leaud jean pierre (32 resultados)

Vintage studio still photograph of actor Jean-Pierre Léaud released as promotion for the 1973 film. One of the great films about film, chronicling the ups and downs in the lives of the cast and crew of shooting a fictional film. Winner of an Academy Award for Best Foreign Language Film, and nominated for Best Supporting Actress, Best Director, and Best Original Screenplay. Shot on location in France. 8 x 10 inches. Near Fine. Criterion Collection 769. Ebert IV.

Press kit blue-tone photograph, two-sided from the 1973 film. The recto (front side) shows Truffaut directing the film's star, Jacqueline Bisset, and the verso (rear side) shows a montage of 10 images from the film, along with a brief synopsis. Truffaut's homage to the drama behind the fourth wall. "Day for Night" chronicles the production of "Je Vous Presente Pamela," a cliched melodrama starring aging screen icon, Alexandre (Jean-Pierre Aumont), former diva Severine (Valentina Cortese), young heart-throb Alphonse (Jean-Pierre Léaud) and a British actress, Julie Baker (Jacqueline Bisset) who is recovering from both a nervous breakdown and the controversy leading to her marriage with her much older doctor. In between are several small vignettes chronicling the stories of the crew members and the director; Ferrand (Truffaut himself) who tangles with the practical problems one deals with when making a movie. Behind the camera, the actors and crew go through several romances, affairs, break-ups, and sorrows. Winner of four Academy Awards, including Best Picture and Best Screenplay, and one of the British Film Institute's Top 100 British films. Historical drama that tells the fact-based story of two athletes in the 1924 Olympics: Eric Liddell, a devout Scottish Christian who runs for the glory of God, and Harold Abrahams, an English Jew who runs to overcome prejudice. 8.5 x 11 inches. Fine.

Condición: Bueno. XXVII Festival Internacional de cine de San Sebastián. San Sebastián 8 - 19 septiempre 1979. España. Rústica. Sin paginar (aprox. 90 pp). 29x14. Pequeña marca de humedad, no afecta al texto.

Tapa blanda. Condición: Como nuevo. Sam Art Projects 13. Excelente ejemplar, como nuevo.

Condición: Como nuevo. Sam Art Projects 13. Excelente ejemplar, como nuevo.

Videokassette. Condición: Wie neu. Neu & OVP - VHS 5P-8VLA-ZRE6 Sprache: Englisch Gewicht in Gramm: 500.

Condición: Fine. The book is in fine condition.

Vintage borderless photograph from the 1973 film. Director François Truffaut positions Jacqueline Bisset for a shot, while a crew member measures for focus in the background. With stamps from the French magazine "Telerama" on the verso. One of the great films about film, chronicling the ups and downs in the lives of the cast and crew of shooting a fictional film. Winner of an Academy Award for Best Foreign Language Film, and nominated for Best Supporting Actress, Best Director, and Best Original Screenplay. 7 x 5 inches. Near Fine. Criterion Collection 769. Ebert IV.

Vintage studio still photograph from the American release of the 1962 French anthology film, showing actors Barbara Lass and Zbigniew Cybulski, who appear in director Andrzej Wajda's segment, "Warsaw." Partial newspaper label, date stamp, and annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An anthology film consisting of five segments, each helmed by a director from a different country. 10 x 8 inches. About Near Fine.

Vintage pressbook for the 1970 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry, Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job. Shot on location in Paris. 9.25 x 12.5 inches. Single leaf, printed on recto and verso. Very Good plus. Criterion Collection 187.

Vintage borderless photograph from the set of the 1970 film. With credits and Cinestar agency stamps, and "Cinestar" in manuscript ink on the verso. The fourth in Truffaut's five film series about the character Antoine Doinel. Christine (Clause Jade) and Antoine Doinel (Jean-Pierre Léaud) are expecting their first child when Antoine has an affair with a woman he meets in a business meeting at his new job after a period of unemployment. Shot on location in Paris France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 187.

Condición: Sehr gut. Gebrauchtes Exemplar in sehr gutem Zustand. Altersfreigabe FSK ab 12 Jahre - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Französisch Gewicht in Gramm: 198 Blu-ray, Maße: 17.7 cm x 13.7 cm x 2.5 cm.

Condición: Sehr gut. Gebrauchtes Exemplar in sehr gutem Zustand. Altersfreigabe FSK ab 12 Jahre - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Französisch Gewicht in Gramm: 198 Blu-ray, Maße: 17.7 cm x 13.7 cm x 2.5 cm.

Two vintage French color lobby cards from the 1968 film, one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry, improvisational take on politics of the late 1960s, follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000.

Vintage borderless photograph of director François Truffaut and actors Jean-Pierre Léaud and Stacey Tendeter on the set of the 1971 film. Agency rubber stamps and manuscript annotations on the verso. Based on the 1956 novel of the same name by Henri-Pierre Roche. 7 x 5 inches. Near Fine.

Vintage photograph of François Truffaut, Jean Cocteau, Jean-Pierre Léaud, and others at the 1959 Cannes Film Festival. With manuscript annotations and agency stamps on the verso. François Truffaut won the award at the 1959 festival for best director for his film "400 Blows." 5 x 7 inches Near Fine.

Vintage borderless reference photograph from the American release of the 1968 French film, showing actors Claude Jade and Jean-Pierre Léaud. Newspaper clipping, 1970 date stamp, and annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A follow-up to director François Truffaut's 1959 film "The 400 Blows," continuing the story of Antoine Doinel, whonow an adulthas been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. About Fine. Criterion Collection 186.

