lark horovitz betty (76 resultados)

Encuadernación de tapa blanda. Condición: Bien. Ed. Paidós. Buenos Aires 1965. 1º edición Rústica blanda. 18x11. 92 pp. Buen estado. Psicología. Pedagogía infantil. Enseñanza de las Artes. Libro.

Condición: Bueno. Ed. Paidos. Buenos Aires 1965. Rustica. 18x11. 92 pp. Nombre del anterior propietario.

Encuadernación de tapa blanda. Condición: Aceptable. R13707 Paidós, 1965. 92 pp. Firmado por el anterior propietario. Un grupo de psicólogos eminentes son los autores de este pequeño libro, en el que en forma clara y concisa se estudian los aspectos fundamentales de la formación artística del niño. S.

Blanda. Condición: Buen Estado. Estado de la sobrecubierta: Buen Estado.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.72.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.72.

Condición: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Radierung. Condición: Gut. 54 x 38 mm. *Gutenberg 30.840. - Im Druck signiert. Von der Cossmann-Schülerin sind nur 4 Exlibris bekannt. Die Künstlerin arbeitete u.a. in Wien und Lafayette.- Rückseitig kleine Montagereste. Sprache: Deutsch Gewicht in Gramm: 100.

Radierung. Condición: Gut. 78 x 55 mm. *Gutenberg 30.839. - Im Druck signiert. Von der Cossmann-Schülerin sind nur 4 Exlibris bekannt. Die Künstlerin arbeitete u.a. in Wien und Lafayette.- Rückseitig kleine Montagereste. Sprache: Deutsch Gewicht in Gramm: 100.

Radierung. Condición: Gut. 69 x 68 mm. *Gutenberg 30.841. - Im Druck signiert. Von der Cossmann-Schülerin sind nur 4 Exlibris bekannt. - Rückseitig kleine Montagereste. Sprache: Deutsch Gewicht in Gramm: 100.

Hardcover. Condición: UsedGood. Hardcover; fading and shelf wear to exterior; fading to pages; in good condition with clean text, firm binding. Dust jacket shows scuffing, staining to spine, and a few small edge tears. ASIN: B004BVIFPQ.

Soft cover. Condición: Very Good +. First Edition. TEXT UNMARKED.

Condición: Good. Etching, 12 x 9 cm. .Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547.Provenance: From the estate of the artist .

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good; very good dust jacket. Tall 8 vo. (xi) 259 pp. Reference indices, color plates, b/w illustrations, green cloth-backed boards.

Condición: Good. Wood-engraving on thin rice paper 5.25 x 3.25 inches on sheet size 17 x 11 inches.The English language version isAbdias the Jew, a tale of Hungary; and, Hochwald, a story of the Thirty Years' War. London : R. Bentley, 1851:Graham's American Monthly Magazine of Literature, Art, and .George R. Graham, ?Edgar Allan Poe, ?Charles Jacobs Peterson - 1853We will pass over the youth of Abdias, with the remark, that it was spent amid a . Abdias submissively mounted the camel which knelt down to receive its light .".clung fast with both his hands to the camel, knowing it to be stronger than . Abdias was also careful that the two beasts, the camel and the ass, should feed only ."Der afrikanische Jude Abdias lebt in der Wüste und hortet seine Schätze. Er muss erleben, dass sein Kampf um Reichtum keine Freundschaften wachsen und keine Liebe entstehen lässt, sondern nur Neider auf den Plan ruft. Daher flieht er vor dem Terror seiner Mitmenschen übers Atlasgebirge nach Europa. In einem einsamen Tal will er hier seine Tochter aufwachsen sehen.Mit dieser biblisch anmutenden Erzählung von großer Wucht und Eindringlichkeit schuf Adalbert Stifter, der zu den bedeutendsten Autoren des Biedermeier zählt, eine unvergessliche Figur und ein Sinnbild unserer Zeit. ?Viele Kollegen haben Adalbert Stifter geschätzt, Hofmannsthal, Nietzsche, Thomas Mann.?Stifter ist einer der merkwürdigsten, hintergründigsten, heimlich kühnsten und wunderlich packendsten Erzähler der Weltliteratur.' ? Thomas Mann,1949Andere, und auch viele Leser, fanden ihn nur langweilig. Natürlich, er beschrieb nur die Natur, erfand keine packenden Geschichten. So scheint es. Die Stifter'sche Biografie, sein vermuteter Selbstmord, geben eine andere Ebene frei, die ich immer unter aller Idyllik zu spüren glaubte, und Abdias, die Erzählung von Glück, Flucht und Unglück des Juden Abdias, der über das Atlas-Gebirge nach Europa flieht, um da sein Leben neu zu beginnen und doch nur aufs Neue ins Verderben gerät, ist absolut dramatisch und spannend. Diese Erzählung wollte ich bei parlando schon lange herausbringen. Hier ist sie nun! Vielleicht denken Sie nach dem Hören anders über den Erzähler und Dichter Adalbert Stifter.? ? Christian Brückner.Martha B. Helfer :AbstractAn essay analyzes the discursive construction of ?the Jew? in conjunction with nature metaphors in Stifter's Abdias, and argues that the novella inscribes an anti-assimilationist political agenda. Read as a document in the debate about the ?Jewish question,? Abdias is a cautionary text about the Judaizing of Austrian society: its nature, its economy, and its art.ZusammenfassungEin Aufatz analysiert die diskursive Darstellung der Figur des Juden in Verbindung mit Naturmetaphern in Stifters Abdias. Als politisches Dokument in der aktuellen Debatte zur jüdischen Emanzipation (die sogenannte ?Judenfrage?) gelesen, spricht sich die Novelle gegen die Assimilation aus. Der Text warnt vor dem Einzug ?des Jüdischen? in die österreichische Gesellschaft. In diesem Text bildet ?der Jude? die Grundlage der österreichischen Natur, der österreichischen Wirtschaft und der österreichischen Kunst.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547 Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CAProvenance: From the estate of the artist .

