kuh katherine (66 resultados)

paperback. Condición: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Paperback Book.

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Washington, D.C.: Archives of American Art, 1987. 45 pages. An interview with Katherine Kuh fills the first 36 pages. . Pictorial Wrapper (softcover). Very Good. 4to. Art periodical.

Paperback. Condición: Very Good. 136 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Katherine Kuh was a notable Chicago-based art critic and curator. *** CONTENTS: Break-up: where, when and why; Break-up of color; Break-up of pigment; Break-up of form; New forms of break-up resulting from Cubism, Futurism and collage; Break-up of content; Break-up of space; Break-up of design and surface; Break-up in sculpture resulting from new methods and materials; A last word. Size: 4to.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover with dustjacket, 136 pages, poor to fair condition; light wear to dj with some closed tears; heavy foxing to outer page edges and foxing to edges of some internal pages. As is. Foreign shipping may be extra.

Paperback or Softback. Condición: New. The Artist's Voice: Talks with Seventeen Modern Artists. Book.

Condición: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: New.

Soft cover. Condición: Fair. Illustrated in black & white. 63 pages. 4to. Trade paperback. The cover is rubbed, with small chips to the spine. 2" split at the bottom of the spine. Inside clean, no writing or markings. A 4 page list of prize winners laid in.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition. 8vo. 272 pp. Near Fine in Very Good dust jacket. Blue and green cloth. Slight shelfwear and soiling to extremities of boards. Wear and toning to jacket.

Paperback. Condición: Very Good-. 46, (2) pages; Contents unmarked and secure in original pictorial wrappers; bumped at upper corners, wrappers rubbed. Many works illustrated (b&w reproductions). This catalogue marked the achievement of the first stage of Joseph Winterbotham's Plan - the acquisition of the key 35 paintings which comprised the collection. Winterbotham further enabled the growth and evolution of the Collection by stipulating once the core was formed, any painting could be sold in order to acquire one of more immediate interest. OCLC: 1887210.

Hardcover. Condición: Very Good. No Jacket. Art in America magazine, Number Three, 1963, in hardcover. About 9 x 12 1/2 inches. Front cover painted by Edward Corbett to represent an abstract vision of "the new landscape." 141 pages. Including articles on new artists such as Marisol, Rosenquist, and Roth; an article on "Archaic Art of New England Gravestones. Boards show wear at edges, top and bottom of spine shows cracking though binding remains firm. Text is clean, no underlining or other marking, no tears, clipped corners or dogears.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Greenwich: New York Graphic Society, (1965) First edition and first printing. Hardcover. 136 pages. Features text by Katharine Kuh. Includes 8 color plates along with 87 black and white illustrations. A tight very good copy in blue cloth boards with white and orange titles to front and spine. Forecorner of front boards exhibits a 1.5 inch puckering in the cloth, evidently residual liqud damage. Binding is square and tight. Text block clean and bright, free fomr markings save wo prios owners names in ffl, along with a small tage from Lauriats Books. Good dust jacket now in mylar. Price clipped, shows edge waet and some soiling to the rear white wrap. Chapters on the break-up of: colour pigment form the consequences of cubism futurism & collage; content; space; design & surface; sculptures new methods & materials. Katharine Kuh (née Woolf; 19041994) was an art historian, curator, critic, and dealer from Chicage. A Vassar graduate, she was the first woman curator of European art and sculpture at the Art Institute of Chicago.

Hardcover. Condición: Good. No Jacket. 185 p. illus. Boards square, light wear to corners, spine lettering worn; signed by author at front free endpaper, photograph of author glued to front pastedown, else contents fine. Additional postage may be necessary for shipment outside the United States. 940 grams. Signed by Author(s).

Paperback. Condición: Very Good +. First edition. 6 x 8 1/2 inches. 6 pages. Color illustrations. Condition is Very Good+, looks new on all points D2 STK.

