Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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Añadir al carritoSoft cover. Condición: Very Good. Very good copy in softcover. Light wear at fore-edge. White spine with black titles.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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Añadir al carritoCondición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
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Añadir al carritoCondición: New.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
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Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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Idioma: Inglés
Publicado por University of Chicago press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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EUR 36,81
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Añadir al carritoCondición: New. Brand New.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
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Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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Añadir al carritoPaperback. Condición: Brand New. illustrated edition. 432 pages. 9.50x6.25x1.25 inches. In Stock.
Idioma: Inglés
Publicado por The University of Chicago Press, US, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 46,05
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Añadir al carritoPaperback. Condición: New. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, "Screening Modernism" is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs' encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema.Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, "Screening Modernism" ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
Idioma: Inglés
Publicado por The University of Chicago Press, US, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 47,34
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Añadir al carritoPaperback. Condición: New. Casting fresh light on the renowned productions of auteurs such as Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, "Screening Modernism" is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, Andras Balint Kovacs' encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema.Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, "Screening Modernism" ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
Idioma: Inglés
Publicado por The University of Chicago Press, Chicago, IL, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
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EUR 47,94
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Añadir al carritoPaperback. Condición: new. Paperback. Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinemas postwar heyday.Spanning from the 1950s to the 1970s, Andras Balint Kovacss encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernisms origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Majestic Books, Hounslow, Reino Unido
EUR 40,82
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Añadir al carritoCondición: New. pp. 432.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 42,26
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Añadir al carritoCondición: New. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Series: Cinema and Modernity. Num Pages: 432 pages, 102 halftones. BIC Classification: 1D; 3JJPG; 3JJPK; APFA. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 26. Weight in Grams: 606. . 2008. Paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 39,44
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Añadir al carritoCondición: New. In.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 36,08
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Añadir al carritoCondición: New.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 36,46
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 36,46
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 50,98
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Añadir al carritoCondición: New. pp. 432 Index.
Idioma: Inglés
Publicado por University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 40,57
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 46,90
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Añadir al carritoPaperback. Condición: Brand New. 183 pages. 9.25x6.25x0.75 inches. In Stock.
Idioma: Inglés
Publicado por University of Chicago Press 1/15/2008, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 60,81
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Añadir al carritoPaperback or Softback. Condición: New. Screening Modernism: European Art Cinema, 1950-1980. Book.
Idioma: Inglés
Publicado por The University of Chicago Press, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 43,04
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
EUR 26,40
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Añadir al carritoCondición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Original o primera edición
EUR 28,00
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Añadir al carritoCondición: Wie neu. 1. Auflage. 256 Seiten. Hardcover, original Pappeinband in sehr gutem Zustand, innen wie außen tadellos. Bitte beachten Sie unsere Bilder. UG151 Sprache: Deutsch Gewicht in Gramm: 630 Gebundene Ausgabe, Maße: 17.8 cm x 2.2 cm x 24.7 cm.
EUR 59,09
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Añadir al carritoPaperback. Condición: Brand New. illustrated edition. 432 pages. 9.50x6.25x1.25 inches. In Stock.
Publicado por L'Age d'Homme, Lausanne,, 1990
Librería: Bouquinerie du Varis, Russy, FR, Suiza
EUR 25,30
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Añadir al carritobroché. 420x165mm, 195pages, photos n/b, Bel exemplaire. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.
Publicado por Akademiai Kiado / Budapest, 1975
Librería: Akademische Buchhandlung Antiquariat, Freiberg, Alemania
Miembro de asociación: BOEV
EUR 30,00
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Añadir al carritoHardcover. Condición: Gut bis sehr gut. 364 S., Lwd., goldgepr. Front- und Rückentitel, OSU, dieser etwas randlädiert, Bibex., typisch gestempelt und mit Reg.-Schildchen auf Front und Rücken des SU, sonst sauber, stabil und komplett.
Idioma: Inglés
Publicado por The University of Chicago Press, Chicago, IL, 2008
ISBN 10: 0226451658 ISBN 13: 9780226451657
Librería: CitiRetail, Stevenage, Reino Unido
EUR 41,59
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinemas postwar heyday.Spanning from the 1950s to the 1970s, Andras Balint Kovacss encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovacs begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernisms origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.