture shown. Unpublished and scarce. Minor bumping and rubbing to portfolio; content NF.

First edition of this work celebrating the history of the American Academy of Arts & Letters on its centenary. Octavo, original cloth, pictorial endpapers. Boldly signed on the the title page by all eleven contributors. Preface and edited by John Updike. In near fine condition. Rare and desirable signed. This work features ten essays by celebrated American authors, each one focusing on a particular decade of the Academy's existence.

Softcover. Condición: Gut bis sehr gut. 1. Auflage. Z : 288 Seiten, 17 x 24, reich illustriert - Sonja Sekula stellt in den renommierten Galerien von Peggy Guggenheim und Betty Parsons aus. 1943 ist sie an der «Exhibition by 31 Women» neben klingenden Namen wie Frida Kahlo, Meret Oppenheim und Sophie Taeuber-Arp zu sehen. Mit Robert Motherwell, Jackson Pollock und Ad Reinhardt stellt sie gemeinsam aus. John Cage und Merce Cunningham zählen ebenso zu ihren Bekannten wie Max Ernst und Marcel Duchamp.