lahti christine (38 resultados)

hardcover. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Grubby book may have mild dirt or some staining, mostly on the edges of pages.

Soft cover. Condición: VG+. 1st Edition. A VGF or better 2-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Size: 11" X 14". Book.

Condición: Very Good. . . All orders9781501153198 guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofi t job training program for youth, empowering youth to take charge of their lives by taking charge of a business.

Condición: Very Good. Estado de la sobrecubierta: None. 72 pages, photographs throughout. Sean Penn cover article, as well as pieces on Robert Mandel, Christine Lahti, Hector Babenco. Record # 854092.

Soft Cover. Condición: Good. B&W photo of the 4 stars on the front cover; othercast members: Elan Garonzik, Valerie Mahaffey, Marilyn McIntyre, some rubbing to the front covers with tiny tear at top, otherwise in GOOD COND.

Soft Cover. Condición: Good. This is the playbill for the Noel Coward's "Present Laughter" starring George C. Scott (who also directed the play), Nathan Lane, Kate Burton, Dana Ivey, Christine Lahti, and more; a little browning threw out interior pages; soft rubbing to softcovers.

Condición: Very Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Signed by Author(s). Book.

Condición: As New. Unread book in perfect condition.

Farb-Großfoto (4°), eigenhändig signiert mit persönlicher Widmung.

Draft script for the 1987 film. With a photocopied production document and three blue revised script pages laid in the back of the script. From the archive of crew member Chris Scher. A teenager tries to save her family's farm after her father is injured. Set in and shot on location in Montana. Chris Scher has worked in American films from 1994 to the present. She was a propmaker, construction accountant/estimator/buyer, and carpenter on over 20 movies, including "The Last Seduction" (1994), "Pulp Fiction" (1994), "From Dusk Till Dawn" (1994), "The Horse Whisperer (1998), "Joy Ride" (2001), and others. She also performed the same work for prestige television dramas, including "The Bridge" (2014), "Ozark" (2017), and "Yellowstone" (2018). Red untitled wrappers, with manuscript ink annotation to the front wrapper. Title page present, with credits for screenwriter Victoria Jenkins. 113 leaves, with last page of text numbered 107. Xerographic duplication, rectos only, with undated revision pages throughout. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

Eight vintage full-color still photographs from the 1981 film. Based on a play by Brian Clark, about a sculpture artist paralyzed from the neck down in a car accident. He maintains the ability to talk, but he feels worthless and wants to die. In the hospital he make friends who support him during his court hearing to be allowed to die. Shot on location in Boston, Massachusetts. 8 x 10 inches. Near Fine.

Vintage borderless black-and-white still photograph from the 1981 film. Featuring actor Richard Dreyfus in a black coat and sweater being embraced by actress Janet Eilber, though she has been largely airbrushed out of the photo. Based on the 1975 play by Brian Clark, first adapted into a 1972 television movie directed by Richard Everitt, and adapted for this iteration by Clark with the aid of Reginald Rose. Richard Dreyfus is at his bitter best as an artist who becomes paralyzed from the neck down in a car accident, and who sues for the right to end his own life. Released over a decade before Jack Kevorkian brought the issue to larger public eye, "Whose Life Is It Anyway?" touches on the sensitive subject with a tactful, humorous kindness. Shot on location in Boston. 8 x 10 inches, mounted on 10 x 15 inch mat board, and overlaid with clear acetate. Fine condition.

Original borderless photograph of director Lawrence Schiller consulting with novelist Norman Mailer regarding the script for the 1982 film. With a printed mimeo snipe affixed to the verso. Based on the 1979 Pulitzer Prize winning novel by Mailer, who adapted his own book for the screen, about the final years in the life of convicted murderer Gary Gilmore, following his release from prison in Illinois and through to his re-incarceration in a Provo, Utah prison and eventual execution for having committed multiple murders in Utah. Nominated for five Emmy Awards, winning two, including Outstanding Lead Actor for Tommy Lee Jones. A turning point in television movies, wherein Jones and Arquette play wholly unsympathetic characters without reservation. One of the finest films of the 1980s, on television or the silver screen. Set in Utah and Oregon, shot on location in Utah. 10 x 8 inches. Near Fine. Reyes, 155.

Feature Draft script (television equivalent of a Shooting script) for the 1982 television film, which originally aired November 28, 1982 on NBC. Based on the 1979 Pulitzer Prize winning novel by Norman Mailer, who adapted his own book for the screen, about the final years in the life of convicted murderer Gary Gilmore, following his release from prison in Illinois and through to his re-incarceration in a Provo, Utah prison and eventual execution for having committed multiple murders in Utah. Nominated for five Emmy Awards, winning two, including Outstanding Lead Actor for Tommy Lee Jones. A turning point in television movies, wherein Jones and Arquette play wholly unsympathetic characters without reservation. One of the finest films of the 1980s, on television or the silver screen. Set in Utah and Oregon, shot on location in Utah. Green titled wrapper, noted as FEATURE DRAFT on the front wrapper, dated AUGUST 1, 1981. Title page present, dated August 1, 1981, noted as Feature Draft. 152 leaves, with last page of text numbered 150. Xerographic duplication, rectos only. Pages Fine, wrapper Near Fine, bound with two gold brads. Reyes, 155.