Condición: Good. 4pp. on rag paper. 16 x 13 cm. Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547.Provenance: From the estate of the artist .

Condición: Good. Etching, 24 x 15.5 cm. Before being trimmed. .Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547.Provenance: From the estate of the artist .

Condición: Good. Etching, 24 x 15.5 cm. .Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547.Provenance: From the estate of the artist .

LeatherBound. Condición: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 68. A perfect gift for your loved ones. Reprinted from 1930 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 68.

Condición: Good. Etching. 28.5 x 21cm. Betty Lark-Horovitz (1894-1995) was an artist of international renown. She was commissioned to do etchings of several buildings at Purdue University in 1930. These buildings were Ladies Hall, The Old Dormitory, The Pharmacy Building, University Hall and the Mechanical Engineering Building. The etchings, one of which was in color, were issued in a limited edition. There were only 100 sets, each numbered and signed by the artist. Mr. W. H. Winterrowd, M. E., 1907 conceived of the idea of having the etchings done, and he underwrote the cost, and presented the entire 100 sets to Purdue University. The sets were to be sold and the entire income from their sale was to go to the University. They were sold at $100 per set. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547.Provenance: From the estate of the artist .

Condición: Good. Wood-engraving on thin rice paper watermarked with the face of Ditha (and the number 1399, on some impressions). 5.25 x 3.25 inches on sheet size 17 x 11 inches.Abdias' blind daughter Ditha is struck by Lightning through a Window and her sight is miraculously restored to her.The 1842 anti-semitic novel is by Adalbert Stifter (1805 ? 1868) who was an Austrian writer, poet, painter, and pedagogue. He was especially notable for the vivid natural landscapes depicted in his writing and has long been popular in the German-speaking world, while remaining almost entirely unknown to English readers.The English language version is"Abdias the Jew,a tale of Hungary; and, Hochwald, a story of the Thirty Years' War." London : R. Bentley, 1851.Der afrikanische Jude Abdias lebt in der Wüste und hortet seine Schätze. Er muss erleben, dass sein Kampf um Reichtum keine Freundschaften wachsen und keine Liebe entstehen lässt, sondern nur Neider auf den Plan ruft. Daher flieht er vor dem Terror seiner Mitmenschen übers Atlasgebirge nach Europa. In einem einsamen Tal will er hier seine Tochter aufwachsen sehen.Mit dieser biblisch anmutenden Erzählung von großer Wucht und Eindringlichkeit schuf Adalbert Stifter, der zu den bedeutendsten Autoren des Biedermeier zählt, eine unvergessliche Figur und ein Sinnbild unserer Zeit. ?Viele Kollegen haben Adalbert Stifter geschätzt, Hofmannsthal, Nietzsche, Thomas Mann.?Stifter ist einer der merkwürdigsten, hintergründigsten, heimlich kühnsten und wunderlich packendsten Erzähler der Weltliteratur.' ? Thomas Mann,1949.Andere, und auch viele Leser, fanden ihn nur langweilig. Natürlich, er beschrieb nur die Natur, erfand keine packenden Geschichten. So scheint es. Die Stifter'sche Biografie, sein vermuteter Selbstmord, geben eine andere Ebene frei, die ich immer unter aller Idyllik zu spüren glaubte, und Abdias, die Erzählung von Glück, Flucht und Unglück des Juden Abdias, der über das Atlas-Gebirge nach Europa flieht, um da sein Leben neu zu beginnen und doch nur aufs Neue ins Verderben gerät, ist absolut dramatisch und spannend. Diese Erzählung wollte ich bei parlando schon lange herausbringen. Hier ist sie nun! Vielleicht denken Sie nach dem Hören anders über den Erzähler und Dichter Adalbert Stifter.? ? Christian Brückner.Martha B. Helfer :AbstractAn essay analyzes the discursive construction of ?the Jew? in conjunction with nature metaphors in Stifter's Abdias, and argues