liclair (37 resultados)

paperback. Condición: Good. Some light external wear. Otherwise, very clean, tight, square, and unmarked. A good copy. Pages are clean, text and pictures are intact and unmarred.

Trade Paperback Original. Condición: Very Good. Text is in German and English. 269 p., well illustrated [otob: 21].

Paperback. Condición: new. Paperback. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. This book considers the potential of sexually explicit art to challenge a socially constructed conception of sexuality as well as gender, and explores the sexually explicit as a means to (re-)claim agency for marginalized subjectivities and to emancipate desire from within the patriarchal and heteronormative system. In distinct case studies, the author focuses on works by four US-American artists Robert Mapplethorpe, Joan Semmel, Betty Tompkins, and Tee A. Corinne and situates them in relation to contemporaneous debates associated with the insurgent Sexual Liberation Movements of the 1970s. The book will be of interest to scholars working in art history, visual culture, and gender and sexuality studies. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New. 2025. paperback. . . . . .

Paperback. Condición: new. Paperback. An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts. ambivalent work*s presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. Making a case for polyvalence and simultaneity, ambivalent work*s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history." This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Koeppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pages cm.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condición: New.

Paperback. Condición: New. An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.ambivalent work*s presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. Making a case for polyvalence and simultaneity, ambivalent work*s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history." This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Köppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand.

Condición: New. In.

Condición: New.

Condición: New. pages cm.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. 350.

Paperback. Condición: Brand New. 256 pages. 8.86x5.51x8.86 inches. In Stock.

Condición: New. pages cm.

paperback. Condición: New. Special order direct from the distributor.

Paperback. Condición: Brand New. 256 pages. 8.86x5.51x8.86 inches. In Stock.

Paperback. Condición: new. Paperback. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. This book considers the potential of sexually explicit art to challenge a socially constructed conception of sexuality as well as gender, and explores the sexually explicit as a means to (re-)claim agency for marginalized subjectivities and to emancipate desire from within the patriarchal and heteronormative system. In distinct case studies, the author focuses on works by four US-American artists Robert Mapplethorpe, Joan Semmel, Betty Tompkins, and Tee A. Corinne and situates them in relation to contemporaneous debates associated with the insurgent Sexual Liberation Movements of the 1970s. The book will be of interest to scholars working in art history, visual culture, and gender and sexuality studies. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: NEW.

Paperback. Condición: new. Paperback. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. This book considers the potential of sexually explicit art to challenge a socially constructed conception of sexuality as well as gender, and explores the sexually explicit as a means to (re-)claim agency for marginalized subjectivities and to emancipate desire from within the patriarchal and heteronormative system. In distinct case studies, the author focuses on works by four US-American artists Robert Mapplethorpe, Joan Semmel, Betty Tompkins, and Tee A. Corinne and situates them in relation to contemporaneous debates associated with the insurgent Sexual Liberation Movements of the 1970s. The book will be of interest to scholars working in art history, visual culture, and gender and sexuality studies. Structured around sexual desire as the central analytical category, this monograph systematically approaches a heterogeneous array of artworks to purposefully examine the entanglements of art, feminist theory, gender, and sexuality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. Christian Liclair is an art historian and critic. He obtained his Ph.D. from Freie Universitaet Berlin in 2021.Structured around sexual desire as the central analytical category, this monograph systematically approaches a heter.

Paperback. Condición: new. Paperback. An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts. ambivalent work*s presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. Making a case for polyvalence and simultaneity, ambivalent work*s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history." This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Koeppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts. ambivalent work*s presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. Making a case for polyvalence and simultaneity, ambivalent work*s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history." This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Koeppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.ambivalent work*s presents case studies, close- and against-the-grain readings of artworks across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression, and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. Making a case for polyvalence and simultaneity, ambivalent work*s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history." This book features contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Köppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days. 204.