Sin Encuadernar. Condición: Bien. Jean Cocteau Jean Pierre Leaud. Cannes 1959. Foto original 18x24cm. Buen estado.

Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp, contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio, and a tri-fold of advertising materials. One of Godard's most misanthropic films, about a loveless, bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents, Near Fine. Criterion Collection 635. Godard, Histoire(s) du cinema. Rosenbaum 1000. Vogel, Film as a Subversive Art.

Four vintage reference photographs from the 1970 French film, including three from the American release and one from the Spanish release. One with printed mimeo snipes affixed to the verso, along with a date stamp reading MAY 1971. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry, Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job. Shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 187.

Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War, student protests, the changing relationship between the US and France, and other current events of the 1960s, interspersed with news clips, music, and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine.

Vintage oversize borderless reference photograph of Claude Jade from the 1969 film. "Raymond Depardon-Gamma" photographer stamp on verso. Raymond Depardon is a Pulitzer Prize winning photojournalist who, in 1966, co-founded the prestigious photojournalism agency Gamma, and became director in 1973. He also the director of several documentary shorts and feature films, having directed 17 films since 1969, including the 1990 documentary short "La Captive du Desert," which was nominated for the Palm d'Or at the 1990 Cannes Film Festival. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical Antoine Doinel. Set in and shot on location in Paris, France. 8 x 11.75 inches. Light creasing, else Near Fine. Criterion Collection 186. Rosenbaum 1000.

Two vintage borderless reference photographs showing a car accident sequence from the 1967 film, one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films, about a loveless, bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents, with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard, Histoire(s) du cinema. Vogel, Film as a Subversive Art.

Vintage oversize borderless reference photograph from the 1968 French film, showing actor Jean-Pierre Léaud reading a red book, with the Chinese "five-star red flag" reflected in his glasses. "Cahiers du cinema" stamp on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Jean-Luc Godard's wry, improvisational take on politics of the late 1960s, following five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set and shot on location in Paris. 8 x 12 inches. Very Good plus, with moderate wear to the finish. Rosenbaum 1000.

Vintage borderless black and white photograph of a young Jean-Pierre Léaud consulting a roulette table in Cannes, circa 1959. With the stamp of photographer Claude Schwartz on the verso. Léaud made his film debut at 14, as the lead character in Francois Truffaut's "The 400 Blows" (1959), a thinly veiled autobiography of Truffaut's own experiences as an adolescent boy in Paris. The film gained widespread acclaim, and was nominated for the Palme d'Or at Cannes. 7 x 9.5 inches. Near Fine.

Vintage borderless reference photograph, with bottom margin, of François Truffaut and Guy Decomble on the set of the 1959 film. "Les Quatre Cents Coups" and "Telerama" stamps on verso. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. Set in and shot on location in Paris, France. 6.75 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage borderless black-and-white double weight photograph from the set of the 1968 French film noir. With a rubber stamped date of March 12, 1970 on the verso, along with numerous press annotations and markings. A wonderful candid shot of Truffaut, Jade, and Léaud sitting on a park bench during principal shooting of the film. Raymond Cauchetier began his career as a set photographer in 1956, on Marcel Camus' 1957 film, "Fugitive in Saigon." Cauchetier's film career is closely linked to the French New Wave, for whose founders he became a favorite still photographer. Between "Breathless" in 1960, and "Stolen Kisses in 1968 (his final film), Cauchetier worked with most of the emblematic directors of that movement, including Truffaut, Jean-Luc Godard, Claude Chabrol, Jacques Demy, Agnes Varda, and Jacques Rozier. He was honored with a monograph "Photos de cinema: Autour de la Nouvelle Vague (1958-1968)" (Image France Editions, 2007), in which several of his most evocative images can be seen. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical character Antoine Doinel. 9.75 x 8 inches. Some impressions visible on the recto from the press annotations on the verso, otherwise Near Fine. Criterion Collection 186.

Two vintage reference photographs from the set of the 1959 French film, both showing director François Truffaut on the set. Annotations in manuscript pencil relating to cropping on the versos, and one with a provenance stamp. Truffaut's auspicious debut, a semi-autobiographical tale of a young boy's estrangement from his family and school, leading him into a life of petty crime and culminating in trouble with the law. Winner of Best Director at Cannes and nominated for the Palme d'Or. Set and shot on location in Paris, France. 7 x 5 inches. Near Fine. Criterion Collection 5. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Four vintage borderless studio still photographs from the 1962 film. Rare. "Love at Twenty" is anthology film on the titular theme by five filmmakers, Shintaro Ishihara, Marcel Ophuls, Renzo Rossellini, François Truffault, and Andrzej Wajda, united with a score by Georges Delerue and photographs of Henri Cartier-Bresson. Truffaut's short is the second of five films which follow his alter-ego, Antoine Doinel (Jean-Pierre Léaud). The films in the Antoine Doinel series are "The 400 Blows" (1959), "Antoine and Colette" (1962), "Stolen Kisses" (1968), "Bed and Board" (1970), and "Love on the Run" (1979). Antoine, now aged 17, falls in love for the first time to the lovely Colette (Marie-France Pisier), whose feelings, though tender, are not reciprocated. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. Criterion Collection 185.

Original French Grande poster for the 1959 film. Poster design by Boris Grinsson. Truffaut's auspicious debut, winner of Best Director at Cannes, nominated for the Palme d'Or, and also nominated for a Best Original Screenplay Oscar the following year. 47 x 62 inches. Linen backed and rolled. Bright and Fine. Capitaine 207. Warren, Vol. 1, p. 159.