Kunze peter c (245 resultados)

Condición: New.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condición: As New. No Jacket. STAGING A COMEBACK: BROADWAY, HOLLYWOOD, AND THE DISNEY RENAISSANCE, Peter C. Kunze, softcover, 2023. BOOK CONDITION: as new. The text block is in fine condition with no tears, marks, or dog ears. There is no bookplate or signature of a previous owner. Not a remainder or library book. The wraps are in near fine condition (slight curling of upper righthand corner). 9 x 6, 223 pages, 14 ounces XX [From the back cover] In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it was one of the most powerful entertainment conglomerates in the world. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation - not live-action - was the center of a veritable renaissance at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflected and influenced changes in Broadway and Hollywood more broadly. XX "Peter Kunze's STAGING A COMEBACK brings a fresh perspective to the Disney 'renaissance' of the 1980s and 90s. He examines these films' historical connection to the theatricality, anthropomorphic performance, and mediated liveness of classic animation. The book is also noteworthy for the author's innovative research methods, in light of the studio's reluctance to open up to independent scholarship. Kunze shows that if you can't enter the castle over the moat, you can storm it by way of the ramparts (DONALD CRAFTON, AUTHOR OF SHADOW OF A MOUSE: PERFORMANCE, BELIEF, AND WORLD-MAKING IN ANIMATION). XX STAGING A COMEBACK tells a fascinating, complex story of corporate ambition, artistic vision, and theatrical collaboration. Kunze brilliantly reveals how the interdependence of theatre and animation, New York City and theme parks, Hollywood producers and Broadway musical theatre artists enabled Disney's breathtaking success (STACY WOLF, AUTHOR OF BEYOND BROADWAY: THE PLEASURE AND PROMISE OF MUSICAL THEATRE ACROSS AMERICA). XX Peter C. Kunze is an assistant professor of communication at Tulane University. He is editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.…

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Used books may not include access codes or one time use codes. Proven Seller with Excellent Customer Service. Choose expedited shipping and get it FAST.

paperback. Condición: Very Good.

paperback. Condición: Very Good.

paperback. Condición: Fine.

Soft cover. Condición: Fine. No Jacket. 1st Edition. TAKING A STAND: CONTEMPORARY US STAND-UP COMEDIANS AS PUBLIC INTELLECTUALS, edited by Jared N. Champion and Peter C. Kunze, softcover, stated first printing, 2021. BOOK CONDITION: fine. The text block is in fine condition, with no tears, dogears, or marks. No signature or bookplate of a prior owner. Not a library book or remainder. The wraps are in fine condition. 9 x 6, 284 pages, 15 ounces XX [From the back cover] A comprehensive study of comedy as social discourse and how comedians influence public opinion XX Taking a Stand makes a valuable addition to many disciplines, from media studies to gender studies to communication to sociology, not just for the wide breadth of its topics and analysis, but also for the considerable skill with which each chapter is crafted (TED GOURNELOS, author of Popular Culture and the Future of Politics: Cultural Studies and the Tao of South Park). XX Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli's use of problematic postracial humor, Aziz Ansari's merging of sociology and technology, or Maria Bamford's emphasis on mental health, to name just a few. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously. XX JARED N. CHAMPION is assistant professor of writing and interdisciplinary studies at Mercer University. He is editor of Cliffs and Challenges: A Young Woman Explores Yosemite, 1915-1917, PETER C. KUNZE is visiting assistant professor of communication at Tulane University. He is editor or coeditor of multiple publications, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon; American-Australian Cinema: Transnational Connections; and Conversations with Maurice Sendak. …

paperback. Condición: As New. New, unread paperback with light dent across top page edge, so listing as used.

paperback. Condición: Very Good.

Condición: As New. Little to no shelf wear to this new paperback. Pages are tight and unread.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Fine. 1st Edition. Fine copy in softcover. 8vo. Yellow spine with aqua titles.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: New. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live action-was the center of a veritable "renaissance" at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation-not live-action-was the center of a veritable "Renaissance" at Disney and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflects and influenced changes in Broadway and Hollywood more broadly. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. The Disney Renaissance not only reinvigorated the Walt Disney Company, but both reflects and influenced changes in Broadway and Hollywood more broadly. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: new.