that the novella inscribes an anti-assimilationist political agenda. Read as a document in the debate about the ?Jewish question,? Abdias is a cautionary text about the Judaizing of Austrian society: its nature, its economy, and its art.ZusammenfassungEin Aufatz analysiert die diskursive Darstellung der Figur des Juden in Verbindung mit Naturmetaphern in Stifters Abdias. Als politisches Dokument in der aktuellen Debatte zur jüdischen Emanzipation (die sogenannte ?Judenfrage?) gelesen, spricht sich die Novelle gegen die Assimilation aus. Der Text warnt vor dem Einzug ?des Jüdischen? in die österreichische Gesellschaft. In diesem Text bildet ?der Jude? die Grundlage der österreichischen Natur, der österreichischen Wirtschaft und der österreichischen Kunst.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547 Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. Provenance: From the estate of the artist .

Condición: Good. Wood-engraving on laid rag paper watermarked with the face of Ditha (and the number 1399, on some impressions). 5.25 x 3.25 inches on sheet size 10.25 x 8 inches.Abdias' blind daughter Ditha is struck by Lightning through a Window and her sight is miraculously restored to her.The English language version isAbdias the Jew,a tale of Hungary; and, Hochwald, a story of the Thirty Years' War. London : R. Bentley, 1851.Der afrikanische Jude Abdias lebt in der Wüste und hortet seine Schätze. Er muss erleben, dass sein Kampf um Reichtum keine Freundschaften wachsen und keine Liebe entstehen lässt, sondern nur Neider auf den Plan ruft. Daher flieht er vor dem Terror seiner Mitmenschen übers Atlasgebirge nach Europa. In einem einsamen Tal will er hier seine Tochter aufwachsen sehen.Mit dieser biblisch anmutenden Erzählung von großer Wucht und Eindringlichkeit schuf Adalbert Stifter, der zu den bedeutendsten Autoren des Biedermeier zählt, eine unvergessliche Figur und ein Sinnbild unserer Zeit. ?Viele Kollegen haben Adalbert Stifter geschätzt, Hofmannsthal, Nietzsche, Thomas Mann.?Stifter ist einer der merkwürdigsten, hintergründigsten, heimlich kühnsten und wunderlich packendsten Erzähler der Weltliteratur.' ? Thomas Mann,1949Andere, und auch viele Leser, fanden ihn nur langweilig. Natürlich, er beschrieb nur die Natur, erfand keine packenden Geschichten. So scheint es. Die Stifter'sche Biografie, sein vermuteter Selbstmord, geben eine andere Ebene frei, die ich immer unter aller Idyllik zu spüren glaubte, und Abdias, die Erzählung von Glück, Flucht und Unglück des Juden Abdias, der über das Atlas-Gebirge nach Europa flieht, um da sein Leben neu zu beginnen und doch nur aufs Neue ins Verderben gerät, ist absolut dramatisch und spannend. Diese Erzählung wollte ich bei parlando schon lange herausbringen. Hier ist sie nun! Vielleicht denken Sie nach dem Hören anders über den Erzähler und Dichter Adalbert Stifter.? ? Christian Brückner.Martha B. Helfer :AbstractAn essay analyzes the discursive construction of ?the Jew? in conjunction with nature metaphors in Stifter's Abdias, and argues that the novella inscribes an anti-assimilationist political agenda. Read as a document in the debate about the ?Jewish question,? Abdias is a cautionary text about the Judaizing of Austrian society: its nature, its economy, and its art.ZusammenfassungEin Aufatz analysiert die diskursive Darstellung der Figur des Juden in Verbindung mit Naturmetaphern in Stifters Abdias. Als politisches Dokument in der aktuellen Debatte zur jüdischen Emanzipation (die sogenannte ?Judenfrage?) gelesen, spricht sich die Novelle gegen die Assimilation aus. Der Text warnt vor dem Einzug ?des Jüdischen? in die österreichische Gesellschaft. In diesem Text bildet ?der Jude? die Grundlage der österreichischen Natur, der österreichischen Wirtschaft und der österreichischen Kunst.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547 Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CAProvenance: From the estate of the artist .