Soft cover. Condición: Very Good. 1st Edition. Art Institute of Chicago, 1953. Softcover, 90 pp. Exhibition catalog for major Fernand Leger museum show which occured at Art Institute of Chicago, The Museum of Modern Art, NY (MOMA) and The San Francisco Musem of Art (SFMOMA). Very good. Spine is tanned, wraps have light soiling.

Condición: Good. 1962. First Edition. 248 pages. This is an ex-Library book. Black pictorial dust jacket over beige cloth. Library copy, with expected inserts, stamps and inscriptions. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Later. Very good in good dust jacket. Oversized Hardcover has bumped corners and spine, a few dogeared pages, very light browning of some paper, dust jacket chipped and frayed around edges, 1 inch open tear at top and bottom spine.

First 4to, cloth. 121 pp, 66 illustrations (4 in color), bibliography, index. Freitag 5334; Lucas, p. 162. Very good in a torn dj.

Hardcover with dustjacket in protective plastic overwrap, 186 pages; very good condition, except dj has small creases and chips to top and bottom edge with 1-inch missing at top and bottom of spine; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Very Good. First edition. About Very good in wrappers. paperback Text fine. Cover browned, rubbed with wear on spine.

Hardcover. Condición: Very Good. First edition. 9 x 12 inches. 136 pages. Condition is Very Good; dust-spotting to top edge of text block, otherwise excellent. STK.

First edition. Softcover. Exhibition catalog for a show that ran November 23, 1979 through January 20, 1980 to mark the Centennial of this world famous institution. Preface by Warner Arms Wick. Essay by Donald J. Irving on the history of the schol. Essay by Norman Rice. Includes numerous color and black and white illustrations. A near fine copy in wrappers. Internally a clean copy.

Hardback. Condición: Used: Acceptable. Condition good, dj has a few small tears. Why Your 5 Year Old Could Not Have Done That is Susie Hodge's passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and thought-provoking book, she examines 100 works of modern art that have attracted critical and public hostility from Cy Twombly's scribbled Olympia (1957), Jean-Michel Basquiat's crude but spontaneous LNAPRK (1982), to the apparently careless mess of Tracey Emin's My Bed (1998) and explains how, far from being negligible novelties, they are inspired and logical extensions of the ideas of their time. She explains how such notorious works as Carl Andre's Equivalent VIII (1966) the infamous bricks occupy unique niches in the history of ideas, both showing influences of past artists and themselves influencing subsequent artists. With illustrations of works from Hans Arp to Adolf Wölfli, Susie Hodge places each work in its cultural context to present an unforgettable vision of modern art. This book will give you an understanding of the ways in which modern art differs from the realistic works of earlier centuries, transforming as well as informing your gallery visits for years to come. Review 'Informative and well written' - Artists and Illustrators 'Passionate and persuasive' - The Artist 'In its admirable lack of pretentious description, it is equally good reading for those seeking to understand how it is that in the world of modern art, the provocative can conquer the aesthetic' - Daily Telegraph Book Description An enjoyable and thought-provoking book in which Susie Hodge explains why modern art is not, and never has been, child's play From the Back Cover A passionate and persuasive polemic against the most common disparaging remark levelled at contemporary art Modern art is not - and never has been - child's play. A five-year-old might succeed in executing a spin painting such as those of Damien Hirst without understanding the ideas that lie behind it or its place in the history of artistic endeavour, but it does not follow that this work would be of significance to artists and historians. In this enjoyable and thought-provoking book, Susie Hodge examines 100 works of modern art that have attracted critical and public hostility - from Cy Twombly's scribbled Olympia (1957), Jean-Michel Basquiat's crude but spontaneous LNAPRK (1982), to the apparently careless mess of Tracey Emin's My Bed (1998) - and shows how, far from being negligible novelties, they are inspired and logical extensions of the ideas of their time. She places each work in its cultural context to present an unforgettable vision of modern art in a book that will transform and inform your gallery visits for years to come. About the Author Susie Hodge is an art historian, author, artist and journalist with more than 100 books to her name. She has an MA in the History of Art from Birkbeck, University of London, and is a Fellow of the RSA. She has twice been named the No. 1 art writer by the Independent.