Leeson lynn (74 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condición: Good. Bk&CD-Rom. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Bk&CD-Rom. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Bk&CD-Rom. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condición: As New. Hardcover, with 40-pg side-stapled book bound in, two DVDs (one containing 10 short films, the other a bonus DVD containing"The Power of Nightmares Part III: The Shadows in the Cave"). Near mint+ discs, no visible flaws.

Condición: Good. Bk&CD-Rom. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Softcover, 230 pages, very good minus condition, 1-inch tear with hanging flap to bottom of spine; covers have light creasing; no internal marks. DVD in unopened pouch on inside rear cover. Foreign shipping may be extra.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover, 230 pages, very good condition, clean and crisp; no internal marks. DVD in unopened pouch on inside rear cover. Foreign shipping may be extra.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780941920421. …

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780941920421. …

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780941920421. …

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Very Good.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: As New. Unread book in perfect condition.

Ephemera. Condición: Very Good. --ALL INVENTORY 40% OFF in Sept--Unmarked exhibition card for Lynn Hershman Leeson's exhibition Found Objects at Gallery Paule Anglim, November 5-29, 2008. Exhibition presented in conjunction with The Art of Participation 1950 to Now at the San Francisco Museum of Modern Art. Text on one side. Image from the Olympia series: Stalker, on the other side. Measures 7.75x5.5 inches.…

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. A visionary life at the intersection of art, technology, and feminism.In Private I, Lynn Hershman Leeson one of the most influential conceptual artists of our timeshares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venueshotels, department store windows, San Quentin State Prison, and housing projectswhile she raised her daughter and endured long periods of poverty.To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentationembracing film, video, AI, chatbots, touch screens, even her own DNAto challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Hardback. Condición: New. A visionary life at the intersection of art, technology, and feminism.In Private I, Lynn Hershman Leeson - one of the most influential conceptual artists of our time-shares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venues-hotels, department store windows, San Quentin State Prison, and housing projects-while she raised her daughter and endured long periods of poverty.To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists' lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentation-embracing film, video, AI, chatbots, touch screens, even her own DNA-to challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity. …

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. A visionary life at the intersection of art, technology, and feminism.In Private I, Lynn Hershman Leeson - one of the most influential conceptual artists of our time-shares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venues-hotels, department store windows, San Quentin State Prison, and housing projects-while she raised her daughter and endured long periods of poverty.To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists' lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentation-embracing film, video, AI, chatbots, touch screens, even her own DNA-to challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity. …