Condición: Good. Wood-engraving on rag paper 7 x 4.75 inches on sheet size 12.5 x 9.5 inches.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547. Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CAProvenance: From the estate of the artist .

Condición: Good. Wood-engraving on laid rag paper watermarked with a hand or the initials FJH . 5.25 x 3.25 inches on sheet size 10.25 x 8 inches.Abdias' blind daughter Ditha is struck by Lightning through a Window and her sight is miraculously restored to her.Martha B. Helfer :AbstractAn essay analyzes the discursive construction of ?the Jew? in conjunction with nature metaphors in Stifter's Abdias, and argues that the novella inscribes an anti-assimilationist political agenda. Read as a document in the debate about the ?Jewish question,? Abdias is a cautionary text about the Judaizing of Austrian society: its nature, its economy, and its art.ZusammenfassungEin Aufatz analysiert die diskursive Darstellung der Figur des Juden in Verbindung mit Naturmetaphern in Stifters Abdias. Als politisches Dokument in der aktuellen Debatte zur jüdischen Emanzipation (die sogenannte ?Judenfrage?) gelesen, spricht sich die Novelle gegen die Assimilation aus. Der Text warnt vor dem Einzug ?des Jüdischen? in die österreichische Gesellschaft. In diesem Text bildet ?der Jude? die Grundlage der österreichischen Natur, der österreichischen Wirtschaft und der österreichischen Kunst.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547. Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. .Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA.Provenance: From the estate of the artist .

Condición: Good. Original etching. 7.8 x 5.25 inches plate size. 11.6 x 8.55 inches sheet size. Printed on handmade laid paper with Sweden watermark.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condición: Good. Original woodcut in brown 8.75 x 6 inches image size. 11.75 x 8.5 inches sheet size. Signed in in the block, not in pencil. Printed on Holland handmade paper. The artist printed the woodcut in several colors; some are titled and signed in pencil and dated. Some are printed on silk. An archive on the Rudge's is held by University of California, Santa Barbara. Library. Dept. of Special Collections"The collection was acquired over many years, ca. 1966-1999, from family members Fred Rudge and Edwin Rudge (WERIII), as well as Edwin Rudge's daughter, Joanna Rudge Long. Former Rudge employee and UCSB Special Collections consultant Hobart O. Skofield did much of the work accumulating the manuscript and related Rudge imprint collection, and also acquired materials from other Rudge alumni and various dealers."Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condición: Good. Original etching. 7.8 x 5.25 inches plate size. 11.6 x 8.55 inches sheet size. Printed on handmade laid paper with Sweden watermark.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condición: Good. Original etching. 7.8 x 5.25 inches plate size. 11.75 x 8.75 inches sheet size. Printed on handmade laid paper with Sweden watermark.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condición: Good. Original etching. 7.8 x 5.25 inches plate size. 11.75 x 8.75 inches sheet size. Signed in the plate. Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condición: Good. Original etching. 7.5 x 5.5 inches plate size. 11.5 x 8.5 inches sheet size. Printed on handmade laid paper with Sweden watermark.Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. where she created wood-engravings that depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .